Archive for the ‘Media and Pop Culture’ Category

April Showers Bring Me Back from the Blogging Drought

Wednesday, April 9th, 2008

March was like a lion for me… beginning, middle, and end. I wish there was a better excuse, but that’s the long and short of it. Conferences, prepping my portfolio for my annual review, teaching, grading, etc.

OK, enough of that.

My purpose tonight is to just capture some thinking on a presentation that Rob Rozema and I will give at the Bright Ideas Conference this weekend: Social Networking, Teacher Education, and the English Language Arts.

My main contribution to the presentation will be an annotated bibliography of sources on social networking in education. Here is what I have so far and I welcome any insights that you may have to add to this list. Feel free to comment here or jump right in and add something on the wiki:

Also, I am trying to think about how to discuss the idea of social networking. What I have found with my experiences in using any social technology is that the teacher really is key to making it work. Be it a discussion board, a blog, a wiki, or a social network, if the teacher talks the talk about using technology, yet doesn’t walk the walk, then it is likely that the students won’t follow.

On a related note, I often wonder about our efforts as teachers to adapt technologies that students are using for their own personal purposes and then connecting it to more academic purposes. In what ways does this co-opting of the technology change the use of it, for better and for worse? For instance, in the social network Rob and I set up this semester, I decided not to make it a “requirement” for my ENG 315 class, and I noticed that very few students have been active in the network as an extra curricular activity. What if I had made it a requirement? Would obligatory postings be worthwhile for students? Would the network have grown more in an organic manner, even though I required it to be fertilized?

As I prepare to present this weekend, these thoughts continue to roll around in my head. In some ways, I don’t even know that I consider myself a proficient user of social networks, as I am in a number of Ning, Facebook, and other groups, yet rarely participate in any meaningful way. I am just wondering how the norms of social networking map on to the academic life of a university faculty member, let alone K-12 teachers and students. I know that they can (as the examples above show), but I am still struggling to make it work for my students.


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Randy Bomer’s Keynote about New Literacies

Saturday, March 15th, 2008

Notes from Randy Bomer’s keynote at MRA 2008:

“Writing Transformations: How New Literacies and New Times Invite Us to Rethink Composition”

  • Literacy is changing, literacy as design
  • Obstacles: accountability measures and deficit thinking
    • If we are constantly trying to fill in gaps, we are not moving into the future. Looking at education from a deficit model results in damaging education.
    • You cannot move toward the future from a deficit model
  • Spotting deficit thinking
    • “these kids”
    • “s/h/they have no language/culture/experience
    • “culture of poverty”
    • finger-wagging to parents
      • Varieties in deficit thinking
        • Individual ability/genetics
        • Culture
        • Poverty
        • Language
        • Mass and popular culture
    • Examples
      • Paying kids in NYC for grades to “compete” with what they could earn on the street
      • Motives for teaching that see children as coming from deficient lives
      • See the book: The Evolution of Deficit Thinking edited by Richard Valencia
    • New literacies are not just about machines.
      • Texts call attention to how they are made, how they work materially, and why
      • Thinking about the design of text and interaction with it
      • Spencer Schaffner’s “five paragraph essay” picture (can’t find image online yet, here is his blog)
      • Habits of minds and material
    • Design as a literacy practice
      • Two phases of the writing process:
        • Generating writing in the notebook — used design as a way of thinking about content
        • Publishing — used design as a way to think about how to publish their work
      • Examples of student work
        • Map of the zoo with narrative annotations
        • Story that was drawn out into a graphic novel/comic page, and by drawing was able to add more detail
          • Bomer claimed that the students wrote more on the days that they drew, and students generated more by working in two modalities
        • Brought in pictures and used cropping Ls
        • Transferred pictures that were cropped and focused in on small components
          • Mother’s image from one image
          • Necklace from another
        • Texts in new literacies may be single pieces that are loosely joined
        • Making Journals by Hand by Jason Thompson or Memory Keepsakes or Artists Journal Sketches by Lynne Perella
        • Design Decisions
          • What pathways are the readers going to take?
            • Box, journal, notecards

Rather than see these children and what they could do from a deficit model, we enabled them to produce texts that mattered to them and developed new literacy practices.

Reflections:

As Bomer talked, I appreciated his perspective on new literacies as “avoiding the deficit” model of thinking. This adds a new twist to the discussions of new literacies that I have been reading about recently, both because it honors the socio-cultural perspective that NLS has developed over time and also addresses issues about about accountability and assessment by hitting it head on by using the research on deficit thinking to support the idea that approaching literacy in reductive ways really contributes to poor literacy practices.

Literacy alive and well in computer age - Perspectives - Opinion - Technology

Wednesday, February 6th, 2008

From the Google Reader….

It makes no sense complaining about the decline of the printed word. As it becomes just another medium, we are moving to a kind of multimedia literacy, where capability with print becomes no more important, or useful, than capability with image.

This is not necessarily a bad thing. There is no rule that says that the written word is superior to other forms of media. While some of us are print-oriented and will always remain so, there are people growing up to whom print is of comparatively minor importance.

The vast majority of these people will enter adult life as well educated as the generations before them. But they will rely less on books and newspapers, and more on television and the internet and multimedia.

We are not witnessing the decline of literacy, simply a new type of literacy. It is pointless to make moral judgements about the superiority of one medium over another.

Literacy alive and well in computer age - Perspectives - Opinion - Technology

Graeme Philipson makes a compelling argument for how our culture’s artists such as Doris Lessing and Elton John — both who decry the effects of the internet — need to change their perspectives about literacy in the 21st century. As a topic always on my mind, I found this opinion article a fresh take on the topic, especially the connection that Philipson makes between our thousands of years of oral history that has, only in the past few centuries, become replaced with print. Just because things are changing again doesn’t mean that we are in decline, it simply means that we need to adapt to the change.

This connects with a conversation that I was having yesterday with one of our college’s public relations consultants. She and I were talking about my research interests and how to make “literacy and technology” something newsworthy, and both struggling to find an angle on it. On the one hand, it seems that discussions of technology and literacy should be self evident. Yet, we continue to see school infrastructures and policies, teacher, administrator, and parent attitudes not reflecting a shift in thinking about this, and, as this EdWeek article points out, the fact that what doesn’t get measured, doesn’t get treasured.

So, my question today is thinking about how to make technology and literacy — not just tech literacy, but instead the changing nature of literacy — a key part of the conversation that the media reports on with schools. Clearly, when they publish the box scores for the test results, people stand up and pay attention. Without being punitive, are there ways that we, as educators, can engage the media to get the story of technology and literacy shown to the general public in a compelling manner?

To be more concrete, I want the tone of the conversation in the media to change from “Why aren’t students passing the tests” to “Why don’t students have one-to-one access to laptops for use in their daily reading, writing, calculating, observing, predicting, analyzing, etc.?”

Philipson shows us a way to shift the conversation on the opinion page. Can we think about ways to do it on the front page, too?

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Notes and Reaction from “Growing Up Online”

Wednesday, January 23rd, 2008

Here are some notes and reactions to the “Growing Up Online” special as it goes…

  • Some initial introductions, showing students as deceptive about online activity and generally showing parents as luddites
  • Scenes from schools, teachers claiming that they need to be “entertainers” and that it is difficult for students to focus and can not be engaged in thoughtful discussion
    • Students who haven’t read books because they don’t have time; rule at high school that they aren’t supposed to be using Spark Notes — is this cheating?
    • Students have to submit papers to turnitin.com; searching for instances of plagiarism
    • Do we fight against this, or accept it as reality as how the outside world works — borrowing and stealing as cheating or not
    • “Fighting the good fight” — to keep up educational standards
  • Social networking — the hub of online social life
    • Kids vie forgetting the most friends through MySpace or Facebook — you have to admit that you only know a few of the friends that you meet online
    • These are also the place where kids seem to hash out their conflicts, too
    • Fight recorded and put on YouTube; students reflected on the implications for college and jobs
    • Things that adults take seriously – discretion and privacy – are taken for granted
  • Relationships
    • Sending pictures in provocative settings
    • “You kinda want to look hot, but not too hot”
    • Social networking as a digital representation of identiy; teens are trying on different identities — C.J. Pascoe, Berkely
  • Example of Jessica Hunter
    • Was made fun of in school, led to insercurity
    • Online, she was reborn as “Autumn Edows” and her parents didn’t know
    • Dad – she just disappeared and we would never see here
    • I was fourteen, but looked older and people started noticing – “I was on the computer all day, replying… It was crazy, but I loved it.”
    • “I didn’t feel like myself, but I liked that I didn’t feel like myself.”
    • Dad – call from principal, another parent saw a picture that was “pornographic” as far as she was concerned
    • Jessica’s parents took the computer and looked at every single file – where does the information go and how is it perceived
    • The fame and hundreds of friends were gone as quickly as it had begun – “It seems stupid that I am getting upset over it… but having it taken away is your worst nightmare.”
    • “My fear is that my good kids will make a bad decision… and will pay for it permanently.”
  • Safety and social networking
    • Safe community, but social networking has punctured the safety net
    • What if a stalker gets obsessed with my children?
    • Kids think that nothing bad can happen to them
    • Media coverage of online predators; To Catch a Predator
    • Congressional hearings on predators
    • Son – my mom has always been catious, yet she is overbearing and is having a hard time getting past that
    • One family computer is stationed in the computer
    • Who gets the passwords – should the mom have access to them? Daughter – “It’s my own stuff”
    • “My parents forget that I have been online since second grade.”
    • Only one major study of predators online by Department of Justice that showed most kids know to avoid predatory practices online.
    • Kids engage in a lot more risky behavior offline. Most solicitations were very slight – Danah Boyd
    • Need to begin thinking about what students can do to each other
  • Sara – eating disorders
    • I have a happy-go-lucky life, and then the real life online; thinspiration
    • I will go online and be the anorexic person that I am – some days I am completely ana, other days I am not
    • My parents know nothing is that I like to eat healthy and exercise
  • Sharing on the internet
    • Putting myself out there
    • Power to act on impulse and that is where trouble happens
    • Example of students posting video from concert – some parents were appreciative, and others were mad
    • Students were mad, too, because they were getting in trouble
    • Mom – it is really hard to be on the other side, even though I remember keeping secrets
    • What is next – where else will they hang out that we can’t find them, control them?
  • Cyberbullying
    • Boy who committed suicide after being bullied
    • Others who didn’t realize what was happening, including parents who thought bullying was at school
    • When a popular girl flirted with him on IM, she humiliated him at school
    • the computer amplified the pain that he was feeling in the real world
    • The internet has become a new weapon in the adolescent arsenal
    • We need to teach them good cybercitizenship
  • Fundamental change in the way of life today — Danah Boyd
    • Jessica back online as Autumn Edows
      • Dad — looking for a way to create and reach out
      • My parents do support me
    • Sarah — told parents about eating disorder

Join the conversation online: http://www.pbs.org/wgbh/pages/frontline/kidsonline/talk/

The program provided a thoughtful analysis of adolescents and their online lives, including some of the positive possibilities that kids can engage in as they compose alternative identities. Of course, the dangers were explored, yet they were contextualized in a smart way and in contrast to what we see in traditional news media (for instance, who are the predators and how are kids approached). One thing that I was disappointed about (in the general trends of teens online, not the program itself) was how many of the teens presented are really only using the internet for social networking and feeding their narrow interests, whereas only one teen was shown seriously reconsidering her identity and the positive implications that brought. Where are the kids who are — in thoughtful and productive ways — creating their own content and distributing it to a worldwide audience? What are we doing to push them to use the potential of the internet beyond simply being on Facebook? All in all, a very useful report, one that I might use to show students in my classes.

News from Teachers College: EdTV

Saturday, January 19th, 2008

This promises to be an interesting new twist on the scholarship of teaching. I’ll be watching:

TCRecord: Article
Children and Puppets and Rats, Oh My TCR Welcomes After Ed TV

by Gary Natriello ? January 18, 2008

A new short-form web video channel joins the TCR home page

For 2008 the Teachers College Record is beginning a bit of an experiment by welcoming to its home page After Ed TV, a new web video channel produced at the EdLab at Teachers College. The mission of After Ed is to bring new thinking in the education sector to a wide audience through engaging short-form video. The channel syndicates its content using a video player that can be deployed on any webpage just like it appears on the TCR home page. Complete details on After Ed, including instructions for adding it to any webpage, are available at the main website at http://aftered.tv. There you will find the complete directory of current and past After Ed shows along with a blog in which producers of individual shows discuss the production process. The After Ed player at TCR will present a new video lineup every Friday.

After Ed takes it name from the notion that the rapid pace of change in the post-industrial era has the potential to move the education sector into a decidedly different stage than that which dominated the 20th century. The contours of this new or “after” stage are not entirely clear, but After Ed takes seriously its goal of highlighting the stresses and strains on existing educational systems as well as the growing number of clues about the future of learning.

Open Access to MacArthur Foundation Series on Digital Media and Learning

Thursday, December 13th, 2007

An email from Leigh alerted me to this great set of resources. Check them out:

John D. and Catherine T. MacArthur Foundation Series on Digital Media and Learning - Series - The MIT Press

The John D. and Catherine T. MacArthur Foundation Series on Digital Media and Learning examines the effect of digital media tools on how people learn, network, communicate, and play, and how growing up with these tools may affect peoples sense of self, how they express themselves, and their ability to learn, exercise judgment, and think systematically.

Thanks to the generous support of the MacArthur Foundation, open access electronic versions of all the books in this series are available. Follow the links from each title description below to read these editions.

For more on the MacArthur Foundation’s digital media and learning initiative, visit http://www.digitallearning.macfound.org.

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Pondering the Curricular Value of Digital Writing

Tuesday, July 31st, 2007

A few weeks ago in Chico, I was fortunate enough to meet John Bishop from the other RCWP, Red Clay Writing Project located near Atlanta, and we had a splashing good time there!

Since then, I have been following his blog and I am particularly interested in the recent post that he created about exploring digital storytelling for youth. He asks some key questions there, one being:

3. How can we help foster skills/practices that are “marketable” for youth? In other words, how can we acknowledge various economic/power structures youth face as they navigate through (and exit) different stages of their educational lives? How does/should our work interact with public school curriculums?

I find this particular question relevant to me on three fronts this week as I spend time in meetings and workshops for our writing project’s work. Some of it is still up in the air, so I won’t go into detail here, but three additional questions emerge for me based on some things that are happening in Michigan.

First, Allen Webb has compiled a website that addresses the implementation of the new Michigan High School Content Standards. There is plenty more info there for you to get the entire story, but basically it boils down to the fact that many English teachers in MI are feeling pressure to develop common curriculum and assessments, one that are not — in John’s words — developing “marketable” skills or digital literacies. There is also a petition to sign, and I think that it is worth considering the broader curricular pressures that teachers are under in the scope of John’s questions. How, then, do we begin to engage in serious curricular conversations about teaching digital writing when more and more prescribed curricula seem to be coming down the pike that fail to address it at all?

Second, I am currently attending a workshop sponsored by the Eastern Michigan Writing Project on NWP’s Analytical Scoring Continuum, a scoring rubric redesigned from the six traits model. It has been an interesting workshop so far, and his given us lots to think about in our site’s work and what I will be doing with my pre-service teachers in the fall. That said, my colleague Marcia and I were talking in the car on the way home about the fact that this rubric — like all state assessment/six traits type rubrics — seems to be focused on print-based modes of composition and almost inherently neglects the demands of digital writing. For instance, the idea that writing is “clear and focused” can certainly apply to a blog post like this (I hope), but does it apply to someone creating hypertext fiction with a wiki? This is not a criticism of the model so much as it is me raising the concern, again, that schools are not even thinking about teaching digital writing, let alone beginning to understand the paradigm shift associated with teaching it. How do we help make that shift?

Third, we are beginning to plan for next year’s professional development and — besides needing to figure out exactly what we will offer related to tech-based writing PD — we really need to get some info about research in the field and effectiveness of web-based writing practices. I am going to do some searching on the Pew Internet and American Life site, the MacArthur Foundation’s Digital Learning site, and UConn’s New Literacies Research Team site to see what I can come up with. So, my final question for tonight is this — if you have an empirical studies on digital writing in schools that you can point me to before Thursday morning, could you please post them as comments here?

Thanks for hanging in there with me on this post. I appreciate all the comments — both online and F2F — that you, as readers, give me about this blog. It is very encouraging as a teacher and writer.

And, just so you know, I am finally thinking about doing a more formal podcast starting soon as I am currently an intern in the Webcast Academy. Wish me luck!

Thinking about Critical Media Literacy

Monday, April 23rd, 2007

Last week, I had the opportunity to talk with Susi Elkins, a colleague at MSU that I originally met when I visited her class’s digital portfolio presentation a few summers ago. She plans to develop a critical media literacy professional development session for local teachers, and we talked at length about what might happen in such a session. It has been nearly a week since the discussion, but I will try to capture some of the main ideas here.

First, we talked about what teachers want to get out of a three-hour session. From my experience, they want to find something practical that connects to what they already know and do. Many teachers say, “If I can go to a PD session and come out with one good idea…” So, Susi and discussed what makes a good PD session: a timely and relevant topic, hands-on activities, enough theory and background to situate the work without overloading, and leaving with a strong idea of what to do the next day in the classroom.

We then discussed a number of critical media literacy tasks in which she might have teachers engage. Being a producer at WKAR, she has had numerous experiences that help her think about programming in a way that I, and I imagine most ELA teachers, haven’t thought of. The idea of “expertise” — and what makes someone qualified to talk about something — came up, too, and that is something that I deal with all the time. My answer to that question, especially when working with other teachers, is to acknowledge the collective expertise in the room and to then say that we will be working through things together. You do acknowledge your position as an expert on the content, and their position as teachers. 99 times out of 100, that has worked for me as a professional development leader.

Then, we talked about the good stuff: what is critical media literacy and what would she want her participants to take from the session. My understanding of her goal was two-fold: to engage in discussions about the definition and importance of critical media literacy and to work through a sample lesson on critical media literacy in which the teachers would develop a text from some stock footage that she would bring. I thought that both of these goals seemed appropriate and, given the three hours that she would have to deliver the session, quite ambitious! That said, we discussed many activities that she could do like juxtaposing different takes from different sources on the same story, analyzing the messages in advertisements, and discussing how certain facts, statistics, and polls are employed. All of these strategies would be applicable, we felt, to ELA teachers and hopefully to other content area teachers, too (since her audience might include all subject areas).

We then talked about the production aspect. I suggested that she use JumpCut to have teachers develop competing versions of a single commercial or advertisement based off of the same basic media elements. We also talked about the Educational Video Center (although the name escaped me at the time), and the curriculum that they share in the Teaching Youth Media book. We also discussed Hey Kidz! Buy This Book, a guide for tweens about media literacy. I particularly liked that text when I read it had a great list of propaganda techniques with particular examples so as to make it clear to kids what the different techniques were and how they worked. We talked, too, about possibly using AdBusters. I suggest that Susi might have each teacher use the same media elements and adopt a different technique in the video he or she was creating.

All told, this was a great discussion. I was able to share some ideas that I had about critical media literacy and professional development and Susi gave me some ideas for future collaborations and other resources. In particular, she pointed me to Anastasia Goodstein’s work (this site, YPulse, appears to be her professional blog) as well as “Don’t Buy It” from PBS Kids. I mentioned that it would be great if our digital storytelling camp students this summer could visit the WKAR studio, so that might happen, too. All in all, I enjoyed talking with Susi, and I look forward to future collaborations with her.

Notes on “Identity Interface: Rhetorical Analysis, Graphic Design, and Comics”

Monday, April 9th, 2007

Notes from another CCCC session that I found engaging. In this session, the presenter spent a good deal of time thinking about design from the standpoint of a writing teacher, and I found her angle on it informative. In particular, I found her categories of balance, unity, gestalt, and hierarchy a more nuanced way of talking about the Robin Williams principles of contrast, repetition, alignment, and proximity. I hadn’t really thought about using Homestar Runner for a writing assignment, but now I might.

Here are some notes:

Chandra Lewis-Qualls - “Identity Interface: Rhetorical Analysis, Graphic Design, and Comics”

  • Intro
    • How is identity created in online comics, analyzing with graphic design theories
    • Her subject position: I am a feminist rhetorician interested in visual design and communication, deeply immersed in gaming
  • Graphic Design
    • Mildred Friedman — “Graphic design is an art form that depends for its efficacy on the degree to which words and images communicate a coherent message.”
    • You get the effect of the intent based on what isn’t explicitly evident
  • Why Use Graphic Design?
    • By focusing on design strategies, we can discern alternate ways to shape idetity online
    • Graphic design has a longer history that visual rhetoric and insights from the field could prove valuable
    • It opens up conversations between academics and designers
  • 1964 “The First Things First Manifesto”
    • Graphic design has a long history of critique and wanted to point out the fact that design is not neutral and has value; they were pushing against the consumer and material aspects of graphic design and wanted to share their thoughts on it
  • New Media Analysis
    • Cheryl Ball has suggested that we need to analyze “the semiotic elements [of new media]“
    • New Media critics often look at five major design features and ignores the sub-texts of design
  • Graphic Design Components
    • Balance — controlling the negative space, creating visual interest
      • How are the elements arranged?
      • What effect does this have on the composition as a whole?
    • Unity — creating harmony with a color, shape, or typeface
      • What are the elements that create unity in this piece?
    • Gestalt — the combination of elements create an idea or message that isn’t explicit, but is an underlying argument in the design
      • What is the opinion underlying the design
    • Hierarchy — dominant element in the design of various levels of interest
      • How to create interest
  • Branding and Identity
    • Multiple experience with the product
    • Created through advertising, design, and media
    • A symbolic embodiment of the product
    • Creates associations and expectations
    • Includes explicit logo, fonts, color schemes, etc
  • Focus on web comics
    • Try to create an embodied experience for the characters
    • Homestar Runner.com
    • Irreverent surreal humor
    • Strongbad’s identity
    • Types answers to visitors and is very sarcastic
  • Using these concepts in class
    • How do you visually convey your identity online (ethos)
    • Freshmen create a MySpace page
    • Upper level students create a digital portfolio to represent their work

Reposting: On a “feed”ing frenzy

Wednesday, April 4th, 2007

In August of 2005, I started blogging on the domain that Steve and I bought to host our now defunct podcast. In October, I posted my thoughts on M.T. Anderson’s book, feed. Soon after, I loaned it to Davin, (who I mention in the post below) and just yesterday he stopped by for a surprise visit to return the book. So, with that in mind, I thought that it was timely to repost this summary of the book from my original blog from way back in the day. You know, like less than two years ago, right? Enjoy!


feed coverWell, this has been an up and down weekend. Another chance to talk with pre-service English teachers on Friday about wikis and the like was followed by work and email until one in the morning that night (sad, but true). Then, Saturday, brought a cool, but comfortable day for Spartan football and, inevitably, a blown chance to go 5-2 on the season. Today was spent largely outside doing yard chores, waiting another weekend for our late-turning leaves to fill dozens of lawn bags. Which brings me to now, and the fact that I feel like I need to write about something engaging and, hopefully, useful, so I can cap off the weekend in a positive manner.

So, I will write a little bit about feed, by M. T. Anderson. And, despite the fact that it isn’t the most positive book in the world, there is plenty that it has to say about our consumer culture, internet technology, and what we really value in life. Perfect fiction for me. Here goes…

My introduction to this text was from a colleague, Ninna Roth, who was using it as a part of the Greenrock High School Writers Retreat a few years ago. She told me that it was, by far, the most incredible book that she had ever read (although, like every English teacher, I think her favorites are constantly changing). At any rate, I let the book linger on my shelf for quite some time and, over the summer, mentioned to my son (now a sixth grader) that a friend told me it was a good book. He was interested, so I passed the book on to him with the intention of reading along with him. Well, he read fast. And, he told me, many times, that this was a book that I might not approve of him reading (more on that soon), although it all worked out in the end, because I read it recently and we had many interesting points of discussion to talk about. A few of them included the peer pressure on teens and the constant desire for them to want. To want things. Objects. People. I could put a whole post up on that aspect of it. But this blog is supposed to focus more on technology, so that is where I will go.

The “feed” referred to in the title of Anderson’s text is an extension of today’s always-on internet that is hard-wired, literally, into a person’s limbic system. The feed is available to use for chatting others, pulling up information, getting directions, playing games, “going mal,” and any number of other types of internet that we would use. Although, in Anderson’s world, the feed is tied into the brain, so there are no glasses to wear, headsets to don; people are hooked up from the word go and can be online, all the time. This, of course, allows for the other pervasive online activity to happen, too—advertising. The feed, through some sophisticated demographic profiling and GPS tracking can, without fail, give information to a person looking at a product on a shelf (or merely driving by a store or having a particular emotion that the product could help offset) better than any salesperson could ever hope to. The co-opting force of the dollar has taken over the feed, the internet, and is what—we find out later—makes the whole system run.

Anderson’s main character, Titus, is a typical teen in this connected world. To make a long story short, he meets up with an anti-establishment type, Violet, and they go through a series of events together that bring them together and push them apart at the same time. She attempts to resist the feed, in all its forms. I won’t spoil the end, but thought that you should know a little more about it before I get back to the technology. Wow, this is an unfocused book review. Sorry.

So, back to the tech aspects of it. First, I was trying to figure out if Anderson was truly prescient in his titling of the book, or if he just got lucky. In 2002, when it came out, I hadn’t heard of feeds, or RSS, and I wonder if many others had either. Although Wikipedia points to 1999 as the year feeds really kicked in, I thought that Anderson was just lucky. Then, I was talking with a friend and colleague at MSU, Davin Granroth, and he politely reminded me that news organizations like AP and UPI have been sending news over the wire, “feeding” it to newspapers and other journalists for years. Thanks, Davin, for pointing that out (and please excuse my ignorance of journalism. Duh.).

At any rate, the fact that Titus, Violet, and their friends can get news, or a definition, or anything else that they want, anytime, is both exciting and disheartening. For instance, I think of the fact that I carry my life around with me on a laptop and a cell phone. It is sad, but true, that if I lost this laptop, I would be doomed (at least somewhat—I did back it up on an external hard drive last week). Or, the fact that I don’t know phone numbers of my closest relatives and friends, I just pull up their name in my cell phone (which is, after all, my only phone). Or, that I have Max OS X’s Dashboard widgets constantly running so I can look things up on Wikipedia like the history of RSS. In fact, I think that these widgets are about the closest thing to begin connected to the feed that I have experienced so far, although certainly blogs and podcasts are right up there, too.

Also exciting, but scary, is the fact that because no one really has to know anything, School (with a big TM behind it) is really just a holding pen for these kids, even more so than today. They don’t really need to know anything, they can look it up on the feed. They don’t really have to have an opinion on anything, the feed provides it for them. They don’t really have to want anything in life, the feed tells they what they should do for fun, for love, for an image. At one point, a character is discouraged by the poverty he saw on a trip to, I believe, Mexico and then he turns to his friends and says how he can’t think about that because it is so depressing. That is bad in and of itself and then Anderson has the feed, of course, kick into this kid’s brain with something fun so he could, indeed, forget about poverty. Wow. Talk about me media.

Now, I am all for digital literacy. No shocker there. But, Anderson’s text raises some interesting points about being online, all the time. I talked with my son about this a little bit and I don’t think that he fully understands the implications of it, yet. Is he online? Sure he is? Is he pervasively online? No, not like me (always looking for wi fi gets old, right?). So, his general response to the text was that this is an interesting take on things, but not a likely future. I am not sure so. Anderson places it, as best I can tell by a historical reference in the text, at about the year 2200. The fact of the matter is that I think many of the things that he talks about are already happening.

Spam clogs email inboxes. Spyware watches us (especially those using IE). Banner ads and Google links fill our screens. The democratization of all things that the web was supposed to lead us to hasn’t quite come to fruition. Yet. Perhaps if Web 2.0 technologies continue to emerge and if teachers understand how to harness and use them in classrooms, then we stand a chance. If not, then the types of pervasive connectivity that Anderson envisions could come to fruition. We don’t want Web 3.0 (or whatever version it is in 2200) to look like this.

One other quick note about the text before moving into a final anecdote. My son was worried that I would be upset about the language that Anderson has his characters use. The f-bomb is omnipresent and just about everything else from the seven words you can’t say on television appears at one point or another. But, he and I were able to engage in an interesting discussion about discourse and the ways in which certain words become acceptable over time and in different contexts. For Anderson, these cussing terms are becoming so ubiquitous now that in another two hundred years we won’t even think about them as have ever been a curse word. There are other words that a character uses that confuse Titus and he doesn’t want to look the words up (although he could, easily). I think that Anderson makes an interesting point about how technology can influence our language, and it is a warning that we, as English teachers, shouldn’t take lightly.

And, for the promised anecdote, this time with my daughter. Tonight, she was on one of her two favorite websites, Nick Jr. (fortunately, PBS Kids is the other). In the time that it took me to get her on the website and leave the room to go run her bathwater, she was able to play two different games and print two pictures that she made (without having either my wife or I in there to show her the print button on the screen or how to turn on the printer!). She’s three and a half, by the way. While producing content (as best a three-year-old can), she also consumed some major advertising for this Nick Jr. show, to be sure, but also the obligatory commercials that they now put right into their site. When you click into certain games, you are hit with 30 second TV spots from their sponsors. Fortunately, Nick Jr. still gives you the option to skip the ad, if you can click fast enough. What is important to me about this, in the end, is the fact that she knows and understands what it means to be online and that we can play her games here, at home, but not when we are up north (and on, at best, a 28K dial-up). Wow.

In the end, it is interesting to note, in light of what feed’s message shares with us, that this is the type of online interactions that she, my son, and all of us may have to face in the future. How do I get around the advertising and the message that the media is portraying about my body image and sense of self in order to do the things that I find important to do online? I hope that we are teaching our students the critical literacy skills to answer those questions and create their own blogs, podcasts, wikis, and digital videos.

And, I hope we know the answer to whether this is the internet of the future well before 2200.