Podcast Episode: Conceptually Speaking

With thanks to Trevor Aleo for the opportunity to think through some new ideas related to new literacies and teaching digital literacies, please enjoy this recent episode of “Conceptually Speaking.”

With thanks to Trevor Aleo for the opportunity to think through some new ideas related to new literacies and teaching digital literacies, please enjoy this recent episode of “Conceptually Speaking.” Here is the podcast description, from Trevor:

As melodramatic as it may seem, I’ll never forget the first time I encountered The New London Group’s A Pedagogy of Multiliteracies: Designing Social Futures. After an evening of mindless scrolling in the summer of 2016, I clicked on a fortuitous Facebook post from a fellow English teacher. As I read I became increasingly enraptured. It felt inspiring. It felt fresh. It felt innovative. I assumed it was cutting-edge research. Then I saw the publication date. 1996. Reading that publication date made it abundantly clear educational practice had fallen well behind educational scholarship. It’s a disconnect I notice more and more as I move through my own dissertation. It’s also a lament shared by my esteemed guests. This week I was joined by Dr. Troy Hicks professor of English and Education at Central Michigan University and the Director of the Chippewa River Writing Project and his co-author, Dr. Kristen Hawley Turner: Professor of education at Drew University and director of the Drew Writing Project. Our discussion is coming hot on the heels of their recent publication Digital Literacy (Still) Can’t Wait: Four Questions to Reframe the Conversation around Technology in the English Classrooma follow-up to their 2013 publication No Longer a Luxury: Digital Literacy Can’t WaitThough I’m sure they wish such clarion calls weren’t still necessary, I’m thankful for scholars like them who continue to fight the good fight to bring powerful ideas to practitioners and pose poignant questions about how we use technology in our classrooms. Whether you’re a techno-skeptic or ed-tech enthusiast, Kristen and Troy’s four questions are an invitation for us to use technology in more transformative ways. Enjoy!
Resources:
An Interconnected Framework for Assessment of Digital Multimodal Composition
Dr. Troy Hicks’ Twitter
Dr. Kristen Turner’s Twitter

Trevor Aleo, Conceptually Speaking

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Pivoting the Conversation on AI in Writing

As ChatGPT has heralded the “death of the college essay” and “the end of high school English, we could be well served to lean into the idea that we need to both rethink our writing assignments and to invite our students to “cheat” on them.

So, I am clearly coming to the conversation on AI a bit late.

As ChatGPT has heralded the “death of the college essay” and “the end of high school English” — and as we see both combative and generative approaches to the role of AI in writing instruction — I might be adding this blog post a bit behind the curve (though I was honored to be interviewed for a story about AI in writing this past week, published in Bridge Michigan).

Of course, I think that this is really the beginning of a much longer conversation that we are going to have about the role of technology and the ways in which we might approach it. So, it is not so much as I am late to the conversation, as it is that I am hoping we move it in a different direction.

Others in academia and beyond are, to be clear, already calling for this pivot, so I am not the first on this count either.

Still, I want to echo it here. Paul Fyfe, Director of the Graduate Certificate in Digital Humanities at NCSU, describes a compelling approach in a recent quote from Inside Higher Ed:

For the past few semesters, I’ve given students assignments to “cheat” on their final papers with text-generating software. In doing so, most students learn—often to their surprise—as much about the limits of these technologies as their seemingly revolutionary potential. Some come away quite critical of AI, believing more firmly in their own voices. Others grow curious about how to adapt these tools for different goals or about professional or educational domains they could impact. Few believe they can or should push a button

Paul Fyfe, associate professor of English and director of the graduate certificate in digital humanities, North Carolina State University (cited from Inside Higher Ed)

Like Fyfe, I too lean into the idea that we need to both rethink our writing assignments and to invite our students to “cheat” on them. AI can be used for idea generation (and refinement), and it can also be used as a way for us to reconsider genre and style. For instance, I continue to be intrigued by the options offered in Rytr, in particular, as it allows us to choose:

  • Tone, including options such as “compassionate,” “thoughtful,” and “worried.”
  • “Use case” or style, including options such as “blog idea and outline,” “email,” and “call to action.”
  • The option to produce up to three variants, with differing levels of “creativity.”

The screenshot below shows the Rytr interface, and the ways that these options can be easily chosen from dropdown menus before a writer enters their keywords and was Ryter use its AI abilities to, well, “ryt” for them.

Unlike the input interface of ChatGPT and other AI writing tools (which, to their credit, allows for natural language input for “write in the style of” including pirates and the King James Bible), the interface for Rytr is prompting me to consider a variety of contextual factors.

As a writer and teacher of writing, this set of choices available in Rytr fascinates me.

Screenshot from the AI writing tool, Rytr, showing the input interface with options for "tone," "use case," "variants," and "creativity level."
Screenshot from the input interface of Rytr (January 21, 2023).

Just as the “Framework for Success in Postsecondary Writing” invites student to engage in a variety of “habits of mind” such as “curiosity” and “flexibility,” I think that that AI writing tools, too, can give us opportunities to engage our students in productive conversations and activities as they create AI output (and re-create that output through a collaborative co-authoring with the AI).

Also, I think that we need to ask some serious questions about the design of our writing assignments.

When the vast majority of writing assignments have, well, already been written about and replied to (see: any essay writing mill, ever), we need to consider what it is that really constitutes a strong writing assignment — as well as the various audiences, positions, time frames, research sources, and alternative genres (Gardner, 2011) — in order to design meaningful tasks for our students that tools like ChatGPT will be, if not unable to answer, at least unable to answer as well as our students could through their knowledge of the content, their ability to integrate meaningful citations, and their writerly creativity.

From there, I am also reminded of NWP’s “Writing Assignment Framework and Overview,” which also suggests that we must design our assignments as one component of instruction, with reflective questions that we must ask (p. 4 in PDF):

What do I want my students to learn from this assignment? For whom are they writing and for what purpose? What do I think the final product should look like? What processes will help the students? How do I teach and communicate with the students about these matters?

National Writing Project’s “Writing Assignment Framework and Overview

As we consider these questions, we might better be able to plan for the kind of instruction and modeling we may offer our students (likely using AI writing tools in the process) as well as thinking about how they might help define their own audiences, purposes, and genres. With that, we might also consider how traditional writing tasks could be coupled with multimodal components, inviting students to compose across text, image, video, and other media in order to demonstrate competency in a variety of ways.

If we continue to explore these options in our assignment design — and welcome students to work with us to choose elements of their writing tasks — it is likely that they will develop the kinds of intentional, deliberate stance toward their own work as writers.

They can, as the Framework implies, “approach learning from an active stance” (p. 4) and “be well positioned to meet the writing challenges in the full spectrum of academic courses and later in their careers” (p. 2). As the oft-mentioned idea in education goes, we need to prepare our students for jobs that have not been invented yet, and AI writing tools are likely to play a part in their work.

All that said, I don’t know that I have answers.

Yet, I hope we continue to ask questions, and will do so again soon. To that end, I welcome you to join me and my colleague Dan Lawson for a workshop on this topic, described in the paragraphs below.


Since its launch in late November of 2022, ChatGPT has brought an already simmering debate about the use of AI in writing to the public’s attention. Now, as school districts and higher education institutions are deciding what to do with next steps, as writing teachers, we wonder: how can educators, across grades levels and disciplines, explore the use of AI writing in their classrooms as a tool for idea generation, rhetorical analysis, and, perhaps, as a “co-authoring” tool? Moreover, how do we adapt our assignments and instruction to help students bring a critical perspective to their use of AI writing tools? 

As I try to explore this a bit more, please join Dan Lawson and me on Thursday, February 2nd from 3:30 to 5:00 p.m. for a hyflex workshop (in person at CMU or online via WebEx) on revising writing assignments to better facilitate authentic learning goals. Please bring an assignment sheet for a current writing assignment. We will use AI writing applications to consider how best to revise those assignments and adapt our instruction for this changing context.

Register here

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“Digitally Writing New Histories” Unit Plans Released

The Digitally Writing New Histories project was designed with principles of best practice for professional learning in that it is timely, inquiry-based, connected to relevant curricular reforms. We thank the many teachers who created the the inquiry-driven units that are in alignment with the C3 Framework and make use of primary sources in critical and creative ways.

MCSS TPS Unit Plan Home Page Image
MCSS TPS Unit Plan Home Page Image

During the 2020-2021 school year, the Michigan Council for the Social Studies partnered with The Library of Congress on a Teaching with Primary Sources Midwest grant, and I was fortunate enough to be one of the project leaders. We thank the many teachers who created the the inquiry-driven units that are in alignment with the C3 Framework and make use of primary sources in critical and creative ways.

With a shift towards disciplinary, digital, and critical literacies, we find that historical documents and artifacts — as well as images, social media posts, and videos created with contemporary technologies — all serve as primary sources. The Digitally Writing New Histories project was designed with principles of best practice for professional learning in that it is timely, inquiry-based, connected to relevant curricular reforms. We invited 20 Michigan educators to engage in the kinds of practices that we would, in turn, expect them to enact in their own classrooms.

This professional learning experience took place entirely online during evening sessions, through Zoom video conferencing, throughout the entire 2020-21 academic year. In addition to the countless number of digitized artifacts available through the Library of Congress website, we invited teachers to examine artifacts through virtual visits to local museums and learn how to use digital writing tools. Moreover, we were able to virtually visit with many Michigan-based museums, including:

We again thank the teachers who worked on this project throughout the entire year, and for their efforts in producing these units.


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Pandemic Pedagogy: Some Questions About Being “Successful” and Getting it “Right”

Introduction

With the midpoint of the summer and the July 4th Holiday weekend in the rear view, and states (like our own home of Michigan) now releasing plans for a “safe return to school” in August, we feel it is worth taking time to pause.  

As parents and teacher educators, as well as long-time colleagues and friends, the two of us have had many conversations in the past month as educators in the state of Michigan and around the world have moved to “remote learning” in K-12 and higher education.

In thinking about ways we can productively talk about complicated issues, we have been informed by our experiences in the National Writing Project, and the use of protocols, or guided discussion models, for moving forward through difficult conversations. 

In a recent chat, we used the “What? So What? Now What?” protocol to share our thoughts and feelings related to “pandemic pedagogy,” “getting remote learning ‘right,’” and other phrases that capture the COVID-19 zeitgeist. 

This blog post summarizes our current thinking and, we hope, will serve as a time capsule for questions we need to ask in the weeks, months, and years ahead. 

What? 

Humans, by nature, want to help others. Our willingness to do so is, most often, well-intentioned. Since the outbreak of COVID-19 and both higher education and K-12 schools moving to “remote” instruction, there have been a number of companies that have offered their products for free (or at reduced cost) so that teachers and students can use them.  Moreover, professional organizations have shared K-12 resources through blogs, podcasts, webinars, lesson plans, and countless social media posts. We believe teachers and their students are doing the best they can, given the circumstances. We also trust that parents and guardians are doing the best they can. Humans are navigating uncertain futures and as we do so, we must help ourselves and our children navigate what is, indeed, a brave new world.

That said, in the past few months — and even more so in as we reflect on “remote learning” successes and failures from the end of the 2019-20 academic year — there have been hundreds, if not thousands, of such resources that have been distributed to support a “continuity of learning.” Again, all well-intentioned, and many useful. 

However, when we see headlines like “getting remote learning right” or “successful strategies for online teaching,” we wonder what “right” or “successful” (or, for that matter, “teaching”) even means. While we do have empirical evidence about “what works” for nearly all students in typical school settings (e.g., IES What Works Clearinghouse), which are still in and of themselves contextual, we don’t yet know what works for all teachers and students when teaching and learning remotely. We also don’t yet know the full impact of social distancing on teachers’ and students’ learning and emotional well-being.

We are left with many questions, few answers, and a great deal of uncertainty. 

So What?

Despite the terrible, tragic circumstances in which we find ourselves, one of the silver linings, perhaps even a gift, of this pandemic for educators —  if we dare call it a gift — is the opportunity to re-think what has been considered the standard parts of teaching and learning for decades, if not centuries. As educational professionals, if we want to take advantage of what we’re learning and experiencing in this COVID-19 era, we must be willing to ask (and, eventually, answer) some important questions.  So, as we consider the days, months, and years ahead, we believe that it will be imperative to create time and space for conversations about what we’ve experienced and learned. 

In other words, as the world is experiencing a pandemic,  what is “right” or “successful” for one remote school or class may not actually be “right” or “successful” for another. And, we believe that part of getting it “right” — or achieving “success” —  extends well beyond the immediate needs and outcomes of the upcoming 2020-21 academic year. 

Indeed, the ways we prepare ourselves for 2020-21 matters in many, many ways. Thus,  framing questions for the conversations we have now — both about what we’re experiencing and learning as well as  how we can use what we learn to help us move forward in the future — is critical. 

Now What?

As noted above, there are already countless resources available for remote teaching and learning. 

We are not dispensing more advice or resources in this post. There are so many of us — individual teachers, entire school faculties, district administrators, teacher educators, policy makers, the business community, and, of course parents and caregivers of our youth — all of whom have questions. And, we’re all trying to figure things out. 

Instead, we want to pivot and pose some questions that, right now, can’t be fully answered here as we are still trying to plan for August. Whatever happens in a few weeks, when schools “re-open” for the fall, we know that it will still be an era of pandemic pedagogy. 

In fact, we consider this a “time capsule” of sorts, and these questions, we hope, can guide our own thinking as well as our PK-12 and higher education colleagues as we transition into a post-COVID, socially un-distanced world. Whether we are face-to-face, online, or both — and whether we are talking about one day of instruction, one week, one month, or a whole year — we wonder…

For educators:

  • What is essential for your students to learn, in terms of content and skills? 
  • What is essential for your students to do as they learn to communicate with one another? 
  • What were the “rhythms” of the school week for each of you? What was the workflow? When did you meet with students? How did you support students’ emotional and academic needs?
  • What communication media (text, image, video, audio), methods (through an LMS, via text message, via email), audiences (one student, small group, whole class), and frequency (hourly, daily, weekly) are effective? 
  • What content needs to be “delivered,” asynchronously, and what, instead, might need to be “modeled” and “coached,” synchronously? 
  • What should be the [new] norms of online meetings with students? 
  • In this time of remote learning, what practices have you developed that could be carried forward, in hybrid or fully online courses?
  • What have you learned about yourself, your teaching style, and what you really value as an educator?
  • How might this entire experience frame your pedagogy and practice moving forward? 
  • How much synchronicity is necessary? For full classes? For small groups? For individual tutorials? 
  • What ways did you see students be creative as they developed their thinking and expressed what they learned? How might they have used “old” and “new” technologies to meet these goals? 

For administrators:

  • What worked best for communicating with your staff? For providing feedback and direction? For maintaining relationships and supporting one another?
  • What might have worked well in the past for organizing faculty meetings, curriculum, assessments, PLCs, etc.? How did these change and, perhaps, become more [or less] efficient? 
  • For online meetings with other adults/colleagues, what norms did you establish and how did these facilitate communication and teamwork? 
  • Based on your experiences supporting teachers during remote teaching and learning, what changes do you hope/expect to make when you return to brick and mortar buildings and classrooms?
  • How did you partner with and/or support students and their families?
  • What success(es) should be celebrated?

For business and community members:

  • In our efforts to create a 21st-century workforce — and with the changes that have been made in your places of work over the past two months — what should educators know about what it means to prepare their students for the workforce in months and years ahead? Given potential past efforts connected to volunteerism and mentorship opportunities for employees to work with K-12 students, what might you need to reconsider when planning for future opportunities?
  • Even in light of the economic impact that all businesses are sure to face, what role do we all play in providing equitable access to broadband or mobile internet, as well as low-cost laptops or devices for family use, both for K-12 students as well as their caregivers who may be reskilling for a new job? 
  • What new partnerships could be developed with local K-12 schools to support students’ learning and connect their learning to the community? 

For higher education faculty, administrators, and teacher educators: 

  • How do we effectively prepare preservice teachers for all the realities of teaching and learning, including future remote teaching and learning?
  • How can teacher educators clearly model high-leverage teaching and learning practices for preservice teachers?
  • How can colleges/schools and departments of education more directly support our communities’ schools, including their teachers and students as well as parents and caregivers?
  • How can we better advocate for and partner with local K-12 districts and schools when integrating technology?
  • What new partnerships, programs, and models could be forged to partner universities and K-12 schools (e.g., traditional models of student teaching and field placements, dictating required observation/teaching hours, etc.)?

For parents, guardians, and caregivers: 

  • What are your children passionate about? How did you help them follow those passions in this time of staying home and staying safe?
  • On the flip side, what led our kids to distraction (and/or ourselves)? What did we do to help them learn and/or practice self-regulation and to follow their interests?
  • What kinds of topics, subject areas, and questions did they follow?
  • What did you notice about their use of various learning technologies and modalities such as video, audio, and text, as well as virtual interactions with others?
  • How did you and/or your child[ren] process the “loss” of the remainder of the school year?
  • What do your children need as they head back to a regular school building and schedule, whenever that might be? 
  • What do you, as a parent/guardian, need as you send your child[ren] back to a regular school building and schedule, whenever that might be? 
  • What was most helpful, in terms of the way(s) your school/district responded to the COVID-19 pandemic?
  • What was least helpful, in terms of the way(s) your school/district responded to the COVID-19 pandemic?

For legislators: 

  • What laws perpetuate inequality for public education and how can we change these to ensure all students have access, no matter the location of learning and/or the modes/methods?
  • What needs to change, at the state and/or national levels, so that K-12 administrators and educators can quickly and effectively respond to current needs and environments, including the need for remote teaching and learning?
  • What role does technology play in providing “equal access for all” K-12 students?
  • What do you need/want to learn from K-12 teachers as well as their students and families about their experiences with remote teaching/learning during this crisis? 
  • Beyond increasing teachers’ pay, how might we recognize the contributions that educators and schools/districts made to students’ learning, both intellectual and socio-emotional, during this difficult time?
  • What can we do to recruit new teachers to join/stay in the profession, and prepare them for new modes of instruction?
  • What can we do to keep current teachers in the profession and how can we prepare and support them for new modes of instruction?

(A Few) Essential Questions as We Move Forward

These are a lot of questions and necessitate conversations over time. As we conclude, we close with a few questions for us all:

  • What might a typical school day (week) look like in the years ahead? 
  • How might we build remote/online learning into our normal patterns of work?
  • How will we maximize synchronous learning times, whether face-to-face or remote? 
  • What content can be “delivered” asynchronously and what platforms/delivery works best for asynchronous delivery?
  • How will we engage all students in substantive learning, inviting them to create — and not just consume — content?

These are more questions, we know, than can be answered right now.  However, in addition to responding and reacting to immediate needs and contents, we must also deliberately think about what we’re doing, why we’re doing it, and its impact on students’ learning and development. 

We are, indeed, in the midst of a pandemic pedagogy and while we’re all hard at work, our success and ability to “get it right” depends not only on what we do right now but also what we do moving forward.

We hope you’ll consider joining the conversation that these questions invite.


Erica R. HamiltonDr. Erica R. Hamilton, Grand Valley State University, Grand Rapids, MI

Erica R. Hamilton works with pre-service and in-service teachers and serves as a K-12 teacher coach and professional development provider. Erica’s teaching focuses on helping teachers support and extend K-12 students’ literacy and learning. Committed to professional service, Erica currently serves on GVSU’s Online Education Council and GVSU’s IRB committee. She is a peer reviewer for various journals and organizations and is active in West Michigan schools. Her research interests focus on teacher learning and professional development, place-based education, literacy, and educational technology. Connect with her on Twitter @ericarhamilton.

Troy Hicks Portrait

Dr. Troy Hicks, Central Michigan University, Mt. Pleasant, MI

Dr. Troy Hicks is Professor of English and Education at Central Michigan University (CMU). He directs the Chippewa River Writing Project and, previously, the Master of Arts in Learning, Design & Technology program. A former middle school teacher, he collaborates with K–12 colleagues and explores how they implement newer literacies in their classrooms. Since beginning work at CMU in 2007, he has earned numerous distinctions including the Michigan Council of Teachers of English Charles Carpenter Fries Award (2008), CMU’s Provost’s Award for junior faculty who demonstrate outstanding achievement in research and creative activity (2011), the Richard A. Meade Award for scholarship in English Education (2014), the Michigan Reading Association’s Teacher Educator Award (2018), CMU’s Excellence in Teaching Award (2020), and the Initiative for 21st Century Literacies Research’s Divergent Award for Excellence (2020). An ISTE Certified Educator, Dr. Hicks has authored numerous books, articles, chapters, blog posts, and other resources broadly related to the teaching of literacy in our digital age. Follow him on Twitter: @hickstro


Photo by Charles Deluvio on Unsplash

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Resources for ETA NSW

This list of curated resources represents work that I have produced from March to May of 2020, all aimed at helping educators as they transitioned to remote learning during the COVID-19 pandemic.

The full article. “Critical, creative, and compassionate: Resources for teaching English in an era of COVID-19” appears in Australia’s English Teachers Association NSW’s journal, mETAphor (openly available through their website and as a PDF here).

The links here are presented in the order that they appear in the article, which I will provide a link to (once the issue is published online).

March 2020

April 2020

May 2020

Summer 2020

Books

Updated on June 30, 2020 to include article link.


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Podcast with Ivy Ewell Eldridge on “Writing with Digital Tools”

While attending the California Association of Teachers of English (CATE) conference in February, I was invited to speak with CNUSDEdChat. My thanks to the entire CNUSDEdChat team — Ivy Ewell-Eldridge, Annemarie Cortez, Kim Kemmer, Jenny Cordura, and Kate Jackson — for welcoming me to this conversation. Follow more of their work via their homepage, Soundcloud and Twitter. Enjoy the podcast!

Dr. Ivy Ewell Eldridge chats with Central Michigan University professor and author, Troy Hicks, a super advocate of ways to teach and enhance the process of writing through the use of digital tools. He encourages educators to nurture our students’ curiosity, openness, flexibility, persistence, engagement, and responsibility as they engage in the writing process.


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Webinar Archive: Literacy in a Time of Rapid Change – Strategies & Resources for Virtual Learning

Here is an archived recording of our Wednesday, March 25, 2020 webinar on EdWeb, “Literacy in a Time of Rapid Change: Strategies and Resources for Virtual Learning,” as well as the GDoc handout from the session.


We are now in the midst of a “new normal,” and questions about what virtual instruction will look like — in our own classrooms and across the globe — abound. Join literacy experts, authors, and experienced virtual educators, Dr. Troy Hicks and Shaelynn Farnsworth, as they discuss resources and strategies to best support remote teaching and learning.

In this edWebinar, explore ways to virtually teach and engage students in literacy learning by sharing curricular content, edtech tools, resources, communities, and tips to get you thinking critically and creatively in this time of crisis. As we are working to meet the needs of all students virtually, we’ll also be mindful of issues related to equity, accessibility, and student populations with special needs.

We can do this together. Please watch the conversation.

This recorded edWebinar will be of interest to kindergarten through higher education teachers, librarians, school and district leaders, curriculum and instruction, TOSAs and coaches, assistant superintendents, and tech directors.

Troy HicksAbout the Presenters

Dr. Troy Hicks is Professor of English and Education at Central Michigan University (CMU). He directs both the Chippewa River Writing Project and the Master of Arts in Learning, Design & Technology program. A former middle school teacher, he collaborates with K–12 colleagues and explores how they implement newer literacies in their classrooms. In 2011, he was honored with CMU’s Provost’s Award for junior faculty who demonstrate outstanding achievement in research and creative activity, in 2014 he received the Conference on English Education’s Richard A. Meade Award for scholarship in English Education, and, in 2018, he received the Michigan Reading Association’s Teacher Educator Award. An ISTE Certified Educator, Dr. Hicks has authored numerous books, articles, chapters, blog posts, and other resources broadly related to the teaching of literacy in our digital age. Follow him on Twitter: @hickstro

Shaelynn FarnsworthShaelynn Farnsworth is a coach, consultant, and educator for Web20Classroom. She is a leader in the convergence between literacy and technology. As a high school teacher, she redefined her English classroom as not only a place to learn about literature but also explore how technology is shaping the future of communications. She continues this exploration in her role as a consultant focusing on technology, literacy, differentiation, and systemic change. Shaelynn is a staff developer, literacy coach, and supports districts in the implementation of initiatives. She is a MIEExpert, Google Certified Innovator, Apple Teacher, and has training in Project-Based Learning from the Buck Institute, Visible Learning with Hattie, Instructional Coaching, and K-12 Literacy Best Practices.

Ideas from Instagram Live Conversation: “Online Teaching and Learning English”

Edited Post: Video added on May 30, 2020.


Instagram Advertisement - Online Teaching and Learning EnglishEarlier today, I was honored to be invited by Alireza Qadiri Hedeshi, Dean of Foreign Languages Department at Mehryar Institution of Higher Education, for an Instagram Live conversation. Here are some of the questions that he and his colleagues shared, as well as some brief responses that I wrote to prepare for our conversation.


1. You have titled one of your scholarly works “Because Digital Writing Matters”. What do you mean with digital writing? Is it different from ordinary or academic writing?

As we argue in the book, digital writing can be defined as “compositions created with, and oftentimes for reading or viewing on, a computer of other device connected to the Internet.” While that definition was written just as the iPhone and touchscreen devices were being introduced to the consumer market, it still holds up today. Digital writing, in this sense, is writing that can be composed, stylistically/rhetorically as well as technically, for the screen. Hyperlinks, embedded media, and interactivity are hallmarks of digital writing.

And, yes, while traditional academic writing is typically seen as thesis-driven essays with outside citations from reputable, peer-reviewed sources, we are coming to new understandings — as scholars and educators — about what “counts” as a thoughtful, rigorous argument. Intellectuals can present their work in critical and creative ways, employing the tools of digital writing like alphabetic text, of course, as well as photos, graphs, maps, timelines, videos, and other “born digital” artifacts. These artifacts are created for others to engage with them, and can be effective uses of digital writing tools/skills to support academic goals.

At the International Literacy Association Conference last fall, I shared some more ideas about how digital writing and best practices in writing instruction intersect, and here is the handout for that session.


2. How can we improve interaction over online methods of teaching language?

AND

13. In respect with real classroom environments, how can we make effective use of technology in providing learners with feedback?

There are ways that we interact with individual writers, as well as our entire classrooms.

First, with individual writers, there are strategies we can use. In a recent blog post, I argue that, even in times of remote learning, “we can teach writers. And, we can teach them online. To paraphrase Lucy Calkins’ oft-cited advice, we teach the writer first, then we teach the writing.” I offer, in that post, three main practices that we want to continue doing: connecting, conferring, and responding. In another recent webinar, for CCCC/TYCA, I went into more detail and offered a list of tools that could be helpful in that process.

With entire classes, we need to make sure that we are using synchronous video sessions with our students to their full effect. To do that, we need to think about what happens before, during, and after a video class session. When I consider that I might only have an hour of focused time with all my students — and what I want them to do with one another during that time — I think through the types of collaborative activities they might do to talk about their own writing, give one another feedback, and grow their knowledge about language. I may model a writing process for them, using sentence templates and engaging in effective web search and evaluation strategies, then invite them to do the same.

Finally, as we interact from session-to-session, we can think about tools to build continuity and collegiality amongst our students, outside of the normal learning management systems. This is not just a “discussion forum” in the classic sense, but a space for students to engage around course content in an informal manner. For my adult learners, Voxer has been effective for this, however there are many other options that exist.


3. How can we encourage learners to take online medium as serious as real classroom environment?

AND

4. How can teachers keep their authority over online classroom environment?

AND

6. Many ESL teachers find speaking the most challenging skill to teach online as learners tend to be passive listeners in online classes. What can we do to cope with this issue?

When we remain consistent in our approach — regular announcements, effectively run class sessions, brief and engaging instructional screencasts as needed, timely and goal-oriented feedback — students will know that we are taking our teaching seriously, and this will raise their level of expectations. We model the kinds of behavior that we would expect of them by staying organized and efficient, since we can’t rely on regular, face-to-face class sessions for informal conversation and last-minute reminders.

From our webinar the other day, Jessie Borgman (Arizona State University), and Casey McArdle (Michigan State University) shared their Online Writing Instruction Community with many ideas, including their “PARS” approach (Personal, Accessible, Responsive, and Strategic). Another great set of resources for effective online instruction is Global Society of Online Literacy Educators (GSOLE), and their “Online Literacy Instruction Principles and Tenets.” By thinking through these principles, we can design our own online philosophy for teaching, and make it clear to students.

For our actual online sessions, we need to learn how to be strategic in our use of time, as well as become familiar with controls in our video conferencing software. While designed for business people in training sessions, this guide for facilitating remote workshops has some helpful ideas for helping move online meetings along in productive ways. Also, we can use tools like Flippity to share an on-screen tool that will randomly pick student names, so we can let them know that they will be called on soon to take the microphone and turn on the camera. In a worst case, we can mute them, turn off their camera, or kick them out of the remote room.

We can also invite students to use tools like Voxer, mentioned above, or Vocaroo to record their voice and share with one another or the teacher. Also, they could use Flipgrid to have one-to-one, or small group, conversations. This can be done at their own pace, and if they make a mistake, they can rerecord themselves, avoiding embarrassment that would happen in class.


5. How do you suggest learners/teachers to use social networks effectively as means of language acquisition?

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7. A big problem is that during online classes, some learners confuse the learning process with chatting language. For example, they use the language developed for chatting (e.g. Thx for thanks or L8 for late). Do you think we should worry about the way they are using the language or regard it as a way of enriching the language?

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8. Some learners are unwilling to take part in online classes, as they believe this deprives them of socialization opportunities provided in real classroom environment. Is this claim true? Is there any way through which online world improves their social skills?

We can ask students to think about the tone and style that they might use in social networks and how they need to code switch as they move across different online/social media spaces, as well as communicate in more academic settings. Helping them see that they use a different register of language in these different spaces — and to reflect on why they do so — is one step to making these spaces useful.

Also, we can have them think about how they might use these tools and what they offer (like “streaks” in Snapchat) to stay in touch with another person trying to learn the language. They can communicate with one another each day, and try to maintain their “streaks” in the process.

We could also ask them to think about how they would “translate” a message from one social media form to another. For instance, what would a tweet (without an accompanying image, and using hashtags) look like in Facebook (with use of fonts and colors) or on Instagram (an image with a caption). How would you have to change the style (and amount) of words? What about fonts and colors? These conversations can be helpful for them as they think about the audience, purpose, and media being used.


9. How can we reduce distraction while learning English online?

Teaching our students — and ourselves — to self-regulate is a challenge, no doubt. And, different people have different tolerances for working at their own pace (or in a way other than traditional face-to-face schedules), so we all need to figure out ways to manage our time and attention. I think that it can be done, yes, though there is no single answer that works for everyone.

To that end, I would encourage students to adjust some of their web browser settings and install extensions, turning on ad blockers and using tools to block distracting sites. On their mobile devices, they can turn on “do not disturb” settings (or simply put their devices in another room) while studying. Also, they can set up times to study with classmates, holding one another accountable for getting work done and sharing their progress, as well as more intensive studying. They can also use apps like Duolingo, which “gamifies” the process of learning, if that is motivating for them.

Ultimately, our students need to self-regulate. While we would like to think that they are 100% focused and on-task when they are in our classrooms, we know that is not true. The same is true when they are at home, on their devices. They will not be 100% focused for an entire learning session, whether looking at asynchronous material or in a synchronous video class. We need to acknowledge that, plan for interactive and useful lessons (as noted above), and encourage them to self-regulate and stay motivated in the ways that work best for them.


11. Is it effective to devise a mixed/combinatory method with some skills being taught online and some others in real classroom? (If so, what skills do you suggest to work online?

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10. Generally do you think it is possible to learn English via online tools without the help of a tutor?

As I have noted throughout, I think that there are times and places, ebbs and flows, in the learning process. Sometimes, we can accomplish a lot by having our entire class work together, sometimes we meet with them individually or in small groups. Sometimes, we provide a video lesson for them to watch ahead of time, and then we work on something together during class time. Sometimes we set up individual conferences with writers. Whether we are partially or fully online, we need to consider the many ways in which we move back and forth between realtime communication with students and other tasks that can happen over time.

To put this in more concrete terms, and from a student perspective, my writing/language class might look like this over the course of a week:

  • Day 1: My instructor sends me a 10 minute video lesson and the assignment for the week; I start my writing and speaking tasks and communicate with my study parter via Skype for 30 minutes.
  • Day 2: My instructor hosts a one-hour video chat, and has us working in small groups to share our writing. I give feedback to three classmates as we work together for about 15 minutes in a breakout room, then we come back together and my instructor points out good examples of writing from a few classmates. We ask questions in the last few minutes to clarify our assignment for the week.
  • Day 3: Today is an independent work day. My instructor asks us to send a screenshot of what we have accomplished on Duolingo, and I share a voice message on Voxer. I work on my paper, and add comments to my partner’s paper.
  • Day 4: We have our second, one-hour video chat of the week, and our instructor demonstrates how to revise our thesis statements. We watch as he shares his word processing screen, and talks about how he is making revision decisions. We then go into breakout rooms to rework our thesis statements with our small groups, and give one another feedback.
  • Day 5: My instructor has asked us to sign up for 20 minute video conferences, and I shared my draft with him the day before. On the video chat, I tell him about what I am doing with my thesis, and he recommends a few changes. I leave with a good idea of how to revise, and spend the rest of my study time making changes.

As you can see, the student is moving back and forth between synchronous and asynchronous learning, with the whole class and a partner, as well as independently. Having the consistency — yet flexibility — is powerful, and keeps students connected, motivated, and on track to complete their work with support and feedback.


12. Except for saving time and energy, does online teaching/learning have any privileges over real classroom environment?

Well, honestly, I don’t know that teaching online saves time!

As you can see from the example above, my week as an instructor would be spent planning the two, one-hour synchronous class sessions so they are highly engaging and useful. I am also creating a weekly video lesson, and pointing my students to other resources. I am providing written and audio (and, perhaps, video) feedback, and meeting with students in brief video chats. So, I am spending quite a bit of time being intentional about making connections and supporting students.

We can rely on the thousands of things that are already out there to help our students understand grammar and engage in basic writing skills, including websites, videos, online games, flashcards, AI built into word processors, and other resources. They can use those resources, if we guide them in smart ways.

What they need from us is our time and encouragement. That is what we provide when we teach in a manner like the one that I described above. Students have consistent schedules and expectations, and are accountable to us, as teachers, as well as their classmates. They feel connected and valued, and are likely to stay engaged.

This is about more than just pointing them to pre-recorded lessons, online quizzes, and correcting their papers. This is about building relationships, and making their voices heard as writers. It is difficult work, but it is possible if we rethink what it means to be an online teacher of English and to invite our students into meaningful language learning.


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Resources and Reflections from “Online Environments and Your Students: Strategies to Inform Writing Instruction Webinar”

4Cs Online Writing Instruction Webinar AdEarlier this afternoon, I was pleased to be on a webinar, “Online Environments and Your Students: Strategies to Inform Writing Instruction” (Archived Video) with Jessie Borgman (Arizona State University), and Casey McArdle (Michigan State University). Hosted by Brett Griffiths, Director of Reading and Writing Studios at Macomb Community College, we covered a good deal of ground.

For my segment, we discussed tools for conferring and responding to student writers. Building from my experience in writing centers, NWP, K-12 teaching, college composition, and mentoring graduate students, I consider conferring to be the single most important activity in writing instruction. In the context of online learning (and our current “remote learning” scenarios), I am referring to “conferring” as scheduled meetings with students, via phone or video conferencing. This involves planning the conference, interacting during the conference, and follow-up after the conference.

Again, building from my experiences, I contend that timely, specific, and goal-oriented response helps writer move forward. When conferring is not an option, responding in an efficient and effective manner is second best. I work from the writing center-influenced ideas of responding first to higher order concerns, yet I am also willing to break protocol and offer directed feedback on lower order concerns. Responding can take the form of text, image, audio, or video and can happen at any stage of the writing process. Here are links to the tools that I shared:

Updated on May 17, 2020, with a link back to program page on NCTE’s website and a link to the archived video recording.


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Recap of #ILAChat from August 8, 2019

Earlier this month, I was invited to be a co-host of ILA’s chat, focused this month on the “dos and don’ts” in writing instruction. As a prelude to a Research Address at this fall’s annual ILA convention, the entire conversation was robust, and I am particularly appreciative of Dr. David Kirkland‘s erudite responses and questions.

As just one example, his response to the first question pointed out a stark truth:

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This resonates for so many reasons: personally, professionally, historically, institutionally. I appreciate his keen insights and the ways in which he continues to push my thinking about literacy and social justice. I very much look forward to hearing his message as part of the Research Address and, for the full archive of the chat, visit ILA’s post on Wakelet.


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