My third contribution to the digital mentor text series centers on the idea of creating a short, live action film. As I mentioned in my post last week, and Franki reiterated, so many times in video production we give students the camera and simply hope that something good comes from it. As (digital) writers, we need to help them become much more intentional about their storytelling.

This short film, “The Power of Words,” went viral (I first saw it from a forwarded email). Sadly, the concept was not original, yet this short commercial gained more traction than the original short movie, “Historia de un letrero, The Story of a Sign.” Yet, that is part of what makes this digital mentor text — an imitation or, more artistically stated, an homage — so interesting. Matt Eventoff has outlined a number of key points related to the construction of the film (as well as implications for public speaking and advertising), so I won’t repeat all of them here, and Lou Hoffman interviews the filmmaker, who acknowledges the influence of the original film. Take a moment to view the video, then let’s think about how we can watch this as a digital mentor text.

There are times when we ask our students to imitate published authors, and to do so quite intentionally. We recognize this not as an act of plagiarism, but as a way for them to study and learn technique. It is interesting to think about the different teachable moments that could come from this conversation about the idea itself — and whether it is “unique” as an intellectual property — as well as about the media employed in the film, thus raising questions about copyright, fair use, and Creative Commons. In academia, it is so ironic that we are all about enforcing the idea that students come up with original writing and that they don’t steal the words of someone else, yet we cram five-paragraph essays and scripted research papers down their throats. If we invite them to imitate a digital mentor text, we need to help them learn how to do it appropriately, and do it well.

I think that this film, as an imitation of another Cannes Festival short, can tell help us generate a number of important questions about when, how, and why we may want to use imitation. Obviously, there are so many examples of what we could want our students to do ranging from movie trailers to PSAs, yet the idea of creating a short film, especially one that imitates an existing film, could be useful for a variety of reasons.

• What are the decisions that the digital writers will have to make about the characters, setting, dialogue, framing, pacing, and other related elements of the film itself? How might you adapt this to your own context?
• What is the main message from the original film and how is that message conveyed? Are there elements in the original film that could be replaced? What must stay the same?
• In what ways can you construct a complete narrative to fit within a certain timeframe, both in terms of the time you have to film it as well as the total length you want for the film? (This reminds me, in some way, of creating a six word story).
• What are the rhetorical techniques at play in this film? Why did the filmmaker(s) construct it in the manner that he/she/they did? What can you, as a digital writer, learn from that construction?

So, those are some thoughts on this short film, one that was created in the image of another short film. If the film itself doesn’t raise some questions for you, then I at least hope that this idea of imitation — when, how, and why to use imitation — certainly does.

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Over the past few weeks, I have been fortunate enough to teach in MSU’s MA in Ed Tech program here in Rouen, France. With the inspiration of Leigh Graves Wolf and Punya Mishra, one of the major foci of the program is on creativity. As I think about how to be more creative in teaching my own pre-service methods courses and leading professional development, this summer has been very helpful for me, allowing me enough flexibility to explore new ideas while also teaching about broad themes in education, as well as educational technology. To that end, we have been inviting the teachers to do “quickfire” types of activities each day, and I wanted to share some of my thinking on some of the creative works that I have developed in the past few weeks alongside my colleagues — and how they can be connected to digital writing — beginning with one that Punya led yesterday.

Multiplicity Photo

Troy's Multiplicity Image (7-20-11)

Yesterday, Punya led us in a conversation about “tensions” in education, and we had to represent our tension through a multiplicity photo. Using my iPhone (solo, so I had to actually record this as a video and take screen shots from the footage), Pixlr, this tutorial, and help from colleagues in class, I was able to produce and submit the photo above. Don’t ask me which tension I was trying to represent exactly, as I am not really sure myself; my composing process got too focsued on the the outcome and the tech, and I really forgot what it was I was supposed to “say.”

What I do know is that it took me a great deal of thinking to do this quickfire because A) I did it alone and we were supposed to have a partner to take the photos, B) I got a late start, and C) even though Punya said we could repurpose a tool like PPT to blend photos together, I knew that I wanted to do something with an image-editing tool (once Photoshop wouldn’t work for me, I switched to Pixlr).

More importantly, I was learning with my students. I normally talk about the fact that I am only one step ahead, and helping them figure things out. But, because I am one step ahead, I look like a tech genius. In this case, I was walking right next to my colleagues, or even a step behind. I had to raise my hand when Punya asked us who wanted a tutorial and, after figuring it out, immediately had to explain the concepts of the layering, erasing, and blending to another colleague, leading her through the process.

This put me in the role of the learner, and only a slightly more knowledgable other. It was good to feel uncomfortable with a technology and process. This reminds me that when I am talking about digital writing tools, no matter how common they are to me, they can still seem completely strange someone who has never used them. Moreover, describing what we did as a composing process is critical, because it helps me frame the task in terms of purpose and audience.

Ignite Presentation

Inspired by the idea of an Ignite-style presentation, in particular this one by Chris Lehmann, Greg and I wanted students to summarize the major problems and possible solutions related to technology integration in education. We also wanted our students to be concise and collaborate. We wanted them to develop an “Authentic Use Policy” for themselves and their colleagues. Knowing that Present.me would be the final tool that we used to share our work and record the five-minute presentation, we knew we needed to have slides in a PPT compatible format. Also, people needed to collaborate. Fast.

So, we went with Google Docs. And, while it didn’t allow us all the flexibility in terms of design, it did work as a collaborative composing space. I recorded the entire 30 minutes or so of the slidedeck coming together using Camtasia, and here is a quick clip of the few minutes that I was working on my slides. Watching what I am doing (playing with fonts, finding a CC licensed image, organizing slides) and what is going on in the background with other partners’ sets of slides shows us a quick glimpse into the collaborative composing process. We had talked about slide design and looked at some resources from Robin Williams’ Non-Designers Design principles, and that helped some of us guide our work.

This collaborative, quick process is one that many of the teachers said could be adapted to their classroom. Moreover, the slides contain information that could be adapted for future PD that they might lead. While it was fast, it captured a semester’s worth of learning, and brought all our voices into the process, both in terms of design and implementation.

Stop Motion Video

Punya has been exploring stop motion with his own children for a number of years, and I have also been inspired by the work of Kevin Hodgson, and I wanted to find a genuine opportunity to try it out with my own. After watching a series of videos that our MAET students created in response to a prompt about creativity, my own children were quite inspired. Lexi, Beau, and I took my iPhone, and some bowling pins that they had been playing with outside, and began to craft a story. Using a lawn chair to steady my camera, we shot dozens of pictures while, at the same time, trying to think about a good story to tell along the way.

They quickly figured out that the one yellow pin should be excluded in some way, and had to figure out how to animate that. They worked together to hold the yellow pin off screen, having her “peek” back in as the bowling ball moved forward to knock down the other pins. At first, we ended the picture taking with the yellow pin standing in the middle, triumphant. But, they were not happy with that ending, as they didn’t feel like the story was really “over.” So, we brainstormed other options. One of them remembered that grandma had just thrown away a red twist tie, and we fashioned that into a smile to put on the yellow pin. After importing those shots, choosing a song, putting in the sound effect, and testing it out on an audience of siblings, we knew that we had created a good story.

While my kids did not “write” in the traditional sense, spending time putting words on paper (or screen), we were clearly engaged in a storytelling process. Also, the fact that they had to think about the story in such small, frame-by-frame increments led them to carefully consider what each pin would be doing. Finally, even though Lexi’s feet were accidentally included in one key shot (that we didn’t want to shoot again because we couldn’t get all the pins back in the exact place), they were able to creatively solve that dilemma by putting a note in the credits.

This has been a fun summer, both in terms of teaching and trying out new digital writing approaches with my kids.



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Another semester has zoomed past and, before these thoughts escape me, and I begin a series of summer workshops and our CRWP summer institute, I am going to try to capture a few of the lessons learned in relation to digital writing and digital teaching. Good lessons seem to come in threes, so here goes:

1. Digital storytelling takes time, and a story to tell (larger lesson: any digital writing takes time, and a distinct audience, purpose, and sensibility to craft and design)

I enjoy digital storytelling, both as a digital writer and as a teacher. I appreciate the ways in which a combination of images, sounds, music, and video — coupled with one’s own voice — can create a multimedia work that is truly more than the sum of its parts. Moreover, I continue to be intrigued by new understandings related to fair use of digital media, and the implications that this has for creating digital stories. So, when I introduce digital storytelling to any group, especially my pre-service teachers, I get excited about the possibilities of what can come.

That said, I also get worried, because sometimes what comes when their stories finally premier are not really digital stories in the sense that they have crafted a narrative and supported it with multimedia. Instead, they are slideshows set to music. While one could argue that I am being snooty in this distinction, I don’t think that I am. Let me elaborate a bit.

If we want writers to compose stories, then we have to expect them to begin with the story. I am not sure where I went wrong with this over the past semester, but as I watched the numerous digital stories that my students produced for their final portfolio, I was amazed by the fact that so few included their own voice (literally, by recording it) even after they asked me if they needed to do that. Also, even after we looked at a few digital stories and talked about the ways the authors used transitions and effects, as well as supporting their tale with music rather than letting the music tell it, I still saw many, many slideshows with music.

So, I am not sure what else to say about this right now except to say that I need to reiterate the idea that digital stories need to, well, tell a story. In your voice. With your voice. More to think about with that in the summer institute.

2. Wikis are the most functional space for digital writing to live

After talking with my friend Steve before the semester about how and why to keep using wikis (after almost making an ill-fated decision to switch to Ning), I am more pleased than ever that I use a wiki for the hub of activity in both ENG 315 and in CRWP.

This semester, I asked my ENG 315 students to post almost all their work to the wiki, as well as to respond to the work of their peers. This really extended the conversations that we were having in class and made having a writer’s profile that much more important because they could link all their work back to it to form a makeshift portfolio. As many of them have continued with their work over the semester, the wiki grew and grew. Now, most have very robust writing profiles that also include their multigenre projects.

I like the idea of calling these writers profiles, as that implies something that will continue to grow and change over time whereas, somehow, “portfolio” seems to be more fixed. Given the ways in which the profiles worked this spring, I hope to use the same strategy in CRWP this summer, the WRITE NOW grant workshop in August, and in my ENG 618 research methods class in the fall.

3. Something is changing in the conversations about literacy and technology

I am really not sure when and how this happened, but Sara and I were talking about the fact that, in the past year or two, the ways in which people talk about technology and education seems to have changed. Even as recently as the workshops I was doing for PROJECT WRITE in 2007-8, it seemed as though participants kept asking “why?” when a new technology was introduced to them (and these were people that volunteered to be a part of the grant). That said, it really seems to me that in the past two years, the question has shifted from “why?” to “how?”

In other words, there really isn’t a lot of time spent on arguing for technology use in education anymore, at least not when I go to a school or conference. Maybe it is because many people have laptops and internet-ready mobile phones. Maybe it is because of a backlash to NCLB. Maybe it is because of the many curriculum documents and reports about 21st century literacies. Probably some combination of all of this, plus a shift in the skills and attitudes that children now bring to school.

All the same, I have begun to find it refreshing that I can start the conversation with a group of pre-service or in-service teachers now and not have to justify technology use so much as I need to talk about the literacy practices enabled by technology. I get my first chance of the summer to have that talk tomorrow with teachers in Littleton, CO, as they work to integrate laptops into their writing courses.

So, considering my approach to digital storytelling, the use of wikis, and the ways in which we talk about technology will continue to be on my mind this summer. I look forward to the continued learning as I participate in the many upcoming PD events I have scheduled for the summer and hope to share more of my thinking here.

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A smorgasbord of sessions from SITE 2010 with the notes I was able to catch from each (some more than others)… enjoy!

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This morning, I was fortunate enough to be invited “home” to present my session, “Creating Your Digital Writing Workshop” at Red Cedar Writing Project‘s WIDE PATHS II. Beyond the wonderful feeling of being “home” with about 30 colleagues from RCWP and sharing my book with them, I continue to be inspired by the amazing work that teachers do in their classrooms and schools, despite the continued barrage of criticisms that come both directly from politicians and the media as well as indirectly from the ways that our society and government structure ”educational reforms” such as Race to the Top. For more on what these “reforms” mean for organizations such as the NWP, check out Sara’s recent post on IdeaPlay.

At any rate, there were many good parts of the day, and ideas from the conversations in the opening session were captured by Dawn on the presentation page. There were a number of issues that came forward, and the conversation was rich since, as a group, we were talking as knowledgeable peers, many already engaged in digital writing practices. Most notably, we thought about a number of issues related to the actual composition of digital texts, moving beyond the logistical questions that often come up (as important as they are) and into conversations about how and why students compose digital texts. Maggie captured one idea (and I am paraphrasing) in the idea that digital media allow us to create texts that are “long enough to accomplish goal, but also short enough to keep interest.”

Then, throughout the day, there were three strands: social networking, collaborative writing, and visual studies. Overall, I feel like the day was filled with timely, relevant, and useful information, right out of the NWP tradition of “teachers teaching teachers.” We worked together, learned some new ideas, got reminded of some ideas I had forgotten (like using Diigo), and, while I couldn’t attend everything, here are some notes from the other wonderful sessions throughout the day.

Social Networking (Andrea Zellner)

• Four components of participation in social networks
  • Digital Citizenship
  • Digital Footprint
  • Personal Learning
  • Impact on Writing
• Thoughts from the discussion, after creating our own personal network maps on paper
  • What does it mean to “know” someone? Be connected to someone?
  • How and when do we connect to someone? To a group? Knowing that we have access to the network at our fingertips, when and how can we leverage it?
  • Thinking about how they are invited to join social networks (Pixie Hallow, Webkinz, Facebook, Second Life) and the commercial/consumer interests that some of these networks have? What about the critical literacy practices that students need to have to understand how they are positioned within and across these networks?
  • Do we create networks that are “echo chambers” where we only listen to others in our own network that do not allow or invite us to think about alternative or opposing ideas?
  • Are we co-opting the purposes of social networks? What are we trying to teach them so that they can be digital citizens? But, are we replicating traditional, teacher-centered practices that would be the same in Blackboard, or are we taking advantage of the aspects of social networks?
  • Resources:
    • Hanging Out, Messing Around, and Geeking Around (Download the book as a free PDF)
    • Clay Shirky’s Here Comes Everybody
    • Visible Tweets

Troy's Social Network Map

Collaborative Writing (Aram Kabodian, Heather Lewis, and LaToya Faulk)

• Heather introduced Etherpad as a tool for collaborative response to an article, then used VoiceThread as another tool for response, too. In using the two types of tools, we were thinking about the ways that text and voice comments can contribute to our own understanding of other texts, including an online article and responding to a video.
  • This got me to thinking more about VoiceThread and how to have students use that as a tool for conferring. I think that the idea of having students comment one another’s work while still “in process” is powerful. Not sure how to embed the comment at the exact moment of the video that it would be pertinent, however. A tool like Viddler‘s commenting feature would work more effectively for that, I think.
  • Lots of time for playing with the tools. Thinking about collaborating across time and space with Skype, Google Docs, VoiceThread, Diigo, and other tools. What is also interesting to me is to think more carefully about the nature of the collaboration…
    • What are the affordances and constraints of the tools?
    • What is the task that we are asking students to complete? How does that enable collaboration, or does it simply require cooperation?
    • Are you asking students to create single-authored, multi-authored, or co-authored products? How does changing the role of the writer change the technology that you are able to use?

Visual Studies (Dawn Reed with Jen Garmon and Reggie Manville)

• Dawn – Showing a number of examples of images as a way to think about critical literacy, especially with images used in media and popular culture texts, for instance:
  • The ready.gov website and parodies of it
  • Forest Gump, and the ability to visually recreate history
  • Kent State image with fence post removed
  • Asking students to define “literacy” and how they experience misinformation and critically evaluate information and images. Thinking about “photographic truth” and the implications of how images are constructed in an age of easy photo manipulation.
• Reggie – Thinking about how to fit visual literacy into the already crammed English curriculum with digital storytelling
  • Moving from statements of belief (ala “This I Believe”) to statements of change created as a digital movie. Combining elements of argumentative writing with visuals.
  • Then moving from this digital video project into understanding how to create a traditional text for the ACT. In this example of women’s body image, this includes ways that the student could use the same arguments and refutations used in the movie project and translating them into traditional essay structures (building context, argument, counterargument, rebuttal, etc).
  • Complexity of assessing these texts with a rubric that was already in place. Looking at three examples — one on body image, one on global warming, one on the “open beverage” rule. But, are there some qualitative differences in these works? I think so, and I am wondering how we can help students see that there are some standards of quality in the production of digital texts. One option would be to have a “viewing” day in the class, and then inviting them to revise based on what they saw in other videos as well as feedback on their own.

Final Reflections on the Day

We were going to have a large group discussion to report out on the day, but ran out of time. My final thoughts are that Andrea and the entire RCWP team organized a wonderfully thoughtful day of exploration into these three strands: social networking, collaborative writing, and visual studies. As we continue to think about the future of what it means to be a writer and a teacher of writing in a digital age, the conversations that began today can continue to guide our work into the future. I look forward to this team sharing their insights at the NWPM retreat this summer!

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Tomorrow, I will be presenting two sessions at the Sessions at Wisconsin State Reading Association Conference. Here are descriptions of the sessions and the related presentations:

From School to Screen: Why Digital Writing Matters (9:30 – 10:45)

Without question, writing continues to change in the twenty-first century. Teachers, administrators, parents, and other stakeholders value the teaching of writing — and see that our very notion of what it means to be literate is evolving –  yet continue to wonder how best to teach writing in a digital age. Based on work with the National Writing Project, we will discuss practices that hold promise as we develop understandings of what it means to write digitally, create spaces for digital writing in our schools, and extend assessment practices that account for the complexities of writing in a digital world.

Creating Your Digital Writing Workshop (1:30 – 3:30)

Digital writing tools such as blogs, wikis, digital stories, and social networks can contribute to what you are already doing in your writing instruction as well as appeal to a new generation of students. Building on the principles discussed in the first session, we will explore how new ways of thinking about well-established practices in the writing workshop—student choice and inquiry, conferring on writing, examining author’s craft, publishing writing, and broadening our understandings of assessment—could be updated for the digital age. With examples of how to teach digital writing throughout, this session will help you create your digital writing workshop. Join the Ning!

For both of these presentations, I want to acknowledge and thank my many colleagues from the National Writing Project with whom I have been able to collaborate in my research, teaching, and professional development work.

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After a wonderful week in Philly and while reflecting on my experiences at the NWP Annual Meeting, “Digital Is” Conference, and NCTE Convention, I was fortunate enough to engage with a Michigan colleague who, as a part of her master’s program, is doing an inquiry project on establishing her own digital writing workshop. She had picked up my book (thanks!) and then had some questions for me, specifically related to her teaching context. With her permission, I share excerpts of our email conversation here in hopes that it may be useful for some of you attempting to establish digital writing workshops in your own classrooms and schools. The exchange begins with her first question, and I have indented my responses for clarity.

1.  Access is my biggest issue.  Currently, I share a laptop cart of 20 with the whole school (about 220 kids).  I do have 5 computers in my classroom, but I am unable to sign out the cart on most days, leaving me one day a week (to compete with the whole school) to sign out the laptops.  I am currently dreaming and searching for grants to get more computers for my own classroom, but access continues to be an issue.  Not all of my students have access to computers or internet at home, and most aren’t able to use a computer during the school day.  (The competition to use one of the classroom computers can be pretty stiff, especially since many of my students have computer usage written into their IEP…  leaving all the others without class time access.)  How does one go “fully digital” without access?  Do I make blogging their weekly writing a requirement and then have them come in during lunch or after school?  Or do I wait on that part until I know everyone has fair access?

I am in a fairly fortunate position…  my class sizes are small.  But how much do I push the envelope?

You are welcome, and thanks for taking the next steps — I applaud your enthusiasm and professionalism. I look forward to hearing about your work.

Cross-posted on the Digital Writing Workshop Ning.



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Danielle Nicole DeVoss asks us to think about what digital was then and is now…

Digital is…

• Networked — we compose in networked spaces
• Collaborative — people are able to connect and create through these networks (LolCats)
• Multimodal — typography, kinetic type, digital stories
• Re-Mediated — taking a media object and recreating it so it moves across media; moving across text to audio to video (StarzBunnies)
• Remixed — taking bits and pieces and parts of other media to create new messages and meaning
• Policed — digital millennium copyright act; You Tube copyright issues (Fair Use)
• (Requires) Critical thinking — because of the visuals (Harry Potter, Redbook)
• (Can be) Democratic — Iran and Twitter, YouTube Debates

Writing is Digital — this is, as Elyse put it, our moment.

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Digital Storytelling: Enhancing Language, Visual, and Media Literacies

MRA 2009 Presentation

Ledong Li, Tingfeng Luo, Wen Wu, Fan Zhang, Oakland University

• What’s Your Story?
• Stories Surround Us
• What is digital storytelling?
• Daniel Meadows: “short personal multimedia tales told
  from the heart”

• Educational Use of Digital Storytelling
• Focus on specific topic and contain a particular point of
  view
• Topics range from personal tales recounting historical
  events, exploring life in one’s own community, to the search for life
  in other corners of the universe
• They can vary in length, but in education they typically
  last between 2-10 minutes

• Procedure
• Write script
• Collect assets
• Create storyboard
• Draft, edit, and finalize
• Publish it as a movie file

• Hardware
• Computer
• External hard drive/flash drive
• Headset with microphone
• Scanner
• Digital Camera/Digital Video Camera
• Facilities with access to internet

• Software
• Movie Tools: Flash, Premiere, Photostory, Movie Maker,
  iMovie
• Imaging Tools: Photoshop, Photoshop Elements, iPhoto
• Audio: Audition, iTunes, Garageband, Audacity
• Players: Windows Media Player, iTunes, VLC, Flash

• Why digital storytelling?
• Storytelling has been important to individuals since the
  early days of civilization
• In education, storytelling remains a way to teach subtle
  points and make elusive abstractions concrete
• With the latest development of computers, multimedia
  systems, and the Internet, “images, sounds, animations, and video
  clips” can be brought together with “texts,” providing a wide range of
  story formats

• The Changing World
• Friedman, “The World is Flat”
• Globalization 1.0 (1492 – 1800) Countries/trade
• Globalization 2.0 (1800 – 2000) Companies/labor
• Globalization 3.0 (2000 – Present) Individuals/internet

• Moving from web 1.0 to web 2.0
• Mode: Reading to writing
• Primary Unit of Content: Page to post
• State: Static to dynamic
• Viewed through: Web browser to Browsers, RSS Readers,
  phones
• Architecture: Client server to web services
• Content created by: Web coders to everyone
• Domain of: Geeks to “mass amateurization”

• What does this mean for learning?
• Obvious answers
• New technologies and tools
• Different workflow processes
• Competition and expectations of end users

• Less obvious answers
• New expectations for the relationship between learners
  and instructors
• New modes of writing and communication
• New literacies

• Web 2.0 to Literacy 2.0
• Web 2.0 – business model focused on a service rather than
  product that values participation, collaboration, and distribution
• Literacy 2.0 – students are appropriating digital
  applications, networks, and services; they are developing new ways of
  reading, writing, viewing, listening, and recording — new ways that
  embody this 2.0 environment
• Literacy 2.0 necessarily involves extensive
  participation, collaboration, and distribution of expertise and
  intelligence

• Purpose of our Study
• Engaging graduate students (in-service teachers) and
  undergraduates (pre-service teachers) in how to make digital stories
• Examine the potential of digital storytelling used to
  enhance traditional and new literacies
• Bridging literacy methods, changing perspectives, how to
  inform instruction

• Roles that participants played
• Writers
• Text editors
• Visual designers
• Image editors
• Voice recording specialists
• Audio editing
• Movie producers

• Impacts on education
• Practical and learner-centered
• Meets ed tech standards
• Enhances literacies: language, visual, media
• Helps build useful skills in web 2.0/literacy 2.0:
  participation, collaboration, distribution

Apologies in advance for what will be a long post here, as my “reflection in action” during the conference consisted more of trying to find free wifi and navigating the Riverwalk than it did of actually having time to sit down and think. I tried to break my thinking up by day, for what that’s worth, and hope that these thoughts are useful for all my readers, especially all my colleagues who were unable to attend.

That said, NWP/NCTE2008 was a wonderful week of connecting and collaborating with colleagues, and there is so much to think about it is hard to know where to begin. So, I will organize it by day.

One thing that I will note here and throughout the rest of this post is that I sensed a definite shift, a change in the tone about how people are talking about newer literacies and technologies. In a sense, it is as if we no longer had to begin every conversation, every presentation with a disclaimer: “let me tell you why I use technology in my teaching of writing.” Instead, the conversations simply began with the premise that we simply are using technology to teach writing.

And that is darn cool.

Now for a summary of the week.

Wednesday, November 19, 2008

Wednesday brought me in early to work on a book project with NWP, and we had some great discussions about the state of digital writing as well as the Letters to the President Project. Having been in the process of interviewing a number of educators this fall, getting this day to work with Danielle and then meet with Elyse
and Christina from NWP brought some clarity to my thinking (something that has been sorely lacking as I have been digging through loads and loads of data). I feel very confident in the work that we did and that the book will be useful for educators in a variety of contexts.

I was able to interview someone from Google about the use of Google Docs in education, and that conversation (among the many I have had with NWP colleagues) reminds me that things are definitely changing. Yes, there are still issues of access and the digital divide. Yet, I think that students and teachers are finding more and more opportunities for thinking about how to teach digital writing because the tools are (almost) all online and (almost) all free. Not to go overboard on the idea of the conference theme, but I could finally see the revolution in action over the course of this weekend. Teachers are beginning, across the board, to make the shift.

Thursday, November 20, 2008

On Thursday, the NWP Annual Meeting kicked off and, for me at least, the best part of the day was the new site meeting. I enjoyed the Writing in a Digital Age session, but then got caught up in other things all afternoon, in particular some great news… Last week, on my birthday, I was pleased to learn from NWP’s Executive Director that Central Michigan University had been awarded an NWP site! Thus, this was my first official meeting as a new site director. When asked how I was feeling, all weekend long I repeated the “excited, but terrified” mantra. Attending the NWP Annual Meeting as a site director was a new experience, and again I was amazed at the ways in which technology and writing were simply a part of the same conversation now. As I begin to think about how to frame the work of our new site, I am encouraged by
the fact that being digital will be a major part of who we are. A talk with Bud Hunt later in the weekend reaffirmed this belief that our site should intertwine our web presence with our core work, and I look forward to tackling that when I get home.

Also, another cool aspect of Thursday was that I was interviewed by Paul and a crew from the Pearson Foundation about how writing is changing in a digital age. They were getting interview with a large number of TCs throughout the annual meeting, and I can’t wait to see how the videos they will be producing turn out.

Here are some of my thoughts from my preparations for that interview:

One disappointment… no more Tech Matters. That institute, more than anything else I have done, has shaped my thinking on teaching digital writing. I will miss it dearly, but understand the choice that was made to go to a more site-focused technology retreat. So, while I am sad to know that Tech Matters is no more, I am encouraged by the work that is happening across the NWP network related to digital writing. There are some promising things on the horizon, one of which I hope becomes this book project.

Thursday night ended with our traditional RCWP dinner. Janet thanked all of us and praised our new site, but I want to say thank you, Janet, both for dinner and for all that you have done to enable teacher leaders to fill entire tables at an annual meeting, reflecting on a year of shared work.

Friday, November 21, 2008

Friday brought breakfast with a friend I hadn’t seen in some time as well as the invitation to be interviewed for NCTE’s Centennial film being produced by John Golden and his colleagues. Wow, what an incredible honor to be invited into that work. He asked me to reflect on how the teaching of writing has changed over the past few years with the advent of Web 2.0. What an honor and a wonderful opportunity. In preparation for that interview, I wrote the following:

Doing that interview really helped me articulate my thinking, and I appreciate the opportunity to have done it.

Friday morning brought me to my first presentation with some NWP colleagues, “Revising the Writing Process: New Literacies in the English Classroom.” Paul Allison, Chris Sloan, Aram Kabodian, and Dawn Reed were able to present their work related to blogging, podcasting, digital storytelling, and social networking to a crowd of over 100 (don’t believe me — check out the pictures below!). I won’t go into detail on the session, as we have all our materials on our wiki, but suffice it to say that the work these four shared is both amazing and timely. Participants left with only a tiny handout — a bookmark with our URL on it — but loads and loads of ideas. I think that my friend and Project WRITE colleague Liz Webb recorded the session as a podcast, and I will try to get a link to it.

From NCTE 2008

Friday dinner brought together friends and alums from MSU, packing a restaurant. A few of us ended up in the Italian place next door when the tables overflowed. Despite missing the conversation with the large group, it was great to spend time with so many people who have ties to the green and white, even if just for a short while.

Saturday, November 22, 2008

Saturday brought a meeting with my editor on another book project, on that I will be very excited to return to as the semester comes to a close and hopefully involve some Project WRITE teachers (as well as their students). Then I was off to present at my Tech To Go kiosk for “RSS Feeds and Teaching English.” Again, more of the work of that session can be found on my wiki, so I want to reflect for a moment on the process of presenting that session (thanks to Bud Hunt for the photo).

My thoughts on the Tech To Go session are mixed, but all in a good way. On the one hand, I wanted to have it be a little more formal with a larger screen and some chairs, so people would feel free to linger. On the other hand, that was precisely the point. People were able to move around, or just stop by is something caught their eye. Having to
reexplain RSS got a little repetitive over the course of the hour and fifteen minutes, but I think that people walked away from the session — no matter how long they stayed — having just enough info to go back and try things out. I hope my wiki page helps them do PD in their own school. As for the Tech To Go Sessions, ideally, I would like to see
them working there with computers in front of them, so they could try it out at the moment. Yet, perhaps there is some value in getting these micro bursts of information about newer literacies and technologies. I
will be interested to see how the conference evaluations reflect people’s experiences with these Tech To Go sessions and to think about how we can shape them for next year.

After browsing books, I was fortunate enough to see Barry Lane heading towards his room with all his gear in tow. After offering a hand to help, and having a quick discussion about when we met in October at the MCTE conference, we were able to walk and talk on the way to his session room. He remembered our conversation in October, reminded me that I needed to send him the podcast (which I finally was able to do
today!), and offered me one of his CDs for helping. When we got to the room with time to spare, he asked if he could interview me for his YouTube channel. I encourage you to watch the video with Corbett Harrison instead!

Video Added 12/5/08

Then, was time for me to sit. Whew…. A session presented by Bill Bass, Melissa Lynn Pomerantz, and Debra Solomon Baker from St. Louis on “Extensions: Using Technology to Extend the English Classroom.” The three of them talked about how they used participatory tools in their classroom, including the use of audio recordings embedded in word docs to give students feedback, a variety of formats for discussion forums, and how to organize your personalized professional development with RSS feeds. It was good to hear Melissa and Debra in particular talk about how very simple uses of technology were having such a profound effect on their teaching.

Later in the afternoon, as PSU was crushing MSU, I was able to ignore the pain of the game by thinking about my third session, “Why Should We Write with a Wiki? Professional Development and the Read/Write Web.” Working with Mary Sawyer and Tim Dewar to frame a session on how pre-service and in-service teachers perceive literacies, I was able to share some of the work of Project WRITE and how teachers engaged in professional learning and collaboration with a wiki. In talking with the two of them, as well as other participants in the session, we were all able to enjoy a thoughtful and engaging close to Saturday. While
Anne Whitney’s Nittany Lions whipped on my Spartans, at least we were able to have a good conversation about how teachers learn digital literacies and we talked about how to continue supporting graduate students in the NWP network.

Saturday night brought a trip down to the San Antonio Market District, and fun night of conversation with RCWP colleagues.

Nacho libre anyone?

Sunday, November 23, 2008

Wow… A “down” day in that I had no presentations to do. Instead, I was able to meet with some colleagues throughout the day to discuss some projects as well as catch a few sessions. One of the more interesting
ones was a panel of British scholars — Julie Blake, Tom Rank, and Tim Shortis — who talked about their work with digitizing texts in the British Library, teaching 21st century literacies to teachers, and understanding the role of txting in our language. All were thought provoking and helped me consider the many ways in which as the nature of literacy continues to change, the ways that we frame the discussions about the change matter as much — if not more — than the changes themselves. The idea that sticks with me most is that we, as educators, can help provide context, in a variety of ways, to the vast bits of knowledge that are out there. The project that the British Library is undertaking to organize and contextualize the texts in their collection is simply mind-blowing.

Also, Kathy Yancey delivered another outstanding address that suggested we reframe the teaching of writing. I can’t even try to capture everything she said, but it was great stuff.

Monday, November 24, 2008

Final day. ACE Workshop. As it has been the past two years, lots of fun to talk with teachers about the use of read/write web tools in the classroom. As always, the sessions were fast-paced and I again talked
about Writing with Wikis. We had fun overwriting each other in Wikispaces, yet it seemed like most participants walked away with some ideas about why and how to use wikis in their classroom. Before we had
to go to lunch, Allen Webb shared his new website, Lit Archives, and talked about a number of ways to engage students in classic literature by harnessing digital versions of those texts and inviting them into virtual worlds.

After eating with my friend Carl Young, I had to catch a cab back to the airport. Finally able to get on wifi for free, I tried to write this blog post but (as you can imagine) ran out of time after checking email and talking with my Michigan colleagues who were about to hop on the plane with me.

So, NWP/NCTE 2008 comes to a close with me writing the bulk of this post (novella?) on the plane heading home towards Detroit. Of all the things that I didn’t do, I feel bad that I didn’t keep up with Twitter via SMS all weekend, as Andrea worked very hard to get that as our networking tool for the weekend. And I missed a lot. A lot. I look forward to reading everyone else’s reflections.

Yet, it was still a good conference. And the talk about technology and newer literacies filled most of the conference presentations and hallway conversations, implicitly or explicitly. I was able to help highlight the work of my colleagues and friends, some who were able to be at the conference and others who were not.

For as much as I did, as many new people as I met and those who I became reacquainted with, I have to say that I am tired. Not looking forward to shoveling snow, although I am looking forward to seeing my kids, my friends, and my family over the holiday weekend.

Happy Thanksgiving to all my students, friends, and colleagues reading this. Thanks for sticking through this post and sharing these reflections, as well as the entire conference, with me.

See you next year in Philly, hopefully with a crew of teachers from our new writing project site.

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