Please enjoy my most recent post, “From Wonder to Writing: Invite Students Into Inquiry Through Online Articles” on the EdCollab blog.
Our best literacy teachers, especially those of you engaging with the TheEdCollab, have known for a long time that we must provide students with mentor texts in order to help them better understand the genres in which they write, the audiences for whom they write, and the purposes that their writing can serve. We have also known—and continue to make clear for our students—the idea that various text types have specific features to help the writer stay organized and to cue the reader in the process of making meaning. As we consider the possibilities for digital reading and writing, we need to make these moves for writers and clues for readers equally as explicit as we do in print.
Enjoy this archived recording of “Exploring the Craft of Digital Writing, Grades 2–8” with Dr. Troy Hicks and the Center for the Collaborative Classroom.
More and more, our students encounter a daily dose of digital texts, ranging from websites to social-media messages, from class assignments to YouTube videos. As they encounter these texts, what are the strategies that they need to be close, critical readers and viewers? Moreover, as students craft their own digital writing, what do they need to be able to do as writers, producers, and designers?
Exploring the Craft of Digital Writing, Grades 2–8
A Complimentary Webinar with Dr. Troy Hicks and the Center for the Collaborative Classroom.
Join us for an hour of inspiration and learning with Dr. Troy Hicks as he leads us in an exploration of the craft of digital writing. More and more, our students encounter a daily dose of digital texts, ranging from websites to social-media messages, from class assignments to YouTube videos. As they encounter these texts, what are the strategies that they need to be close, critical readers and viewers? Moreover, as students craft their own digital writing, what do they need to be able to do as writers, producers, and designers? Join Dr. Troy Hicks as he shares insights about the craft of digital writing and its implications for our students, grades 2–8.
Please note: This webinar will be recorded. If you are unable to attend the live session, register to receive a link to the recorded webinar. The recording will be made available 5–7 business days after the live session.
This past week, I was able to cap off a summer whirlwind of PD at CMU’s Biological Station, facilitating what we are calling our first Beaver Island Institute. The six-day event brought together middle school science and ELA teachers for an opportunity to engage in scientific inquiry, explore argument writing in science, and understand aspects of disciplinary literacy. I was fortunate enough to work with two other facilitators, one graduate student, and 16 teachers as they began to develop units of study that connect the Next Generation Science Standards, the Common Core Literacy Standards, and the ISTE Technology Standards. Our main focus was on thinking about how students can pose questions, gather data, analyze that data and refine it into useful evidence, and then make scientific arguments.
Among the many great opportunities that happened, we explored three technologies to support digital writing: infographics (using Piktochart), graphic designs (using Canva), and something new (for me), a tool called StoryMap JS (not to be confused with Story Maps or MapStory, though those both look interesting, too) as a tool for creating presentations that blend map coordinates, images, videos, and text into a coherent “story map” that, indeed, has the map at the center of the story. StoryMapJS is open source, and many news organizations have used it to tell visual stories.
As you will see in the sample Story Map that I created below, the cover/title slide is a map that contains all the subsequent points on the map. If you made a story map that was as small as one block in a town, it would zoom in that close; similarly, you could have multiple points represented all over the world with a much wider map in the opening.
The additional slides in the presentation included a space for entering an additional location, uploading (or linking to) an image, and also entering some text. In this space, students could write just about anything — a narrative that moves characters from one location to the next, a poem that describes the location, an informational piece that describes the cultural or scientific value of a particular location, or even evidence for a longer argument (as we discussed this week). The story map, then, can be shared and embedded.
One additional tool that we used to help identify and, quite literally, pinpoint locations was GaiaGPS. Using their map tool, you can search for points of interest, zoom in and out to find other locations, and even drop pins to get exact GPS locations. I also learned from one of the participants that you can take GPS coordinates out of a Google Map, as seen in the close up of the URL bar below.
One idea that I was imagining was that students could, while out taking pictures and videos of a space, be sure to record their location with GPS coordinates (or enable location services in the mobile app) and then have those exact spots. They could create walking tours of their communities, of natural areas, of historical sites, or — as one participant shared with me this week — they could capitalize on the Pokemon Go craze and make a series of geocaches for others to discover… or historical markers tagged with a QR code or Aurasma augmented reality.
This entire week has been valuable for me in many ways, especially as I was invited to think about connections between science and literacy. My hope is that the teachers who were involved in the institute will carry many new ideas back to their classroom this fall and, in turn, engage their own students in scientific inquiry and building arguments with evidence, evidence that they themselves have collected and analyzed.
StoryMap JS, with the opportunities it affords, could be one innovative platform for students to then share their work. Here is just a brief sample of one story map that I created as a model for the teachers.
More importantly, we invite you to share your ideas about how best to engage students in authentic literacy activities with smartphones and tablets. Some questions we may pursue during the chat include:
What is your school’s policy for mobile technologies? If your school has a BYOD or 1:1 program, how did it begin? If not, what do you want to know in order to start one?
What are the literacy skills that mobile technology enable? How are you working with students to develop their skills as readers and writers, listeners and speakers?
What lesson ideas do you have for mobile tech — daily, weekly, or just once in awhile — what works for you and your students?
We look forward to creating, composing, and connecting with #engchat colleagues soon!
Earlier this month, Kristin Ziemke and I co-authored a blog post in response to Nancie Atwell’s blog post about the role of technology in her classroom. In short, the response to our response has been, well, overwhelming and positive. As so many of us in the world of English language arts prepare to head to DC this week for the NWP Annual Meeting and NCTE annual convention, I wanted to capture just a few of the smart, thoughtful, and creative ideas that our colleagues have shared over the past few weeks. A few other edubloggers have jumped in with their insights:
Julie Johnson reminds us how “When using technology in thoughtful and authentic ways, our students are given one more avenue for both consuming and producing text. In a true digital workshop, students have choice in how they read, respond, and write. Sometimes they choose traditional tools, at other times they chose digital tools.”
Franki Sibberson demonstrates that, in a “workshop of the possible,” digital reading and writing are parallel to print literacies because “The key is that the teaching focuses on the writing, not the tool.”
Cathy Mere describes the possibilities of what technology can offer her students including the fact that digital tools are “ONE option of many possibilities,” “A way to connect with other learners,” and “A place for students to have a voice TODAY.”
Finally, Jessica Lifshitz rethinks how her students work as readers: “Because now we are not just reading alone in our classroom, now we are reading in a great big world of readers. And it feels so much bigger, and better, than just us.”
It is simply amazing to me how powerful teachers’ voices can be when we reach out and share our thinking. I look forward to doing much more of this over the coming week at NWP and NCTE 2014, as well as on our new Teacher-Writer Network page on FB.
Thanks again to all of you for sharing your insights on teaching digital reading and writing. Let’s keep the conversation going.
In her recent blog post Nancie Atwell opens up about the role of technology in her classroom. As a leader in our field of teaching writing, Nancie, suggested that:
I do think classrooms in grades four or five and up should have computers, so kids can experience and experiment with word processing, but I have concerns about them in the younger grades. In fact, I think the trend of iPads in the primary classroom is a mistake.
We’re grateful to Nancie for starting this conversation as districts across the country purchase more and more mobile devices without thinking about the pedagogical practices that must go hand-in-hand, if not lead, how we think about using these new tools. This dialogue is necessary and overdue. Nancie is one of the literacy leaders who has guided our thinking about student writing, the reading and writing workshop approach, and how best to frame our own thinking about the teaching of writing, both of us appreciate and admire Nancie’s work. We respect her opinions about what works in reading and writing classrooms.
We agree with Nancie that many schools are using technology poorly; instead of embracing redefinition as Dr. Puentedura has advocated for, teachers are often misguided and use digital devices for sight word practice, prompted responses and (sadly) weekly assessment and test prep. We recognize that there are poor models of classroom technology out there. We also respect and acknowledge how Nancie employs technology at her school.
However, in this case, we humbly suggest that her opinion on students writing with technology is limited, and we feel compelled to offer a different vision of how students can become digital readers and writers.
First, in the upper grades, we feel that her insistence on computers for word processing is too limiting. Let’s unpack this assumption just a bit. First, though it can feel like our students have their noses stuck in screens for far too long throughout the day, technology is not the enemy here. In fact, word processing is just the beginning of what technology offers to writers. According to leading researchers in the field of K-12 writing instruction, Jill Barshay reports that:
In 83 percent of 30 studies on the use of word processing software, students’ writing quality improved when they wrote their papers on a computer instead of writing by hand. The impact was largest for middle school students, but younger students benefited, too. The theory is that students feel more free to edit their sentences because it’s so easy to delete, add and move text on a computer. The more editing, the better the final essay.
Steve Graham and Delores Perin shared these results in the 2007 Writing Next report, and — sadly — in many K-12 classrooms we still don’t see technology being used for revision and editing in this proven manner. Yet, word processing is just the beginning of what students can, and should, do with computers.
Second, as we dig a bit deeper into Nancie’s claim about using computers only for word processing, we know that there is more to consider. Indeed, we know from our own research, teaching, and professional writing that computers — as well as tablets and smart phones — provide students with countless opportunities for reading and writing. And, when we say “reading” and “writing,” we are talking about both traditional alphabetical texts (books, articles, essays, poems) as well as digital texts including blogs, ebooks, and hypertexts. Our professional organizations — such as NCTE, IRA, and NWP — have been calling for a broadened view of digital literacy for well over a decade. We would hope that Nancie would consider doing so, too.
Now, to unpack the second part of her concern: that “the trend of iPads in the primary classroom is a mistake.” While Troy does not have the benefit of being in the classroom everyday with younger students, Kristin does. And, from this experience, she would argue that the primary grades are exactly where kids SHOULD be using technology as it transforms their ability to create, share their ideas and connect with an authentic audience beyond the classroom. In fact, it is essential.
Let us explain a bit more.
In the early childhood years, many students are challenged by the physicality it takes to produce a piece of writing. Ideas are often generated and lost before a young writer can transmit them to the paper. In today’s digital writing workshop, students can scaffold their own development by recording a video snapshot of the story they want to tell. Once the ideas are captured on video, the child can transfer the story to paper while going back to rewatch the video as many times as needed in order to remember and include all the parts of the story. Video recording tools allow us to meet the writer where he is and nudge him to become a more proficient writer and idea generator.
Using digital publishing tools like the Book Creator App or Little Bird Tales, we find new ways to celebrate active literacy in the classroom as students can draw, write, speak, listen, view and read all within a piece they create. The ease of which a child can add audio to their own book signals to the learner that each child has a story to tell and is the owner of that story. Embedded audio provides a window into the thinking and gives us a picture of what a child knows and is able to do, not merely what their fine motor abilities allow them to produce on paper.
Most importantly, technology expands our youngest learners audience as students publish their writing online. Enhanced eBooks, student blogs and classroom Twitter accounts invite primary age students to move beyond the writing wall in the classroom and into a writing world. Feedback from their families, blogging buddies and experts in the field inspires them to write even more. Students view themselves as important contributors to the global writing community and move beyond learning about writing to living life as a writer.
Moreover, these observations extend beyond the early grades. We can point to numerous examples where teachers in upper elementary, middle school, and high school are using digital reading and writing to support their students’ literacy development. As a point of reference for upper el and middle school, we would suggest that Nancie look at some really innovative educators who teach writing with technology such as Kevin Hodgson, Jeremy Hyler and Katharine Hale.
Finally, we suggest that the concerns Atwell suggests are less about her students’ abilities — as well as the capabilities of the devices — and more about her stance as a teacher. Certainly, we want students to feel positive about their reading and writing experiences: reaching fluency with the written word, providing opportunities to talk about books with one another, holding a well-worn novel or favorite pen in our hands. These are tactile, valuable experiences. As she notes, there are social reasons embedded in writing and reading that make these practices both pedagogically useful as they humanize our classrooms.
However, if as teachers we discount the opportunities that crafting digital writing and engaging in digital reading can offer students, then we are doing our students more than a disservice. We are failing to prepare them for academic, workplace, and real life opportunities to engage in literacy practices. This is not about our personal preferences for or against technology. It is about the ways that we teach students to become literate.
We are grateful to Nancie as a thought leader and for her decades of work, as well as for her blog post in which she invites us all to reflect on the role of technology in our classrooms. However, we disagree with her stance that word processing is the only way to use technology in the writing workshop and encourage Nancie and others to rethink how we engage students as writers. We strongly believe the trend of iPads (or any tech) in elementary (or middle or high school classrooms) is, indeed, not a mistake, but a necessity.
During the 2013-14 school year, I was invited to work with teachers from Saskatoon Schools via webinar, including teacher-librarian Tamzen Kulyk. She and her students have created videos that document their learning through a digital writing workshop, and I am happy to share them here.
I appreciate how Tamzen has highlighted the importance of audience and feedback as well as describing her work this year as “transformative.” I am glad to have played a small part in helping her establish a digital writing workshop this year.
Last night, I had a Skype conversation with students of my friend and colleague, Carl Young, who are taking a course on teaching composition and reading The Digital Writing Workshop. It was a robust conversation, and they had really smart questions.
I have, with permission, simply copied and pasted the text from their original wiki page with questions and pasted it here as a resource, without much editing. Hopefully their questions — and my answers — are useful for you, as well as the links.
As a culminating experience to our reading of The Digital Writing Workshop, please add your questions below for Troy.
How do you reconcile the differences of technique in professional writing and the typical writing seen in digital channels? (i.e., professional vs. entertainment blogs, etc.) – Elisha
As with all kinds of writing, I think that this is a good opportunity to talk about audience, purpose, and situation. Clearly, a paparazzi report on a celebrity from TMZ has a different purpose than would an interview on NPR. So, I think that it is valuable to see what digital texts are produced by different individuals and organizations, then prompt students to think critically and carefully about what the writing is and why it was composed in the manner that it was.
In a recent chapter I co-authored, we distinguished some of this as a difference between “focused writing” and “writing-by-the-way.” If you are interested in hearing more about this, I can share the chapter with you.
What are some tips you have to teach students that good digital writing is similar to that of a well researched paper or report? – Elisha
All of us can agree that writing is a process, whether a traditional research paper or a web page or a digital story. So, helping students become aware of their processes — as well as strengths and weaknesses in these processes — is crucial.
Which would you recommend for an upper elementary teacher to use for digital writing a wiki or blogs? – Amy
Honestly, it depends on what task you are hoping to have your students accomplish. I’ve seen teachers and kids do great work in both spaces, and we can talk about the advantages and disadvantages of both. For blogs, you might want to look at Kidblogs as a tool and for wikis I am a Wikispaces fan.
How can we use digital writing workshop in mixed classrooms where tiered or scaffolded instruction is necessitated without creating numerous lesson plans? What pedagogical value does it add? Lee
In a very real sense, writing workshop is all about differentiation. You are teaching mini-lessons that are responsive to the general needs of the class and then conferring with individuals or small groups of writers. Layering in the digital writing component opens up additional choices for students in terms of producing and publishing their work.
One way to do this work without going overboard would be to, quite literally, have students help you find resources based on the tool they are learning. There are, for instance, there are at least 15 tutorials for using Kidblog that show up in a search on YouTube. As you work with your students through various digital writing projects, I would ask them to help curate a list of high quality resources, and then organize one wiki page with links to all of them.
Does digital writing technology appeal to various individual’s natural or habitual pattern of acquiring and processing information, allowing students to augment knowledge and information, not just utilize digital writing, and how can we predetermine if it will fit a classes learning abilities? Lee
If I am understanding your question here, basically you are asking if we can figure out ways to engage students in authentic work and not simply using technology for technology’s sake, right? I would encourage you to watch Joel Malley’s video about how he teaches in a digital writing workshop. It is highly adaptive, yet he still has clear objectives for what he wants students to accomplish.
In your book you reference particular web sites that help support Digital Writing Workshops. Given how quickly technology changes, are there any new sites that you would recommend which were not available when the book was published? (Guen)
How do you manage a digital portfolio for your students? Since we do expect students to type and compose using computers now, is there a system that is best to track changes and keep all of a student’s writing in one place? (Shannon W)
Personally, I am a huge fan of Google Apps for Ed, and students can produce a portfolio using Google Sites. If you are looking for a tool to specifically track changes in writing, Google Docs has a “track changes” plugin now. In a broader sense, I would encourage you to think about how students could reflect on their writing by using screencasting to give you a virtual “tour” of their digital portfolios, reflecting on their growth.
How do you assess your students? Rubrics? Final product or during the process or both? (Shannon W)
If I had it my way, I would only assess process, and only in formative ways. But, I don’t, and grades have to be earned eventually. So, I do try to use lots of feedback while in process, very little at the end. I work with students to develop criteria for writing projects and, yes, those often turn into rubrics. Still, I do try to balance out the final product grade that I assign with a students’ own reflection and, sometimes, self-evaluation.
Do you advocate a balance between digital writing and traditional print writing, or do you feel they require the same process? (Jen H)
If anything, I am pragmatic. Sometimes, it is simply easier to have students pull out pen and paper to write me a quick note in class rather than have them turn to the computer and send me an email, if it means that they need to get logged in, boot up a web browser, etc. However, if they are already online, then sending an email or sharing a Google Doc could be easier. So, I generally lean digital, but I am pragmatic, too.
In terms of the debates about whether we should still teach handwriting/cursive, and the effects that has on the brain as compared to word processing, well… I will leave that for the neuroscientists to decide.
How much time should a teacher spend teaching the technology aspect of digital workshops? (Jen H)
Just like any other element of craft, I think that you teach the technology in small bursts, as mini-lessons. Or, again, look to the resources that exist online, especially screencast tutorials, and help students figure out their own tech support questions. While you have time with them in class, you want to talk with them about crafting their writing in effective ways, which may include some technical components, but you don’t want to get hung up on tech support.
Not all students have access to technology at home. Do you feel this puts them at a disadvantage in a writing workshop since others have time in class as well as at home to work on their writing? (Jen H)
Yes, of course, there are varying levels of privilege in our classrooms. Still, when looking at the most recent reports from Pew Internet, the vast majority of people are online, and I feel that the responsibility we have to teach digital literacy is significant. As I have heard many times before, it is terrible that we have a society where some kids don’t come to school with breakfast, or proper clothes, or other needs (like internet) met. But, we still have a responsibility to teach the masses, and being digitally literate is a huge part of that.
In our study of teaching writing, we have used Twitter as a tool for connecting with a community of writers and writing teachers. What other digital tools do you use to stay connected to the community of writing teachers? (Shannan K.)
So glad to know that you are using Twitter! I really enjoy using Flipboard as a tool for reading and sharing all kinds of news, especially related to education. I am pretty fond of a few key “hubs” for educators, too, including Edutopia, BAM Radio, and TeachThought. I try to stay on top of the ideas discussed in these spaces, and follow links to educators that they recommend. Also, watch for “events” that happen, whether a regular Twitter chat, a face-to-face EdCamp, or some online happening like the Slice of Life Challenge. Get involved with other educators online and they will reciprocate.
What criteria do you use to evaluate the effectiveness and usefulness of a digital tool as a teacher and as a writer? (Shannan K.)
The tool has to fit into my teaching/writing life in a seamless and useful manner. Seamless and useful doesn’t mean that there won’t be a learning curve, because there always is, no matter what the tool. The cut that the tool has to make for me is whether or not it will fit into my workflow and, ultimately, make my digital life more productive and useful. If it is just something gimmicky, then I generally steer clear. I can talk more about some of the tools that I use in both teaching and writing.