Since the emergence of the World Wide Web and e‐reading devices in the late 1990s and early 2000s, reading research has focused on issues of website credibility, search and navigation strategies, and the ability to comprehend text on‐screen as compared with in print. What has been missing, however, are data about the specific texts that adolescents are reading in these digital spaces, what devices they prefer, and the strategies that they employ… The authors propose a new framework of connected reading, a model of print and digital reading comprehension that conceptualizes readers’ interactions with digital texts through encountering (the ways in which readers seek or receive digital texts), evaluating (the ways in which readers make judgments about the usefulness of digital texts), and engaging (the ways in which readers interact with and share digital texts)…
Earlier this month, I was invited to be a co-host of ILA’s chat, focused this month on the “dos and don’ts” in writing instruction. As a prelude to a Research Address at this fall’s annual ILA convention, the entire conversation was robust, and I am particularly appreciative of Dr. David Kirkland‘s erudite responses and questions.
As just one example, his response to the first question pointed out a stark truth:
The most difficult part of teaching writing is the fact that we rarely teach writing at all, but only aspects of it or, worse, figments of it because we don’t fully understand what writing is. #ILAchathttps://t.co/EoHfTFi6OT
This resonates for so many reasons: personally, professionally, historically, institutionally. I appreciate his keen insights and the ways in which he continues to push my thinking about literacy and social justice. I very much look forward to hearing his message as part of the Research Address and, for the full archive of the chat, visit ILA’s post on Wakelet.
Please enjoy my most recent post, “From Wonder to Writing: Invite Students Into Inquiry Through Online Articles” on the EdCollab blog.
Our best literacy teachers, especially those of you engaging with the TheEdCollab, have known for a long time that we must provide students with mentor texts in order to help them better understand the genres in which they write, the audiences for whom they write, and the purposes that their writing can serve. We have also known—and continue to make clear for our students—the idea that various text types have specific features to help the writer stay organized and to cue the reader in the process of making meaning. As we consider the possibilities for digital reading and writing, we need to make these moves for writers and clues for readers equally as explicit as we do in print.
With the support of Sara Kajder and Shelbie Witte, I am pleased to share that I recently published a “Leading the Call” article from Voices From the Middle, “The next decade of digital writing.”
Through NCTE, they have made it available through open access, and here is the abstract:
The author, a leader in bringing digital tools into the writing workshop and writing classroom, discusses how the use of digital tools in the classroom has evolved in the first decade of this century, especially in the writing workshop. He examines ways several ELA teachers are using specific tools to assist with literacy learning in the classroom right now and makes some recommendations regarding the future of digital writing instruction.
Based on the book that I wrote with Kristen Hawley Turner, Argument in the Real World, one of the tools/strategies that I have been sharing in workshops this past year is the “MINDFUL” heuristic for readers and writers as they engage in academic arguments with, through, and about social media.
When we were wrapping up the book in early 2016, even before “fake news” and “alternative facts” became a phenomenon, Kristen and I designed this heuristic to fill in the gaps that we felt existing website evaluation checklists were missing.
In short, those checklists and other tools were created in the early days of the web when we – as educators and information consumers – generally placed the onus of responsibility on the creator for being accurate. This, of course, was a holdover from our view of the printed word having gone through extensive review and editing in order to be published. The power of books, periodicals, encyclopedias and similar sources came from the fact that they were curated by experts.
Yet, with the abundance of material emerging on the information superhighway, educators, especially librarians, knew that careful editing and peer review weren’t happening all the time. We needed to create a way for students to understand that some creators were thoughtful and accurate, while others were misleading or creating an outright hoax. So, we held those creators to task by engaging with such checklists as readers so we could bring a critical eye to what we were reading/viewing. We also encouraged students to never trust a blog, or Wikipedia, or other sources that were not well-vetted. (Of course, we have since changed our tune. A bit).
At any rate, website evaluation checklists worked okay, for a while at least.
However, this was before the vast majority of us became content creators in the Web 2.0 era. Blogs, wikis, and other forms of media were being created at a constant pace and, unfortunately, with different audiences, purposes, and degrees of veracity.
More recently, through social media, we are all creators, curators and circulators. Our roles as writers have changed. The role of the reader – as someone with agency and perspective in the online reading and writing process – also needed to take responsibility for the types of arguments being created and perpetuated.
What Kristen and I wanted to do, then, was to rethink this instructional strategy of website evaluation. We came from the stance of helping students –as both readers and writers of social media – to recognize that (borrowing from Lunsford, Ruszkiewicz, and Walters’ book title) everything is, indeed, an argument.
Retweets and likes are, despite the disclaimers, endorsements. And, by extension, arguments. The way that we see evidence presented in social media matters because it will inform our own stance, as well as the perspectives of others with whom we engage. We create arguments through the act of liking, retweeting, reblogging, or otherwise endorsing, let alone when we create our own updates, tweets, or blog posts.
Rethinking the traditional website evaluation tool meant that we need to consider the challenges that new media, new epistemologies, and new perspectives all bring. In other words, it was no longer enough to simply read the “about” page, do a WHOIS lookup, or even try to understand more about the language/discourse being used on the page/post.
We needed something different. Hence, MINDFUL.
We wanted to help teachers, in turn, help their students slow down just a bit – even a nano second before retweeting, or a few moments when crafting an entire post – and to think about how arguments in digital spaces are constructed, circulated, and perpetuated.
I think that MINDFUL is helpful in doing just that. Below, you will find slides that I have been using over the past few months as well as links to additional resources I discuss in the presentation.
Monitoring our own reading and writing means that we must be aware of and account for Confirmation Bias. Of course, helping students (and ourselves) to do that requires a number of strategies, which are outlined in the rest of the heuristic.
Identifying the claim means that we must separate the opinions that someone offers from the facts that may (or may not) support the claim. A refresher on Fact vs Opinion from Cub Reporters is a useful place to begin, even for adults.
Noting the type of evidence and how it supports the claim is useful. As a way to think through different types of evidence – In the claims they can support – it is worth taking a look at the Mathematica Policy Research Report “Understanding Types of Evidence: A Guide for Educators“
Focusing on the facts requires us to check and double check in the ways that researchers and journalists would. Despite claims to the contrary from those on the fringes, sites like Snopes, Politifact, and FactCheck are generally considered to be neutral and present evidence in an objective manner. Also, there are lots of objective datasets and reports from Pew Research.
Understanding the counterargument is more than just seeing someone else’s perspective and empathizing/disagreeing. We need to help students understand that arguments may not even be constructed on the same concept of information/evidence and in fact some of it could be one of the 7 Types of Mis- and Disinformation from First Draft News.
Finally, leveraging one’s own response is critical. Understanding the way that fake news and other propaganda is constructed and circulated will help us make sure that we do not fall into the same traps as writers WNYC’s On the Media provides a Breaking News Consumers Handbook for Fake News that is, of course, helpful for us as readers and viewers, but could also be a guide for what not to do as a writer.
My hope is that these websites/resources are helpful for teachers and students as they continue to be mindful readers and writers of social media.
In the session slides, Andy and Rachel share the ways that he taught the Connecting Evidence to Claims mini-unit. In particular, they described the ways in which students engaged in dialogue, a point that I tried to summarize… and captured quite well by Jen Ward:
“Argumentative writing is not about winning. It’s about creating a dialogue.” via @hickstro at #MCTE17
New books about ed tech hit the market everyday, and it is sometimes difficult to find ones that truly meet the needs of teachers while being approachable and accessible. So, a few weeks ago, when I was tagged in a Twitter post about a new book, it definitely caught my attention:
Flattery aside, as an author and educator, I always appreciate shoutouts like these, and I was a bit dismayed that I had not yet heard about the book.
And, after a quick hop to the Amazon website where I previewed the book and read a review, I could tell that my own ideas about teaching reading and writing were, indeed, in line with those of Katie Stover and Lindsay Yearta.
With that knowledge in mind, I asked Stover if I could take a look at the book and, thanks to Solution Tree Press, my own copy arrived just a few days ago.
And, in much the way that Stover described the teacher’s endorsement in her tweet, I would certainly agree: From Pencils to Podcasts is a book that adopts the same stance toward reading, writing, and digital literacy that I, too, hope to imbue in my own work.
From the opening pages, the authors articulate their belief that “[t]echnology, when used intentionally, enhances teaching and learning as students have more opportunities to create, collaborate, communicate, and share” (6). I couldn’t agree more. Throughout the early pages of the introduction and into the fourteen chapters that follow, Stover and Yearta offer a variety of digital reading and writing tools that will be useful to elementary-level educators.
The book is segmented into four major parts. In part one, Stover and Yearta focus on tools to facilitate comprehension and analysis. Here, the authors provide many examples of teachers and students at work, as well as descriptions of the technologies that they employed. I was most intrigued by an example where a fifth grader and a college student discuss the shared reading using Edmodo. At one point in the dialogue, the college student records herself on video providing an additional response and clarification for her fifth-grade reading buddy (25). These types of small, yet powerful, examples are sprinkled throughout the book and demonstrate how readers and writers can flourish when supported through effective teaching and creative applications of technology. Also, Stover and Yearta provide links and QR codes throughout their book that lead directly to the apps/websites being mentioned, and they also have created a companion webpage with those links conveniently listed along with reproducible handouts.
In the second part, Stover and Yearta move on to discuss tools that can facilitate evaluation and revision. Again, the authors provide a number of different lesson ideas and technologies as examples, and one of the most unique twists is the application of digital video to the classic strategy of “reader’s theater.” They describe the ways in which students develop fluency as they engage in multiple readings of their selected book and, ultimately, produce and publish their own interpretation of the book using digital video (70).
The third section of the book offers even more opportunities for teachers to think about performance and publication as Stover and Yearta explore infographics, digital story retelling, publishing with a digital book creator, and incorporating speech-to-text dictation. Similarly, the fourth section pushes teachers to think creatively about new applications of existing technologies such as using timeline tools to create reading histories, conducting digital conferences using tools like VoiceThread, and composing digital portfolios with Seesaw or Weebly.
Additionally, throughout the book, Stover and Yearta share many case studies of teachers using tech in critical and creative ways. For instance, in the final chapter on formative assessment, they invite us into the classroom of Katharine Hale, exploring the ways in which she uses Lino and Padlet as spaces for students to capture their reading ideas, questions, and connections in-process.
On the whole, Stover and Yearta have designed and delivered a very useful book. My only concern is this: while the authors do present many examples from students and teachers, especially text-based examples such as digital discussion boards, as well as screenshots of the interfaces for various websites and apps, my one hope would have been to see more examples of student work, both in the book as well as through hyperlinks on the companion website.
For instance, Stiver and Yearta share overviews of many tools including infographics, digital movies, and a book creator app, yet the reader is left to her own imagination in order to visualize what these final products, created by students themselves, would actually look like. In other words, it would be helpful – especially for teachers new to digital reading and writing – to see even more examples of how students were able to utilize these tools in different ways, and to have them available online as mentor texts that teachers could click on and share in their own classrooms.
If a teacher is new to using 1:1 technology, the book offers numerous ideas that will be adaptable across grade levels. And, even if a teacher is familiar with many of the apps and websites, Stover and Yearta provide new insights into the ways in which these tools can be used. For any book that is written for teachers, it is a challenge to create a resource that is overflowing without being overwhelming, and with From Pencils to Podcasts, the authors have certainly accomplished their goal.
I am, indeed, flattered that a teacher has compared my work to theirs, and I appreciate their insights into the connection between emergent/early literacies and technology. For any K-6 educator who is new to using technology in her classroom – or wants to look at integrating technology with a fresh set of eyes –From Pencils to Podcastsshould be on your summer reading list.
Disclaimer: At my request, I was provided with a free copy of the book by Solution Tree Press.