AI in College Writing

As the new semester begins, many faculty are again engaged in an ethical debate about the ways in which their students might use AI in their writing assignments, whether with explicit guidance and permission, or otherwise.

This past week, I was invited to join educational futurist Bryan Alexander and my colleague and collaborator Daniel Ernst as we discussed a number of ideas related to AI and the teaching of writing at the college level. It was a robust discussion, and I encourage you to view the Future Trends Forum recording here.

Over the past few months — as I have been trying to refine my own thinking on AI and writing through blogging, facilitating workshops and webinars, beginning a new book project with my colleague and co-author Kristen Hawley Turner, and reviewing the transcripts of our focus group interviews from the project Daniel and I have been working on — I have begun to summarize the ways in which my colleagues are describing their use of AI in writing instruction in the following manner.

In short, I am hearing educators talk about and seeing ways that AI can serve 1) as a thinking partner, 2) as a research assistant, and 3) as a co-writer. This is an imperfect list, of course, as the tools continue to change. Yet, as 2024 begins and the range of functions available in generative AI writing tools seems to be settling into a few categories, I share some initial thinking on them here.

AI as Thinking Partner

With the many AI tools that students can use as conversational partners (e.g., ChatGPT, Bing, Bard), I wonder how we can encourage them to engage with the AI as a thinking partner, much the same way we would during a writing conference (or encourage them to interact with peers to share ideas and give feedback). How might we encourage students not to simply ask the chatbot to write an essay or story for them, and instead to prompt it for the kinds of feedback that could further their own writing?

For instance, when prompting ChatGPT in this manner — “Given recent weather patterns, I am getting more worried about changes to our environment, and I am working on an argumentative essay on climate change. What are some questions that could help get me started as I think about specific topics to cover in my essay related to sea level change, heat waves, and forest fires?” — it provided me with a decent list of questions that could lead my writing in additional directions.

Similarly, Bard’s Copilot (which I have access to through my institution’s Microsoft license) generated some questions, though perhaps not as nuanced as ChatGPT’s. As just one example, Chat GPT generated “How has the global sea level changed over the past few decades, and what are the primary contributors to this change?” whereas Copilot asked two separate questions “What are the primary causes of sea level change?” and “What are some of the most significant sea level changes observed in the last decade?”

Even having students compare the outputs of these AI tools could be useful, looking at the depth and nuance evident in the questions, and thinking about which set of questions would lead to more substantive, engaging writing. Even if just being used to prompt thinking, encouraging students to use the AI chat tools as a way to develop new inquiry questions is one way to engage with AI as a thinking partner.

Of note, both ChatGPT and Bing provided a similar set of caveats at the end of their output, which are somewhat helpful reminders (if followed by additional instruction and coaching). Here is ChatGPT’s:

“Considering these questions can help you delve into specific aspects of each topic and provide a well-rounded perspective in your argumentative essay on climate change. Remember to back your arguments with credible sources and evidence to strengthen your case.”

ChatGPT Output

On a related note, Paul Allison has been doing a good deal of work to integrate specific GPTs for feedback and scaffolding thinking in NowComment. This is certainly a tool that is worth exploring as we help students engage in substantive dialogue around texts, images, and videos, all supported by scaffolded thinking via GPTs that are customized to specific academic tasks.

AI as Research Assistant

As tools Perplexity, Bing, and Bard continue to integrate sources into the AI output and fight many of the fears about hallucinations and misinformation that have been part of the AI conversation since the fall of 2022, I have begun to wonder what this means for students in their efforts to critically evaluate online sources. In this sense, the AI output itself is one source, as well as the additional sources that are referenced in these outputs.

For instance, in a search for “What is climate change?” via Perplexity, it yielded links to six additional sources in the first sentence, with a total of eight different sources for the article. It produced a clear, concise summary and prompted additional questions that the user could click on and explore. By comparison, a Google search of the same question (and, yes, I know that we aren’t supposed to ask Google questions, yet it is clear that many people do), provided a list of sources and a summary panel from the United Nations.

Of note, it is interesting to see that Perplexity’s sources (UN, two from NASA, World Bank, NRDC, NatGeo, Wikipedia, and BBC, in that order ) are similar to, though not exactly the same as Google’s output in the top ten hits, for me at least: UN, NASA, World Bank, NASA Climate Kids, BBC, NatGeo, US EPA, NASA, Wikipedia, and NRDC, in that order. This, of course, could lead to some great conversations about lateral reading, tracking of user data across the web and privacy, and the ways in which different tools (traditional search as compared to AI-powered search) function.

Moreover, as we begin to see AI embedded directly in word processing tools, this research process will become even more seamless. And, as described in the section below, we will also want to begin thinking about when, why, and how we ask students to engage with AI as a co-writer, relying on the research it has provided to craft our own arguments.

AI as Co-Writer

Finally, the aspect of AI in English language arts instruction that I think is still causing most of us to question both what we do, as teachers, and why we do it, is this idea that AI will take over anything from a small portion to a large degree of our students’ writing process. In addition to the initial fear of rampant, outright cheating and how to catch plagiarists, in conversations with my colleague Pearl Ratunil of Harper College, we are trying to understand more about how AI cuts to the core of who we are as teachers of writing. Teaching writing, in this sense, is deeply emotional work, as we invest time and energy into the success of individual writers, providing them with coaching and feedback. To think, feel, or actually know that they have undermined our efforts at relationship-building, let along teaching specific skills that are then outsourced to AI is, well, deeply saddening.

Yet, back to the main idea here of AI as co-writer. The tools are here, becoming more and more integrated and our student will continue to have access to and use them in their day-to-day writing tasks. I learned about another new-to-me tool the other day, Lex, and that is on my agenda to explore in the weeks ahead. Add that to the list of many tools I keep exploring like Rytr, Wordtune, Quillbot, and more. Lex claims that “With Lex’s built-in AI, the first draft process becomes a joy. No more switching back and forth between ChatGPT and Google Docs,” so that will be interesting to see.

More than simply an auto-complete, these tools do have the capability to help students explore genre and tone, adjusting messages to different audiences based on needs for style and clarity. Just as we would want students to be capable writers using other tools that they have available to them — both technical tools like spelling and grammar checks, as well as intellectual tools like mentor texts and sentence templates — we need to help them make wise, informed decisions about when, why, and how AI can help them as writers (and when to rely on their own instincts, word choice, and voice).

As Kristen Turner and I work on the book this year, I will be curious to see how some of these tools perform to help support different, specific writing skills (e.g., developing a claim or adding evidence). My sense so far is that AI can still help produce generic words, phrases, sentences, and paragraphs, and that it will take a skilled writer (and teacher) to help students understand what they need to revise and refine in the process of writing.

Closing Notes

In my “welcome back” email to faculty this week, I shared the following as it relates to academic integrity issues.


Having had conversations about this with a few of you last fall – and knowing that a few of you dealt with cases of potential AI dishonesty – as we begin this semester, it is worth revisiting any policies that you have in your syllabus related to academic honesty and AI. It is no surprise that I am still, generally, an advocate for AI (with some guardrails), as our own students will need to know how to use it in their professional communication, lesson planning, and in teaching their own students to use AI tools. 

In addition to the many resources on the CIS AI website, one that they have listed is from Dr. Christopher Heard of Pepperdine/Seaver College, who used Twine to create an interactive where you can create a draft of syllabus language that is then free to use and remix because it is in the public domain. This tool could be a useful start, and I would also encourage you to read recent research on the ways that AI plagiarism detection tools are, or are not, doing so well at the task, and that many are biased toward our multilingual learners, the use of AI detection is perhaps dwindling, as some universities are simply abandoning the tools altogether. If we do plan to use plagiarism detection tools at all in our classes, then we need to follow best practices in scaffolding the use of such tools and making students aware of our intentions.  

Finally, consider this student’s perspective in an op-ed for CNN, who encouraged teachers in this manner:  

“We can be taught how to make effective prompts to elicit helpful feedback, ideas and writing. Imagine the educational benefits students can gain by incorporating AI in the classroom, thoughtfully and strategically.”  

Sidhi Dhanda, September 16, 2023

As we focus more intently this semester on core teaching practices, I will be curious to see where the conversations about the use of AI intersect with our goal to prepare the next generation of teachers.  


Throughout it all — as I keep thinking about AI in the role of Thinking Partner, Research Assistant, and Co-Writer — 2024 promises to be another year dominated by the conversations around AI. In the next few weeks, I have at least three professional development/conference sessions on the topic, and I am sure that we will revisit it during our upcoming MediaEd Institute and summer workshops with the Chippewa River Writing Project, as well as the faculty learning community I am participating in at CMU.

In what ways are you rethinking the teaching of writing in 2024 with the use of generative AI writing tools?


Photo by Aman Upadhyay on Unsplash.

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Reflecting on the Many Opportunities to Share in 2023

This past year has allowed me many chances to share updates and ideas related to digital literacy learning, both in my academic writing as well as through regular presentations, workshops, and webinars.

Yet, there were also an unusual number of opportunities to speak with journalists, bloggers, podcasts, and others about topics (mostly, of course, AI), that I have finally updated on my media page and in the list below.

As always, I am grateful for the opportunity to connect and collaborate with colleagues and students around the country and the world, and I look forward to yet another conversation later this week with my co-author Daniel Ernst on Bryan Alexander’s Future Trends Forum.

For now, here is the run down of 2023’s media mentions, with best wishes to all for a great start to 2024.


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Podcast Episode: Conceptually Speaking

With thanks to Trevor Aleo for the opportunity to think through some new ideas related to new literacies and teaching digital literacies, please enjoy this recent episode of “Conceptually Speaking.”

With thanks to Trevor Aleo for the opportunity to think through some new ideas related to new literacies and teaching digital literacies, please enjoy this recent episode of “Conceptually Speaking.” Here is the podcast description, from Trevor:

As melodramatic as it may seem, I’ll never forget the first time I encountered The New London Group’s A Pedagogy of Multiliteracies: Designing Social Futures. After an evening of mindless scrolling in the summer of 2016, I clicked on a fortuitous Facebook post from a fellow English teacher. As I read I became increasingly enraptured. It felt inspiring. It felt fresh. It felt innovative. I assumed it was cutting-edge research. Then I saw the publication date. 1996. Reading that publication date made it abundantly clear educational practice had fallen well behind educational scholarship. It’s a disconnect I notice more and more as I move through my own dissertation. It’s also a lament shared by my esteemed guests. This week I was joined by Dr. Troy Hicks professor of English and Education at Central Michigan University and the Director of the Chippewa River Writing Project and his co-author, Dr. Kristen Hawley Turner: Professor of education at Drew University and director of the Drew Writing Project. Our discussion is coming hot on the heels of their recent publication Digital Literacy (Still) Can’t Wait: Four Questions to Reframe the Conversation around Technology in the English Classrooma follow-up to their 2013 publication No Longer a Luxury: Digital Literacy Can’t WaitThough I’m sure they wish such clarion calls weren’t still necessary, I’m thankful for scholars like them who continue to fight the good fight to bring powerful ideas to practitioners and pose poignant questions about how we use technology in our classrooms. Whether you’re a techno-skeptic or ed-tech enthusiast, Kristen and Troy’s four questions are an invitation for us to use technology in more transformative ways. Enjoy!
Resources:
An Interconnected Framework for Assessment of Digital Multimodal Composition
Dr. Troy Hicks’ Twitter
Dr. Kristen Turner’s Twitter

Trevor Aleo, Conceptually Speaking

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Podcast Interview: Every Day is Earth Day

As we close Earth Day activities, I am grateful to have had the chance to talk with CMLife reporter Teresa Homsi about the intersection of climate change misinformation and media literacy in this April 20 2022 podcast.

As we close Earth Day activities, I am grateful to have had the chance to talk with CMLife reporter Teresa Homsi about the intersection of climate change misinformation and media literacy in this April 20 2022 podcast.

In order to develop solutions to environmental issues, we need to be on the same page and supported by credible, fact-based information. But how do we know what a fact is, what is real and how do we navigate the mess of misinformation? Join guest host Teresa Homsi and professor Troy Hicks as they discuss media literacy – what it is and why it’s important. Hicks is a professor of English and Education at CMU who works with K-12 teachers on implementing media literacy curriculum into their classrooms.


Photo by Elena Mozhvilo on Unsplash

A Fall Full of Conversation: Three Recent Podcasts

Time to binge on some edu-listening! This fall, I have been fortunate enough to be invited to three different podcasts, sharing my passion for teaching writing with technology. Find the links here.

Photo of podcasting equipment by Will Francis on Unsplash
Photo of podcasting equipment by Will Francis on Unsplash

This fall, I have been fortunate enough to be invited to three different podcasts, including Teach Wonder (produced by Ashley O’Neil and Julie Cunningham from CMU’s Center for Excellence in STEM Education), Middle School Hallways (produced by my colleague and co-author Jeremy Hyler), and All About Literacy (produced by my colleagues Erica Hamilton from Grand Valley State University and Deb Van Duinen from Hope College).

I thank them for the opportunity to talk about education broadly, and my passion for teaching writing with technology. Find the specific episodes here:


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Podcast with Ivy Ewell Eldridge on “Writing with Digital Tools”

While attending the California Association of Teachers of English (CATE) conference in February, I was invited to speak with CNUSDEdChat. My thanks to the entire CNUSDEdChat team — Ivy Ewell-Eldridge, Annemarie Cortez, Kim Kemmer, Jenny Cordura, and Kate Jackson — for welcoming me to this conversation. Follow more of their work via their homepage, Soundcloud and Twitter. Enjoy the podcast!

Dr. Ivy Ewell Eldridge chats with Central Michigan University professor and author, Troy Hicks, a super advocate of ways to teach and enhance the process of writing through the use of digital tools. He encourages educators to nurture our students’ curiosity, openness, flexibility, persistence, engagement, and responsibility as they engage in the writing process.


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Ideas from Instagram Live Conversation: “Online Teaching and Learning English”

Edited Post: Video added on May 30, 2020.


Instagram Advertisement - Online Teaching and Learning EnglishEarlier today, I was honored to be invited by Alireza Qadiri Hedeshi, Dean of Foreign Languages Department at Mehryar Institution of Higher Education, for an Instagram Live conversation. Here are some of the questions that he and his colleagues shared, as well as some brief responses that I wrote to prepare for our conversation.


1. You have titled one of your scholarly works “Because Digital Writing Matters”. What do you mean with digital writing? Is it different from ordinary or academic writing?

As we argue in the book, digital writing can be defined as “compositions created with, and oftentimes for reading or viewing on, a computer of other device connected to the Internet.” While that definition was written just as the iPhone and touchscreen devices were being introduced to the consumer market, it still holds up today. Digital writing, in this sense, is writing that can be composed, stylistically/rhetorically as well as technically, for the screen. Hyperlinks, embedded media, and interactivity are hallmarks of digital writing.

And, yes, while traditional academic writing is typically seen as thesis-driven essays with outside citations from reputable, peer-reviewed sources, we are coming to new understandings — as scholars and educators — about what “counts” as a thoughtful, rigorous argument. Intellectuals can present their work in critical and creative ways, employing the tools of digital writing like alphabetic text, of course, as well as photos, graphs, maps, timelines, videos, and other “born digital” artifacts. These artifacts are created for others to engage with them, and can be effective uses of digital writing tools/skills to support academic goals.

At the International Literacy Association Conference last fall, I shared some more ideas about how digital writing and best practices in writing instruction intersect, and here is the handout for that session.


2. How can we improve interaction over online methods of teaching language?

AND

13. In respect with real classroom environments, how can we make effective use of technology in providing learners with feedback?

There are ways that we interact with individual writers, as well as our entire classrooms.

First, with individual writers, there are strategies we can use. In a recent blog post, I argue that, even in times of remote learning, “we can teach writers. And, we can teach them online. To paraphrase Lucy Calkins’ oft-cited advice, we teach the writer first, then we teach the writing.” I offer, in that post, three main practices that we want to continue doing: connecting, conferring, and responding. In another recent webinar, for CCCC/TYCA, I went into more detail and offered a list of tools that could be helpful in that process.

With entire classes, we need to make sure that we are using synchronous video sessions with our students to their full effect. To do that, we need to think about what happens before, during, and after a video class session. When I consider that I might only have an hour of focused time with all my students — and what I want them to do with one another during that time — I think through the types of collaborative activities they might do to talk about their own writing, give one another feedback, and grow their knowledge about language. I may model a writing process for them, using sentence templates and engaging in effective web search and evaluation strategies, then invite them to do the same.

Finally, as we interact from session-to-session, we can think about tools to build continuity and collegiality amongst our students, outside of the normal learning management systems. This is not just a “discussion forum” in the classic sense, but a space for students to engage around course content in an informal manner. For my adult learners, Voxer has been effective for this, however there are many other options that exist.


3. How can we encourage learners to take online medium as serious as real classroom environment?

AND

4. How can teachers keep their authority over online classroom environment?

AND

6. Many ESL teachers find speaking the most challenging skill to teach online as learners tend to be passive listeners in online classes. What can we do to cope with this issue?

When we remain consistent in our approach — regular announcements, effectively run class sessions, brief and engaging instructional screencasts as needed, timely and goal-oriented feedback — students will know that we are taking our teaching seriously, and this will raise their level of expectations. We model the kinds of behavior that we would expect of them by staying organized and efficient, since we can’t rely on regular, face-to-face class sessions for informal conversation and last-minute reminders.

From our webinar the other day, Jessie Borgman (Arizona State University), and Casey McArdle (Michigan State University) shared their Online Writing Instruction Community with many ideas, including their “PARS” approach (Personal, Accessible, Responsive, and Strategic). Another great set of resources for effective online instruction is Global Society of Online Literacy Educators (GSOLE), and their “Online Literacy Instruction Principles and Tenets.” By thinking through these principles, we can design our own online philosophy for teaching, and make it clear to students.

For our actual online sessions, we need to learn how to be strategic in our use of time, as well as become familiar with controls in our video conferencing software. While designed for business people in training sessions, this guide for facilitating remote workshops has some helpful ideas for helping move online meetings along in productive ways. Also, we can use tools like Flippity to share an on-screen tool that will randomly pick student names, so we can let them know that they will be called on soon to take the microphone and turn on the camera. In a worst case, we can mute them, turn off their camera, or kick them out of the remote room.

We can also invite students to use tools like Voxer, mentioned above, or Vocaroo to record their voice and share with one another or the teacher. Also, they could use Flipgrid to have one-to-one, or small group, conversations. This can be done at their own pace, and if they make a mistake, they can rerecord themselves, avoiding embarrassment that would happen in class.


5. How do you suggest learners/teachers to use social networks effectively as means of language acquisition?

AND

7. A big problem is that during online classes, some learners confuse the learning process with chatting language. For example, they use the language developed for chatting (e.g. Thx for thanks or L8 for late). Do you think we should worry about the way they are using the language or regard it as a way of enriching the language?

AND

8. Some learners are unwilling to take part in online classes, as they believe this deprives them of socialization opportunities provided in real classroom environment. Is this claim true? Is there any way through which online world improves their social skills?

We can ask students to think about the tone and style that they might use in social networks and how they need to code switch as they move across different online/social media spaces, as well as communicate in more academic settings. Helping them see that they use a different register of language in these different spaces — and to reflect on why they do so — is one step to making these spaces useful.

Also, we can have them think about how they might use these tools and what they offer (like “streaks” in Snapchat) to stay in touch with another person trying to learn the language. They can communicate with one another each day, and try to maintain their “streaks” in the process.

We could also ask them to think about how they would “translate” a message from one social media form to another. For instance, what would a tweet (without an accompanying image, and using hashtags) look like in Facebook (with use of fonts and colors) or on Instagram (an image with a caption). How would you have to change the style (and amount) of words? What about fonts and colors? These conversations can be helpful for them as they think about the audience, purpose, and media being used.


9. How can we reduce distraction while learning English online?

Teaching our students — and ourselves — to self-regulate is a challenge, no doubt. And, different people have different tolerances for working at their own pace (or in a way other than traditional face-to-face schedules), so we all need to figure out ways to manage our time and attention. I think that it can be done, yes, though there is no single answer that works for everyone.

To that end, I would encourage students to adjust some of their web browser settings and install extensions, turning on ad blockers and using tools to block distracting sites. On their mobile devices, they can turn on “do not disturb” settings (or simply put their devices in another room) while studying. Also, they can set up times to study with classmates, holding one another accountable for getting work done and sharing their progress, as well as more intensive studying. They can also use apps like Duolingo, which “gamifies” the process of learning, if that is motivating for them.

Ultimately, our students need to self-regulate. While we would like to think that they are 100% focused and on-task when they are in our classrooms, we know that is not true. The same is true when they are at home, on their devices. They will not be 100% focused for an entire learning session, whether looking at asynchronous material or in a synchronous video class. We need to acknowledge that, plan for interactive and useful lessons (as noted above), and encourage them to self-regulate and stay motivated in the ways that work best for them.


11. Is it effective to devise a mixed/combinatory method with some skills being taught online and some others in real classroom? (If so, what skills do you suggest to work online?

AND

10. Generally do you think it is possible to learn English via online tools without the help of a tutor?

As I have noted throughout, I think that there are times and places, ebbs and flows, in the learning process. Sometimes, we can accomplish a lot by having our entire class work together, sometimes we meet with them individually or in small groups. Sometimes, we provide a video lesson for them to watch ahead of time, and then we work on something together during class time. Sometimes we set up individual conferences with writers. Whether we are partially or fully online, we need to consider the many ways in which we move back and forth between realtime communication with students and other tasks that can happen over time.

To put this in more concrete terms, and from a student perspective, my writing/language class might look like this over the course of a week:

  • Day 1: My instructor sends me a 10 minute video lesson and the assignment for the week; I start my writing and speaking tasks and communicate with my study parter via Skype for 30 minutes.
  • Day 2: My instructor hosts a one-hour video chat, and has us working in small groups to share our writing. I give feedback to three classmates as we work together for about 15 minutes in a breakout room, then we come back together and my instructor points out good examples of writing from a few classmates. We ask questions in the last few minutes to clarify our assignment for the week.
  • Day 3: Today is an independent work day. My instructor asks us to send a screenshot of what we have accomplished on Duolingo, and I share a voice message on Voxer. I work on my paper, and add comments to my partner’s paper.
  • Day 4: We have our second, one-hour video chat of the week, and our instructor demonstrates how to revise our thesis statements. We watch as he shares his word processing screen, and talks about how he is making revision decisions. We then go into breakout rooms to rework our thesis statements with our small groups, and give one another feedback.
  • Day 5: My instructor has asked us to sign up for 20 minute video conferences, and I shared my draft with him the day before. On the video chat, I tell him about what I am doing with my thesis, and he recommends a few changes. I leave with a good idea of how to revise, and spend the rest of my study time making changes.

As you can see, the student is moving back and forth between synchronous and asynchronous learning, with the whole class and a partner, as well as independently. Having the consistency — yet flexibility — is powerful, and keeps students connected, motivated, and on track to complete their work with support and feedback.


12. Except for saving time and energy, does online teaching/learning have any privileges over real classroom environment?

Well, honestly, I don’t know that teaching online saves time!

As you can see from the example above, my week as an instructor would be spent planning the two, one-hour synchronous class sessions so they are highly engaging and useful. I am also creating a weekly video lesson, and pointing my students to other resources. I am providing written and audio (and, perhaps, video) feedback, and meeting with students in brief video chats. So, I am spending quite a bit of time being intentional about making connections and supporting students.

We can rely on the thousands of things that are already out there to help our students understand grammar and engage in basic writing skills, including websites, videos, online games, flashcards, AI built into word processors, and other resources. They can use those resources, if we guide them in smart ways.

What they need from us is our time and encouragement. That is what we provide when we teach in a manner like the one that I described above. Students have consistent schedules and expectations, and are accountable to us, as teachers, as well as their classmates. They feel connected and valued, and are likely to stay engaged.

This is about more than just pointing them to pre-recorded lessons, online quizzes, and correcting their papers. This is about building relationships, and making their voices heard as writers. It is difficult work, but it is possible if we rethink what it means to be an online teacher of English and to invite our students into meaningful language learning.


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Reflections on Panel Discussion: The Current State of Ed Tech

Delia DeCourcy and I prepare for the panel discussion at Sylvan's owners' meeting.
Delia DeCourcy and I prepare for the panel discussion at Sylvan’s owners’ meeting.

Earlier this morning, I was invited to speak with my colleague Delia DeCourcy, Executive Director for Digital Teaching & Learning, Chatham County Schools, on an educational panel for Sylvan Learning during one of their annual owner meetings in Houston, TX.

The topic was the current state of educational technology, and I was able to share some insights and resources on the questions below. In particular, they are in the process of updating their Sylvan Sync digital learning platform, and they wanted to glean ideas about what they could be doing with this tool, in particular, as well as with broader initiatives related to digital literacy and citizenship.

In interest of full disclosure, please know that I was invited to speak at this event by Sylvan’s Vice President for Education, and my travel costs have been covered. I received no honorarium, nor do I have a financial interest in Sylvan Learning.

That said, here are some thoughts and resources.

Question 1 – How has ed tech changed the way students learn today?

On one level, we could say that learning is more personalized, that students can get immediate feedback through automated scoring, and that they are able to make better decisions about their own learning. We have many great technologies that will help — especially with some of the more mundane aspects of memorization and ensuring comprehension — and there are ways to use those, within reason, and for purposeful learning.

At a deeper level, however, I would encourage us to think about the approach to learning — and the assumption about what “good” learning is — that underlies these practices. What is it, exactly, that we are asking our students to do with technology, and asking the technology to do with and for our students? In this case, we need to look at the pedagogical assumptions underlying the tool, the website, the program.

As it relates to the way that many educational technologies are packaged, I would want us to think more about the ways in which we can use technology to help students do more than consume, to answer questions that fall on the lower levels of Bloom’s taxonomy. Instead, we need to teach them both how to be conscientious consumers of technology and media as well as how to be creative producers of their own products. They need opportunities to represent their learning in many ways, with many forms of media from the written word, to an audio recording, to recording themselves solving a problem with a digital whiteboard demonstration recorded as a screencast.

Question 2 – What is your experience with students as “digital natives”? Are there any assumptions that need to be rethought?

First, we should remember that the term “digital native,” used as shorthand to describe kids who have grown up with persistent and ubiquitous technology, was long ago dismissed by the ed tech community. There is a great article that pushed back on this phrase from both a cultural and intellectual standpoint.

That said, yes, that are quite a few assumptions that we need to consider who millennial students are, what they value, and how they learn. There are technical, social, and academic aspects.

From the technical standpoint, millennial may be on their devices all the time and have exceptional proficiency with a number of apps, websites, games, operating systems, and so forth, yet is safe to say that the vast majority of them still need explicit instruction with technology when we consider higher-level thinking, communication, and problem solving tasks. For instance, I seriously doubt that most students know how to use more than 10-20 basic features in a word processor, most of those having to do with font selection, size, and color. We talked about the use of Ctrl+F for find/replace as a basic tool, but also an opportunity for editing and revision.

We need to acknowledge the social context in which these texts are situated. If you are writing an academic paper for a college course, you better not use spaces to indent. You need to learn how to use tabs. If you are producing a flyer that will be distributed on social media, you better understand the effects of warm and cool colors on a reader/viewer.

So, there are many assumptions that need to be thought, including those that we — as adults and educators — have, including the fact that (though we may not know everything about technology) we do have many experiences as readers, writers, and thinkers that we can reference and build on as we teach students to be thoughtful, productive users of technology.

Question 3 – Has technology created a set of new fundamental skills? What are they? Whose role is it to make sure students have these skills?

Yes, technology has created a new set of fundamental skills, both technical ones (like how to use a device, install a program, and operate software) as well as social ones (such as being a good digital citizen who uses social media in a responsible manner, treats intellectual property in an ethical manner, and engages with technology in a critical, yet creative manner).

Depending on who you ask, that particular set of skills can be very granular — knowing how to keyboard efficiently, being able to operate XYZ program — or they can be quite broad like, as noted here, being a “good digital citizen” which includes many technical and social skills.

We all play a role in teaching students these skills. Of course, parents are their children’s first teachers, so modeling an effective approach to using technology across a variety of contexts, managing one’s own screen time, and setting expectations for children about their use of technology and media is important. Then, yes, the responsibility will fall squarely on the shoulders of educators, as it so often does for all other “wrap around” elements of our work in terms of emotional, financial, health, and other elements of a child’s whole self and education.

We discussed a few resources that could be helpful in this quest, including Common Sense Media’s incredible curriculum for digital citizenship.

Question 4 – What should our centers be doing to make sure we continue to support students with technology expectations of schools and ultimately the job market?

At a minimum, we should be teaching students how to evaluate their own uses of media and technology, to help them be metacognitive about the decisions they are making, both in and out of school. At the next level, I think that we should be teaching them how to explore, evaluate, and employ digital tools and information in creative, academically-appropriate ways. Then, we need to teach them how to collaborate effectively with one another, as well as with others (peers and adults) outside the walls of school.

Open Q & A with Audience

What advice would you give teachers who want to help students identify real news from fake?

As it happens, this is something that I have been working on quite a bit lately. That said, to be very concrete and concise, I will point out two resources, one a website and one a strategy:

What writing types/formats provide the best digital literacy practice for students prepping to enter college or the workforce?

First, let me begin by saying that, just as I would want for my own children, I want all kids to learn how to read and write, both with pencil and paper, as well as with smartphones and laptops. These are tools. So, let’s not confuse the tool with the task.

That said, I would also want for all children, including my own, the opportunity to write in many different genres, for a variety of audiences, and a whole continuum of purposes. So, we know from research on best practices that students need models, they need practice, and they need feedback. They need all of these things, all the time.

Check out Traci Gardner’s list from chapter 4 of her Designing Writing Assignments book:  “Defining New Tasks for Standard Writing Activities”

Is informal language (text speak) ever okay in school writing assignments?

Yes. Depending, of course, on the assignment.

For instance, in writing an essay on text speak, you would certainly want to include examples. If you were writing a story. Even in informal writing assignments (quick writes).

But, as has always been the case with grammar, when we get our writing to a point that it will be made (more) public, we want to make sure that we are using an appropriate tone, with appropriate vocabulary. Context matters.

We also tossed out a number of other ideas/tools in various parts of the conversation, including:

There are, I’m sure, more… but this is what I could recall from the conversation this morning. My hope is that the conversation was useful for those at the event, and that this round up is useful for my readers.


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Updates from Our Book: Argument in the Real World

Image courtesy of Heinemann
Image courtesy of Heinemann

As a writer — both in the sense that I am a blogger and the author of texts for teachers — I am well aware of the fact that writing is never really “done,” it is just “due.” I am thankful that I have the opportunity to keep writing, keep sharing, keep updating. It is as important now as it has ever been.

When my colleague and co-author, Kristen Turner, and I were putting the finishing touches on our book, Argument in the Real World, last summer, we knew that the world would be experiencing digital arguments in many ways across the closing months of the US 2016 election cycle. However, we had no idea that “fake news” or “alternative facts” would become part of the Orwellian discourse. Over the past few months, the incredible team at Heinemann has been sharing a number of posts and videos related to the book:

They also helped us refine the MINDFUL poster:

How to teach students to be MINDFUL readers and writers of social media.
How to teach students to be MINDFUL readers and writers of social media.

Finally, here is a video in which I demonstrate how students can remix existing news content to analyze the implicit arguments presented in the news.

As teachers continue to work with their students to overcome the many challenges we continue to face with media literacy, we will continue to update the book’s wiki page and share more ideas. My hope is that this collection of resources is a good place to begin those difficult lessons and conversations.


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Conversation about Connected Reading on LitBit Podcast

Connected Reading Model
Connected Reading Model

Many thanks to Brooke Cunningham, creator of the LitBit podcast and a doctoral student in the University of Tennessee PhD in young adult literature program, for inviting Kristen Turner and me to share our thoughts on Connected Reading with her listeners. Please listen to and share the episode!