During our workgroup meeting this morning, Maria Ranieri has asked us to engage in an analysis of our own social profile(s), and to reflect on our decision to engage in social scholarship.
For me, the choice to engage in social media began over a decade ago, while still in graduate school at MSU. The first entry for my blog was in 2006, at the NWP-sponsored Tech Matters advanced institute, and my first tweet was in May 2007 (also at an NWP-related event). In a sense, the growth of social scholarship in the past decade has mirrored my own journey. I’ve always lived in the world that leaned toward open-access, collaboration, and public engagement, and I have grown my network exponentially over my past 10 years at CMU.
Today, it was interesting for me to “Google” myself. I actually started with DuckDuckGo in order to get a (relatively) objective look at what “Troy Hicks” yields. Here is what I found, with my annotations. Interestingly enough, I am not in the “top 10” of Facebook profiles for “Troy Hicks,” and I actually think that is a good thing. I did click on the LinkedIn search, too, and I showed up second, FWIW.
Then, I did hop over to Google. Here is what the automated complete function showed with just “troy hicks” and the with a “troy hicks d” (because I wanted to see what would happen with digital writing).
Interestingly, the “brookings sd” is for a man, Troy Doyle Hicks, 52, of Brookings, SD, who died last November. As soon as the “d” was added after my name, however, it is interesting to see that the connections to “digital writing” as well as my books showed up. Not sure that I need to buy another domain name right now, but that was an option, too.
She concluded by having us ask one another about affordances and opportunities as well as constraints and challenges. There were many, many points made, but I will focus on one: my profile on Rate My Professor. I haven’t been on the site in years (I had only seen the 2008 post) and was interested to read the 2015 post about my ENG 514 class. I can reflect more on my experience of teaching that class, how I established timelines/provided feedback, and what I have changed since, but that is for another post.
The other point I want to make now was captured best by Jillian Belanger in a tweet:
Onward! Looking forward to my next steps as a social scholar.
Last year, when I first taught EDU 807, “Learning Tools in Education Technology,” one of my goals was to employ a wiki as a learning management system (LMS) so the doctoral students involved in the course could participate in a more open, collaborative form of social scholarship. I have long been an advocate of using wikis as an organizational space for my face-to-face classes and in professional development workshops, and it made sense to me that students involved in a doctoral program about educational technology tools would be able to adapt the wiki for their own uses as individuals and in small groups, and to collaborate in innovative ways.
One of the other elements of this course was that I asked students – both individually and in small groups – to regularly move across a variety of educational technology tools. For instance, we used at least a dozen different technologies including the wiki, Google Docs, VoiceThread, Vialogues, and (the now defunct) Zaption. There was also an attempt to integrate Twitter as a back channel conversation throughout the semester.
The ideal, however, met the reality of teaching an online course to busy professionals, and the struggle to move between spaces began to cause confusion and frustration. For all of us, the management of so many different tools was a challenge: Where are we discussing the readings this week? What is due next? Where is the link for that article?
My end-of-semester course evaluations reflected the types of concerns that students felt as they moved across so many tools in such quick succession. While they generally enjoyed and appreciated the course, it was clear that using the wiki in the way that I envisioned was one step too many, even for students in a doctoral program exploring ed tech. Sadly, our attempts to make use of the wiki on a regular basis quickly fell to the wayside. Also, as an instructor, I struggled to keep a balance with students turning in their work, providing feedback, updating the online gradebook in our normal LMS, Blackboard, and – on top of that – managing revisions and late assignments.
In short, my best efforts at using the wiki as an open, collaborative space for students to generate their own shared understandings of the course material and to create social scholarship became an unnecessary burden. In rethinking the course for this spring, then, I struggled to figure out how I would push back against the practices and discourses of the standard course management system while, at the same time, updating my course for this spring so as to avoid massive confusion on behalf of my students.
Hence, I am returning to our university’s LMS as the “hub” of our course activities. I struggle with this for a variety of reasons, not the least of which is the fact that I’m trying to teach doctoral students how to employ a variety of educational technology tools – building on collaborative, open source ethos – and yet I must return to an LMS that has a decidedly centered to the tool. I also struggle because I want students to know that social scholarship (openness, collaboration, messiness) does not always work on distinct the context of “taking” a course (modules, assignments, grades).
However, I will keep the idea of being “open” moving forward by asking students to blog on a regular basis, as well as to post additional course assignments as artifacts on their own digital portfolios. Also, we will use Twitter as a way to comment upon one another’s work, as well as to share ideas from other scholars.
I am not particularly pleased about having to give up on using a wiki, and yet at the same time I think by centralizing and streamlining many of the more mundane class activities in the LMS, I will be better able to help my students focus on broader goals of social scholarship and critically evaluating educational technologies. So, wish me luck as I reboot EDU 807 this semester!
One of my relaxing and still intellectually engaging tasks for this holiday break is to write a proposal for an honors course at CMU. Designed as a first-year seminar for freshman honors students to get them engaged in critical thinking, inquiry, and sustained writing practices, each seminar must tackle a major issue relevant to students’ lives. I am proposing a class entitled “Our Digital Selves: Building and Blending Our Personal, Professional, and Practical Digital Identities.” Here are the details, and I would definitely be interested in getting feedback from other educators about what topics, terminology, and technology I might explore with my students. If the proposal is accepted, I would teach the course in the fall of 2017.
Our Digital Selves: Building and Blending Our Personal, Professional, and Practical Digital Identities
Without question, we live, work, and play in a digital world. Though a divide still exists in terms of skills and access across demographics, it is reasonable to argue that the increasing ubiquity of mobile devices connected to the Internet as well as broadband in our homes, schools, libraries, and workplaces means that all of us – especially young people coming of age in the present moment – are now blending our personal, professional, and practical digital identities across multiple networks and with a variety of tools. However, the ability to upload a picture or post on one’s timeline does not, in and of itself, assure us each a place in digital segments of academia, the workplace, or civic life. In fact, a recent Rasmussen College survey showed that 37% of millennial students see the internet as “scary” and are not confident in their digital literacy skills. This first year seminar will challenge students to critically examine what it means to lead a digital life – personally and academically – and to rethink our understanding of what it means to be mindful, productive, and responsible users of technology.
This seminar would be designed with both face-to-face and hybrid components.
In the face-to-face sections of class, we would be engaged in small- and whole-group conversations about articles, chapters, books, videos, and other pieces of scholarship related to digital identity; we would also be examining case studies of digital literacy practices considering current professional standards (such as the ACRL Information Literacy Framework); and, ultimately, we would be producing students’ initial online portfolio using a social networking tool such as About.me or LinkedIn.
In the hybrid/online sections of class, we would be exploring a variety of digital tools to help students develop personal, professional, and academic skills including, for instance: shared document collaboration (Google Docs, Microsoft Office 365), bibliographic management (Zotero, Mendely, Endnote), presentation and publication (Infogr.am, Atavist, Adobe Creative Suite), and workplace communication (Slack, Yammer). We might also involve students from outside of CMU as part of our inquiry.
Across both the face-to-face and hybrid meetings, we would also be using our time to reflect upon the experience of being engaged in these various exercises with specific tools. In short, we would be metacognitive, critically thinking about our use of digital devices and social practices.
I welcome thoughts, comments, and questions… as well as knowing if anyone else with students from upper elementary school through graduate school would be interested in collaborating on this course to make it an open, immersive experience for everyone involved. If it gets accepted, I will put the call out there again in the spring, but I would be happy to hear from interested educators at any point.
Many thanks to Brooke Cunningham, creator of the LitBitpodcast and a doctoral student in the University of Tennessee PhD in young adult literature program, for inviting Kristen Turner and me to share our thoughts on Connected Reading with her listeners. Please listen to and share the episode!
So, I know I’m a little bit late to the web, image, and videoannotation phenomenon that’s taken place over the last few years. I’ve talked a little bit about it in some of the pieces that I’ve written on Connected Reading, but I haven’t really been an avid user simply because it couldn’t quite figure out ways to integrate it fully into the courses I was teaching. This fall, however, I jumped in feet first and the particular tool that I have chosen to invest my (and my students’) time in is NowComment.
I was made aware of the impending changes to NowComment’s text-only to image and video annotation features earlier this year when Dan Doernberg was featured on the Teachers Teaching Teachers weekly webcast (below). I very much appreciate – especially this week – Dan’s mission as founder of Fairness.com:
“Beginning with the 2008 Election, our focus shifted to improving some of the fundamental “cultural infrastructure” that makes it far too easy for the powerful to take advantage of the less powerful. NowComment®, a software tool that facilitates in-depth, intellectually honest discussion of complex documents, is the first of several such projects.”
As a teacher of writing and educational technology, I have been quite impressed with the features that NowComment offers. In addition to a user-friendly interface, NowComment’s ability for me to look back through threaded discussions and to sort my students comments individually has been immeasurably helpful. As I think about designing the discussion task, looking for ways to optimize student learning, I know that I will be able to do this kind of advanced sorting when I prepare to evaluate their participation.
And, for me, this is the crux of online (or face-to-face) commenting/annotation. We want to invite and encourage conversation, not just comments. I have shared with my masters students (mostly teachers and professional educators in other fields) a few additional resources to help them move the conversations forward, and this is what I am playing with more and more each week. For instance:
As they engage with others, I ask them to consider the National School Reform Faculty’s “Probing Questions” protocol as they push their classmates’ thinking.
Finally, as they reflect each week, I am asking them to pull specific examples from the conversation on NowComment into their discussion board postings (in Blackboard).
And this is just the start of my thinking.
I’m sure that there are other all even more robust ways that I can blend thoughtful pedagogical approaches to discussion with the numerous tools that NowComment offers. I’ve shared this tool with a few other faculty members, and I’m thinking about ways that I can integrate it more fully into future courses and professional development that I offer. I wonder:
How else are we thoughtfully connecting the teaching moves of conversation with technologies for annotation?
In what ways we help our students use these tools to “listen,” and not just annotate, deeply and empathetically?
How can the conversations that happen around documents then transfer into deeper, more substantial learning through additional writing and reflection?
These are the questions that continue to drive me forward as I watch my students post, probe, and reflects using NowComment this semester.
During the month of May, my friend and Chippewa River Writing Project colleague Beth Gates has been working with her 11th grade students on a digital writing assignment. Many years ago, she began teaching a digital essay based on an idea from Jim Burke and shared on the English Companion Ning. I featured Beth’s work — as well as that of her students — in my book, Crafting Digital Writing and you can find two sample essays that her students created as an analysis of Death of a Salesman on the companion wiki.
This year, Beth has worked to develop an extensive assignment that leads students, first, though a MMAPS planning document that will help them identify their audience, purpose, and specific uses of media. She then asks them to identify a mentor text and to complete a Google Form that will help them see different traits in the digital writing they are analyzing. She has also created a rubric for the entire project that features categories such as genre, audience, purpose, structure, structure, digital elements, and conventions.
One of the challenges that Beth’s work is trying to address involves quantifying the work her students need to do. Through an email exchange earlier this spring, we discussed some of the potential areas that she could have her students focus upon including the balance between written words, embedded features that utilize existing resources, and additional media that she would ask students to create. Here are some components of the assignment worth noting:
Minimum 500 words in the form of written, alphabetic text. This writing will take
the form of actual sentences and paragraphs.
Minimum of 10 innovative features (created by you or copy/pasted from sources) including hyperlinks, multimedia links, embedded notes, discussion platforms, definition links, text-to-speak options, additional search extensions, infographics, images, sound, video clips, and other interactive elements.
Students would also need to create an additional piece of digital writing. This can take one of three forms:
Option 1: Using digital audio or video, you can prepare a script and record a radio-style story, an interview, a digital story, or other audio/video mode.
Option 2: Using at least 3 of your own original drawings or photos, you can use digital imaging tools such as Photoshop to manipulate these images and present them with your written text.
Option 3: Using a tool such as Piktochart or Infogr.am, you can create an infographic which includes an analysis of numerical data.
Beth’s work to design this assignment as one that is academically rigorous and still personally meaningful for students is laudable. In fact, I really appreciate the way that she built in the distinction for students surrounding “innovative features” (essentially linking to someone else’s work or asking for audience interaction, both reasonable expectations of digital writing) and also asking students to create an additional piece of digital writing in the form of audio/video, image, or infographic. More than just copying someone else’s work (or linking to it) or asking their peers to respond to that work, Beth is having her students compose digital writing that moves beyond alphabetic text, and to do so in an academically appropriate manner.
My one concern — and I recognize that this comes straight from my position in the ivory tower — is that asking students to quantify everything in their digital writing leads down a slippery slope. As Kristen Turner and I have argued in “No Longer a Luxury: Digital Literacy Can’t Wait,”
Setting a minimum number of slides, images, transitions, links, or other digital elements in student projects does little to improve digital literacy. In much the same way that some of the most reductive writing pedagogy has created patterns (five paragraphs of five sentences each, for instance), we now see similar trends happening with slide shows, websites, digital stories, and other types of digital writing projects. Rather than focusing on content—and developing an appropriate message—the assignments focus on the most basic elements of form: the things that can be counted. (60)
So, on the surface, it would appear that I would not be in favor of Beth’s assignment design. After all, she is counting words and innovative features.
Still, I recognize the dilemma that she is — and all K-12 teachers are — in as we shift into data-driven decision making in schools. We have to count something.
In this case, then, I can see what Beth is doing as a step (or two, or ten) in the right direction because she isn’t just handing students an assignment sheet and asking them to write 500 words and include 10 innovative features and then to make a podcast, photo essay, or infographic. She is scaffolding them through the entire process. Here is a description of her month-long unit that she shared with me:
April 27-28: Writing Notebook work on Writing Territories, short writes, topics, and playing with ideas.
April 29: Introduce the MMAPSS and model it
May 2-3: Students work individually on their own MMAPSS Planning Guide (Due May 3)
May 4: Students commit to a topic, genre, purpose, and audience. They use remaining time to explore different Media ideas (see MMAPSS)
May 5-6: Introduce and model a mentor text study using two different genres–share student projects from previous years
May 9-13: Students must complete 4-6 Mentor Text Study Sheets (differing number because of team-taught kids). Due on Monday, May 16
May 16-18: Writing a rough draft. Individual conferences with all students at least 1-2 times (some more).
May 19: Introduce digital elements as (1) Required–reader needs for comprehension, think of like a footnote; (2) Extended–reader has the option to delve deeper into the topic or idea through additional information or ideas on the topic; (3) Optional–author considers the needs of an unintended audience or a small segment of the audience. This wouldn’t be needed for most.
May 20: Peer to peer and teacher to student conferencing (with a few to finish on Monday)
May 23: Introduce bibliography vs. Work Cited and tools such as Easybib, Knight Cite, Citation Machine, etc.
May 24-May 27: Continue revision and conferencing with students. Final Product due on May 27
While she is still in the process of having students submit their final products, she has shared some of the MMAPS planning guides from a number of students: Lauren, Noah, Adrienne, Gabe, Mattie, Kyle. Their choices in mode/genre range from informational texts to fantasy stories, and they will use a variety of media including blogs, websites, and existing fan fiction sites. Their critical, careful evaluation of audience, purpose, and situation suggests that they will, indeed, craft very effective pieces of digital writing.
All in all, I appreciate Beth’s work with her students and recognize the pinch that she is in, both needing to demonstrate connections to standards and also making assessment manageable. I will be curious to see how her students’ work turns out and to continue reflecting on the project with her in the weeks ahead. In the mean time, the assignment resources she provides on her wiki page are robust and will provide us all with plenty to read as we think about designing our own digital writing tasks.
In their book, Everything’s an Argument, Andrea Lunsford, John Ruszkiewicz, and Keith Walters begin with the simple premise: “[O]ne Fact of contemporary life in the digital age: anyone, anywhere, with access to a smartphone, can mount an argument that can circle the globe in seconds” (5).
And, while the world we inhabit continues to take many sides on many issues, we also now have many new forms of media through which to present these arguments. And, yes, while some arguments can be shared through a Twitter message or a quick picture posted to Insta graph, one other form of argument that takes more time to compose, yet can be immediately understood, is the infographic.
Read more here. And, join in the #DigiWriMo conversation on social media, too!