Notes from “Erasing Copyright Confusion” at NCTE 2009

Notes from “Erasing Copyright Confusion” at NCTE 2009

Joyce Valenza, Renee Hobbs, Kristin Hokanson, and Michael RobbGrieco

Center for Social Media

  • Renee Hobbs, Temple — What is the purpose of copyright?
    • Protect intellectual property
    • Ownership, profit
    • Authors’ right
  • In fact, the purpose of copyright is to promote creativity, innovation, and the spread of knowledge
    • Owners have pushed for longer length of copyright
  • How we Cope as Educators with Copyright
    • “See no evil” teachers — don’t examine copyright issues at all
    • “Close the door” teachers — know that there is something to copyright, yet keep it private
    • “Hyper-comply” teachers — they hold on to this idea more strongly for their students than themselves
  • When I use creative materials, which concepts apply?
    • Attribution — citing your sources (an academic community’s normative conventions that they agree upon to acknowledge other’s work)
    • Plagiarism — not acknowledging source material used in your work
    • Infringement — copying another’s work in violation of the law
    • Fair Use — the legal use of copyrighted works without permission or payment
    • Licensing — Asking permission and paying a fee
  • Copyright balances the rights of owners with the rights of users
    • Owners get to control how their work is controlled and distributed for a limited use of time
    • As users, however, we have some rights, too
    • All those things you knew about the “30 second rule,” the “10% rule,” the “45 day rule” are not the law
      • The charts that you see, they are not the law — they are negotiated agreements that have “the appearance of positive law”
      • The guidelines actually limit our understandings of fair use
      • You can use copyrighted material in a variety of ways — criticism, comment, news reporting, scholarship AND creative work
      • Peter Jazi — the benefits to society outweigh the private costs to the copyright holder, or else copyright law becomes a form of private censorship
  • Michael RobbGrieco, Temple — Responding to the Rise of Remix Culture: Challenges and opportunities for teaching, learning, and literacy
    • Are you a part of remix culture?
      • Build on others?
      • Quote passages?
      • Do you have a website?
    • Our students are fully immersed in a remix culture
      • Remix is how our students add their own personal experience to the wider culture and make their experience known to others
      • Can remix perpetuate cultural norms that are oppressive?
      • Critical remix for democracy, dialogue, and exchange
      • Single Ladies in Mayberry
    • Develop media literacy skills
      • Balancing producer and consumer identities
      • Can create shallow engagement without critical interpretation (this is where educators come in)
      • How do we realize the potential of fair use while also facing the challenges that are present?
      • How can we be critical with our students and invite interpretation and argument?
      • Michael’s video: Copyright, What’s Copyright?
  • Kristin Hokanson, Upper Merion High School
    • What does it mean to add value to other people’s work?
    • Use of Flickr images for a biology project
    • Use of Dave Matthews “Gravedigger” with Spoon River Anthology
    • Media Lab’s “Teach Them to Reason” tool
    • Ending Copyright Confusion Wiki
    • Attribution is an ethical practice, not a legal one; citing sources doesn’t let you off the hook
    • Fair use is a reasoning process that requires critical thinking; context and situation determine how fair use applies.
    • Am I creating something new (through transformative use), or am I redistributing (which is, in contrast, a violation of the law)?
  • Joyce Valenza, Springfield Township High School
  • This project is a user-rights movement
    • The Code of Best Practices for Fair Use is NCTE’s official policy on fair use
    • The guidelines that have been created since the implementation of the 1970s copyright law were brought about from negotiations by the media industry; the guidelines that were created are not set down as the law


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Notes from “Integrating New Literacies into Classroom Practice and the Resulting Impact on Site Leadership”

Notes from “Integrating New Literacies into Classroom Practice and the Resulting Impact on Site Leadership”

NWP 2009 Annual Meeting

This session invited four teacher consultants/tech liaisons to discuss their personal experiences with technology and the ways in which these
experiences led to changes in their site’s work. Knowing two of these teachers through my work with NWP’s 2007 Tech Matters Institute, and
one as my wife and tech liaison for our site, I found the stories shared here very powerful. Each one of them talked about a key
technology and professional development experience that launched them into new work, both in their classroom and at their site.

  • Shasta Looper, Upstate Writing Project
    • Used Voice Thread in her summer institute in 2008, then incorporated it into her classroom through the use of a persuasive writing assignment
  • Paige Cole, Red Clay Writing Project
    • Experience at Tech Matters in 2007 which led to creation of tech team, the “Army of Dorkness”
    • Advanced institutes came from Tech Matters mini-grant
    • Learned iMovie and other technologies in support of classroom and site work
  • Joe Conroy, NWP at Rutgers
    • Looking at the history of the writing project’s website over time; Joe’s history as webmaster
    • Use of Yahoo groups; began there many years ago and it has worked for us
    • But, the website didn’t filter into the site’s work — then attended Tech Matters in 2007
    • How can I use Web 2.0 in the classroom without having access to Web 2.0?
      • Podcasts were still accessible, use of NPR’s This I Believe and Audacity via Portable Apps
    • Shared work at site’s mid-winter writing conference through a technology strand and “Tech Thursday” workshop series
      • Topics for future Tech Thursdays
        • Bulletin boards for Socratic Seminars
        • Podcasting
        • Ignite
        • Voice Thread
        • Wikis
        • Blogging
    • The site has integrated technology into the core of “what we do.”
  • Sara Beauchamp-Hicks, Upper Peninsula Writing Project and Chippewa River Writing Project
    • 14-year veteran special education teacher, TL for UPWP
    • Story about involvement in summer institute by organizing pictures in 2005 SI
      • Growth is not linear; there are all sorts of influences that impact your growth in technology use over time (created concept
        map/timeline with VUE and shared in Skim)
    • Site development at local level and through participation in the national network
      • Summer institute to annual meeting to advanced institutes next summer
      • Also incorporated outside funding from state professional organization grants to fund tech team, many of them TCs, in one school
    • Key Themes
      • Accessibility — trying new technologies and being willing to change; the issues are difficult for all of us in our own classrooms
      • Continuity — meeting regularly and sharing ideas and questions about tech use
      • Site Development — developing technology work at your site is a messy process
        • We are in a time where there is more questions than there are answers
        • You have to have patience and flexibility when you are in the tech world and with site development


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Notes from “The Social Media Portfolio: Using Technology to Promote Meta-cognitive Skill Development” at NWP’s Digital Is

The Social Media Portfolio: Using Technology to Promote Meta-cognitive Skill Development

At NWP’s Digital Is

Rafi Santo, Amana Kaskazi, and Shonell Richmond

  • Global Kids
    • 20 Years in existence and focusing on significant global issues
    • Issues: Local to global and global to local understanding
    • Leadership: Skills necessary to affect change
    • Technology: How does new media contribute to our mission of global citizenship; our mission to empower youth voice aligned well with the use of technology
    • Youth: We work with youth in a variety of contexts, both locally and from a distance through technologies and in virtual worlds
    • Afterschool: Need to overcome the stereotypes of afterschool technology programs that create “super geeks”; our students are not geeks, necessarily, but there is something much broader about how to use technology in these contexts
  • Media Masters
    • Goals for addressing the challenges to media literacy
      • Giving students the means and skills to produce media who otherwise might not be able
      • Discussing ethical issues surrounding digital media production and participation
      • Promote active student reflection on skill development
    • Creating a “digital transcript“creating a portfolio with Voice Thread
      • Examining media use (music, web, etc)
      • Visualization, negotiation, and other key themes
      • Recognize the skill, utilize the skill, and enact the skill (Do it, recognize it, talk about it)
    • Discussion
      • Specific example of Harry Potter reading to discuss copyright, appropriation, and “whole life learning”
      • What can the assessment tell us — about students’ change in media literacy skills, attitudes, and abilities?
      • How can an assessment like this work in school contexts (very qualitative, not quantitative)?
      • How can we connect this to other academic skills?
      • Student preparation for portfolios — having earned the badges, it was easier to identify the project that connected to the skill, but then we had to add a reflection to it, and that was more difficult
      • Extending the assessments into different contexts; using this portfolio with meta-cognitive elements for other purposes, such as college admissions
      • Helping make explicit for young people the ways in which we are asking them to think
      • Power of ownership and the ability to hear someone’s voice, as well as the commitment behind the voice
      • How does having a framework help make the portfolio more powerful?
      • Using writing to teach critical thinking in different content areas


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Notes from Danielle Nicole DeVoss’s Opening Keynote at NWP’s “Digital Is…”

Danielle Nicole DeVoss asks us to think about what digital was then and is now…

Digital is…

  • Networked — we compose in networked spaces
  • Collaborative — people are able to connect and create through these networks (LolCats)
  • Multimodal — typography, kinetic type, digital stories
  • Re-Mediated — taking a media object and recreating it so it moves across media; moving across text to audio to video (StarzBunnies)
  • Remixed — taking bits and pieces and parts of other media to create new messages and meaning
  • Policed — digital millennium copyright act; You Tube copyright issues (Fair Use)
  • (Requires) Critical thinking — because of the visuals (Harry Potter, Redbook)
  • (Can be) Democratic — Iran and Twitter, YouTube Debates

Writing is Digital — this is, as Elyse put it, our moment.


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Notes from Dan Priest’s “Rethinking Technology in the Multimodal Classroom”

Dan Priest is a pre-service teacher from Western Michigan University and presented “Rethinking Technology in the Multimodal Classroom” at MCTE‘s fall conference. He suggested that his explorations of the internet and some of the tools available continue to inspire the ways in which he teaches with technology. Using his Wii remote/homemade Smartboard, he argues that “Students are more receptive to graphically designed instruction today than what is considered practical” and cites some of the following examples:

This was a wonderful presentation from a young teacher — some tools that I knew, many that I didn’t — and shows me that there are some great things happening in classrooms with multimodal composition, and even greater possibilities.


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Teaching Blogging with Kathi Yancey

Today, I am at Fordham University, presenting at their summer literacy institute focusing on 21st Century Literacies. I am honored to have the opportunity to present with Kathi Yancey, and she is currently in the middle of her session about “Blogging Alive,” asking participants to think about the purposes and audiences for blogging.

She began by asking people to make a concept map of their blog search, beginning by choosing a question and then using Google blog search to find anwers to their question. She made the point that she was less concerned about the answer to the question than about the process of the search itself. She asked students to then create a concept map outlining their search, and to make sure to include the links from one blog post to another, thus showing the nodes that developed.

Next, she discussed a variety of purposes for blogging, including students writing to and with each other. She also suggested that students connecting their school lives with the world such as the the blog of unecessary quotation marks.

Finally, she asked how we might use blogs as spaces for online learning this year. She talked about the ideas of “misfires” and “workarounds.” Misfires in the sense that an assignment designed for a particular purpose doesn’t really work the way it is supposed to, but you can learn from it. Workaround in the sense that you may have planned for one thing, but got another (e.g., planned for a lab, but only got one computer in your classroom). She also shared Wordle, and showed us how to make a Wordle image from the words we used to describe the MAPS of digital writing this morning.

Image created using www.wordle.net
Image created using www.wordle.net

An enjoyable day all around, I appreciate the invitation from Marshall George to present as a part of the 21st Century Literacies institute this year.


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Teaching teachers about connected learning

This morning, we are in the middle of week two of our Chippewa River Writing Project summer institute, and the timing for writing this post couldn’t be better.

Yesterday, we went to the CMU library and our English reference librarian, Aparna Zambare, gave us an introduction to the library databases and Zotero. Minus a few technical glitches with getting Firefox installed, participants in the institute were immediately drawn in to Zotero, figuring out how to use it to cite materials from the library’s databases, link to books on Amazon, take snapshots of current web pages, and then tag and make notes on their items. As they begin to frame their teacher research projects, I felt that introducing Zotero as a bibliography management tool would provide them with a constant place to keep track of their sources and reflections on those sources. So far, it seems to have worked, with one participant commention about how he could see using this tool in his classroom next fall.

Then, this morning, we are being introdcued to the idea of creating a personal learning network by Sara Beauchamp, Technology Liaison from the Upper Peninsula Writing Project. She introduced us to the idea of the Networked Student, which led into a conversation amongst participants about how and why we might want to learn these tools for our own learning as well as for use in our classroom. She reminded us that using all of these tools can become overwhelming if we let them, and that they are messy when we begin using them. Yet, over time, you can learn to adapt some of the tools to make them useful to you.

She continued by sharing RSS in Plain English and Google Reader in Plain English. We then moved into the process of setting up their Google Readers. We are thinking about all of this in the context of teacher research projects, and Sara also framed the demo around some of the ideas in Christensen’s Disrupting Class. As the demo continued, participants set up their readers with feeds related to their personal interests and professional inquiry. We then had time to add feeds to our Reader and think about how to structure folders to that the information is organized.

Through both presentations, we came to think more about how information is accessed, shared, and integrated into our own research and learning. This is a good point for us to be at as we begin developing our teacher research projects and reach the mid point of our summer institute. More learning to come!


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Notes from “Digital Storytelling: Enhancing Language, Visual, and Media Literacies”

Digital Storytelling: Enhancing Language, Visual, and Media Literacies

MRA 2009 Presentation

Ledong Li, Tingfeng Luo, Wen Wu, Fan Zhang, Oakland University

  • What’s Your Story?
  • Stories Surround Us
  • What is digital storytelling?
    • Daniel Meadows: “short personal multimedia tales told
      from the heart”

  • Educational Use of Digital Storytelling
    • Focus on specific topic and contain a particular point of
      view
    • Topics range from personal tales recounting historical
      events, exploring life in one’s own community, to the search for life
      in other corners of the universe
    • They can vary in length, but in education they typically
      last between 2-10 minutes

  • Procedure
    • Write script
    • Collect assets
    • Create storyboard
    • Draft, edit, and finalize
    • Publish it as a movie file

  • Hardware
    • Computer
    • External hard drive/flash drive
    • Headset with microphone
    • Scanner
    • Digital Camera/Digital Video Camera
    • Facilities with access to internet

  • Software
    • Movie Tools: Flash, Premiere, Photostory, Movie Maker,
      iMovie
    • Imaging Tools: Photoshop, Photoshop Elements, iPhoto
    • Audio: Audition, iTunes, Garageband, Audacity
    • Players: Windows Media Player, iTunes, VLC, Flash

  • Why digital storytelling?
    • Storytelling has been important to individuals since the
      early days of civilization
    • In education, storytelling remains a way to teach subtle
      points and make elusive abstractions concrete
    • With the latest development of computers, multimedia
      systems, and the Internet, “images, sounds, animations, and video
      clips” can be brought together with “texts,” providing a wide range of
      story formats

  • The Changing World
    • Friedman, “The World is Flat”
      • Globalization 1.0 (1492 – 1800) Countries/trade
      • Globalization 2.0 (1800 – 2000) Companies/labor
      • Globalization 3.0 (2000 – Present) Individuals/internet

  • Moving from web 1.0 to web 2.0
    • Mode: Reading to writing
    • Primary Unit of Content: Page to post
    • State: Static to dynamic
    • Viewed through: Web browser to Browsers, RSS Readers,
      phones
    • Architecture: Client server to web services
    • Content created by: Web coders to everyone
    • Domain of: Geeks to “mass amateurization”

  • What does this mean for learning?
    • Obvious answers
      • New technologies and tools
      • Different workflow processes
      • Competition and expectations of end users

    • Less obvious answers
      • New expectations for the relationship between learners
        and instructors
      • New modes of writing and communication
      • New literacies

  • Web 2.0 to Literacy 2.0
    • Web 2.0 – business model focused on a service rather than
      product that values participation, collaboration, and distribution
    • Literacy 2.0 – students are appropriating digital
      applications, networks, and services; they are developing new ways of
      reading, writing, viewing, listening, and recording — new ways that
      embody this 2.0 environment
    • Literacy 2.0 necessarily involves extensive
      participation, collaboration, and distribution of expertise and
      intelligence

  • Purpose of our Study
    • Engaging graduate students (in-service teachers) and
      undergraduates (pre-service teachers) in how to make digital stories
    • Examine the potential of digital storytelling used to
      enhance traditional and new literacies
    • Bridging literacy methods, changing perspectives, how to
      inform instruction

  • Roles that participants played
    • Writers
    • Text editors
    • Visual designers
    • Image editors
    • Voice recording specialists
    • Audio editing
    • Movie producers

  • Impacts on education
    • Practical and learner-centered
    • Meets ed tech standards
    • Enhances literacies: language, visual, media
    • Helps build useful skills in web 2.0/literacy 2.0:
      participation, collaboration, distribution

Notes from RCWP Google Day

Notes from Andrea Zellner‘s RCWP Google Day Presentation

  • Reflecting on Google Teacher Academy
    • Thinking about the tools almost exclusively, and we want to focus on literacy practices
  • Writing prompt:
    • What is Literacy? What is Technological Literacy? How are they different? How do they support one another?
      • Literacy — the ability read, write, listen, speak, view, and visually represent texts in print and non-print media. Technology literacy — the ability to understand and employ different tools (pencils and paper, computers, cameras, recorders, etc.) to effectively convey a message to an audience.
      • The ways in which these two concepts, literacy and technology literacy support one another — we have come to understand that being “literate” changes across contexts, thus it is a complicated set of practices that people use to communicate for a variety of purposes and audiences. Adding technology into the mix opens up new opportunities for communication and collaboration that makes us rethink the ways in which we consider what it means to be literate. In other words, technology has the potential to affect our worldview because it changes the way that literacy is enacted. in these contexts. And, in an increasingly digital world, we have to make the connections between literacies and technologies more and more explicit so readers and writers understand how, why, and when to use particular technologies to communicate.
    • We can sometimes forget the fact that literacy is what we are most interested in and can get caught up in the technology itself
  • Framing our thinking about the teaching of writing with the strategies from the Writing Next Report
  • Writing prompt: Portfolios
    • Yes, I use portfolios in my English Education methods class, ENG 315. I think that the immediate benefit of using a digital portfolio, as it has always been with portfolios, is that students see the value in collecting and reflecting on their work over time. The digital portfolio offers them even more flexible ways of presenting their work, as they can create straight-up web pages and they can embed images, video, or audio. This allows for multimedia compositions that wouldn’t necessarily be possible with print-based portfolios.
    • Drawbacks. Well, let’s face it… assessing any writing is tough work, especially when you are trying to assess a collection of writing that has been developed over time. Thus, I have my students engage in self-assessment for their portfolios. This is the only way that I have found really gets them engaged in the process as writers, forcing them to be thoughtful in the selection process and be honest about the amount of work that has gone into the writing and revising process.
  • Playing with the tools — check out Andrea’s site for links
  • Ideas for Inspiration
    • Students with autism using SketchUp
  • Writing Prompt: Think of a student who was challenged to write in your classroom.
    • My most difficult student that I ever had to deal with was one of my seventh graders. Along with all the special education diagnoses that he had been given, he was also just not a friendly kid. Not outright defiant, nor anti-social, but just difficult to connect with. At the time, I tried to offer him some options for writing with technology such as creating a PPT, but I wasn’t really equipped to differentiate instruction or help him grow as a writer. I do wonder how a student like him would react to some of the newer tools that we have been discussing today, as well as to the chance to easily get feedback from other writers and not just me. Taking his writing public might have made a difference (and, simply typing it would have helped, too). All in all, I think that the challenges he faced were partly motivational and partly learning disabilities, and I wonder how these tools might have been helpful for him.
  • How might these Google Tools impact literacy?
  • Our collaborative Google Presentation
  • Final reflection — what was your biggest “aha” and what will you take back to your classroom?
    • The major tech tip that I will take back with me is the Google Scholar setting that allows you to export directly to EndNote/Zotero. That is going to be just so incredibly useful for me. Once Zotero gets set up to share your libraries easily, it will be great. I can create online reading lists of open source readings or readings that can be accessed on campus, and skip the whole process of having to create course reserves!
    • In terms of professional development structures, I really like how Andrea framed the day with the early discussion of literacy and technology. She made it clear that this was a discussion about how to use the Google Applications in the service of literacy instruction and not just about “this tool, that tool, and the next tool.” That was good to make her ideas about that explicit early in the presentation, even though the rest of the day did kind of suffer from the “mile wide, inch deep” problem.
    • Finally, I enjoyed having to articulate my thoughts about a particular tool during the last activity. By comparing Knol with Wikipedia, it forced me to come back to the ideas about literacy practices. That might have been helpful to include as a framework for the final activity — a reminder that we should look at the tool as a way to support literacy practices.

All in all, a great day with lots to think about. Thanks, Andrea!

Notes from 21st Century Assessment

Notes from 21st Century Assessment Session

Konrad Glogowski

  • What we know about assessment
    • Assessment is the tail that wags the curriculum dog
    • Grades with substantive comments have the most impact on
      learning
  • What impact does a blogging community have on the role of the teacher?
    • Reflecting on what happens in the classroom, both online and off — show how much you have learned
    • Noticed that the students were engaged in talking with the community, but not by communicating with the teacher
      • Students saved docs, printed them and gave them to the teacher offline
      • But, they were interested in conversations with one another
    • Is this evidence of learning?
      • Not in the sense of “data” that is measured on a test
      • Rubrics, too, only focus on what they can not do and not on what they can do.
  • Current Models
    • Metaphor of acquisition moving to a metaphor of participation to metaphor of knowledge creation
    • Assessing learning of what is taught in test conditions (behaviorist) to assessing learning as individual sense-making through problem solving and demonstration through projects and writing (cognitive constructivist) to assessing learning as building knowledge with others in a situated context of a community and with real-life problems using resources and represented in a variety of forms(sociocultural)
    • Most of us would want to be in the socio-cultural paradigm
    • Suggestion One: Sociocultural Assessment Practices
  • Models for the Future
    • All of this is woven together, like a mat
    • There are no specific goals, and what they use to
      assess student progress is a narrative, learning and assessment are dynamic and continuous
    • If there is no score, what are they working towards?
      • Rubric combined with narrative response
    • Focus on what students can do, not just the deficits
      • Individuality, learning as holistic, inquiry-based,
        draws from family and home
      • When children see that teachers, families, peers, and others see value in their work and that what they do have meaning, then wonderful things will happen
    • Children who are valued with do valuable learning
    • The government of New Zeeland is looking for learning
      dispositions that invite students to investigate and collaborate
  • Two common dispositions
    • Resourcefulness and agency
  • What we need to do with assessment:
    • Feedback — timely and substantive
      • “Needs to provide information related to the task or process of learning that fills a gap between what is understood and needs to be understood” — missed citation
      • Where am I going, how am I going, and where to next?
      • These three questions can work at different levels: task, process, self-regulation, and self level
    • Self-assessment — and peer assessment, to some degree
    • Revisiting episodes of competence — need to do this more intentionally
    • This creates spaces for conversation about learning
  • Example: how to grow a blog — flower metaphor
    • What do I want to accomplish?
    • How will I nourish it and help it grow?
    • Questions
      • What makes me unique?
      • As a blogger and writer, what will I do?
      • How will I support my peers?
  • Frequency of blog posts as compared to quality of writing and impact on the blogging community
  • Discuss how their own blog post has impacted their own learning and the community by using a “ripple effect” diagram
  • Questions
    • What is the role of the teacher in the 21st century classroom?
    • What are your experiences with assessment as a student?
    • What are the benefits of a learning story approach? What are the drawbacks?
    • To what extent do your current assessment practices promote resourcefulness and agency?
    • Detailed and timely feedback can be time consuming — how do we do it?