AI in College Writing

As the new semester begins, many faculty are again engaged in an ethical debate about the ways in which their students might use AI in their writing assignments, whether with explicit guidance and permission, or otherwise.

This past week, I was invited to join educational futurist Bryan Alexander and my colleague and collaborator Daniel Ernst as we discussed a number of ideas related to AI and the teaching of writing at the college level. It was a robust discussion, and I encourage you to view the Future Trends Forum recording here.

Over the past few months — as I have been trying to refine my own thinking on AI and writing through blogging, facilitating workshops and webinars, beginning a new book project with my colleague and co-author Kristen Hawley Turner, and reviewing the transcripts of our focus group interviews from the project Daniel and I have been working on — I have begun to summarize the ways in which my colleagues are describing their use of AI in writing instruction in the following manner.

In short, I am hearing educators talk about and seeing ways that AI can serve 1) as a thinking partner, 2) as a research assistant, and 3) as a co-writer. This is an imperfect list, of course, as the tools continue to change. Yet, as 2024 begins and the range of functions available in generative AI writing tools seems to be settling into a few categories, I share some initial thinking on them here.

AI as Thinking Partner

With the many AI tools that students can use as conversational partners (e.g., ChatGPT, Bing, Bard), I wonder how we can encourage them to engage with the AI as a thinking partner, much the same way we would during a writing conference (or encourage them to interact with peers to share ideas and give feedback). How might we encourage students not to simply ask the chatbot to write an essay or story for them, and instead to prompt it for the kinds of feedback that could further their own writing?

For instance, when prompting ChatGPT in this manner — “Given recent weather patterns, I am getting more worried about changes to our environment, and I am working on an argumentative essay on climate change. What are some questions that could help get me started as I think about specific topics to cover in my essay related to sea level change, heat waves, and forest fires?” — it provided me with a decent list of questions that could lead my writing in additional directions.

Similarly, Bard’s Copilot (which I have access to through my institution’s Microsoft license) generated some questions, though perhaps not as nuanced as ChatGPT’s. As just one example, Chat GPT generated “How has the global sea level changed over the past few decades, and what are the primary contributors to this change?” whereas Copilot asked two separate questions “What are the primary causes of sea level change?” and “What are some of the most significant sea level changes observed in the last decade?”

Even having students compare the outputs of these AI tools could be useful, looking at the depth and nuance evident in the questions, and thinking about which set of questions would lead to more substantive, engaging writing. Even if just being used to prompt thinking, encouraging students to use the AI chat tools as a way to develop new inquiry questions is one way to engage with AI as a thinking partner.

Of note, both ChatGPT and Bing provided a similar set of caveats at the end of their output, which are somewhat helpful reminders (if followed by additional instruction and coaching). Here is ChatGPT’s:

“Considering these questions can help you delve into specific aspects of each topic and provide a well-rounded perspective in your argumentative essay on climate change. Remember to back your arguments with credible sources and evidence to strengthen your case.”

ChatGPT Output

On a related note, Paul Allison has been doing a good deal of work to integrate specific GPTs for feedback and scaffolding thinking in NowComment. This is certainly a tool that is worth exploring as we help students engage in substantive dialogue around texts, images, and videos, all supported by scaffolded thinking via GPTs that are customized to specific academic tasks.

AI as Research Assistant

As tools Perplexity, Bing, and Bard continue to integrate sources into the AI output and fight many of the fears about hallucinations and misinformation that have been part of the AI conversation since the fall of 2022, I have begun to wonder what this means for students in their efforts to critically evaluate online sources. In this sense, the AI output itself is one source, as well as the additional sources that are referenced in these outputs.

For instance, in a search for “What is climate change?” via Perplexity, it yielded links to six additional sources in the first sentence, with a total of eight different sources for the article. It produced a clear, concise summary and prompted additional questions that the user could click on and explore. By comparison, a Google search of the same question (and, yes, I know that we aren’t supposed to ask Google questions, yet it is clear that many people do), provided a list of sources and a summary panel from the United Nations.

Of note, it is interesting to see that Perplexity’s sources (UN, two from NASA, World Bank, NRDC, NatGeo, Wikipedia, and BBC, in that order ) are similar to, though not exactly the same as Google’s output in the top ten hits, for me at least: UN, NASA, World Bank, NASA Climate Kids, BBC, NatGeo, US EPA, NASA, Wikipedia, and NRDC, in that order. This, of course, could lead to some great conversations about lateral reading, tracking of user data across the web and privacy, and the ways in which different tools (traditional search as compared to AI-powered search) function.

Moreover, as we begin to see AI embedded directly in word processing tools, this research process will become even more seamless. And, as described in the section below, we will also want to begin thinking about when, why, and how we ask students to engage with AI as a co-writer, relying on the research it has provided to craft our own arguments.

AI as Co-Writer

Finally, the aspect of AI in English language arts instruction that I think is still causing most of us to question both what we do, as teachers, and why we do it, is this idea that AI will take over anything from a small portion to a large degree of our students’ writing process. In addition to the initial fear of rampant, outright cheating and how to catch plagiarists, in conversations with my colleague Pearl Ratunil of Harper College, we are trying to understand more about how AI cuts to the core of who we are as teachers of writing. Teaching writing, in this sense, is deeply emotional work, as we invest time and energy into the success of individual writers, providing them with coaching and feedback. To think, feel, or actually know that they have undermined our efforts at relationship-building, let along teaching specific skills that are then outsourced to AI is, well, deeply saddening.

Yet, back to the main idea here of AI as co-writer. The tools are here, becoming more and more integrated and our student will continue to have access to and use them in their day-to-day writing tasks. I learned about another new-to-me tool the other day, Lex, and that is on my agenda to explore in the weeks ahead. Add that to the list of many tools I keep exploring like Rytr, Wordtune, Quillbot, and more. Lex claims that “With Lex’s built-in AI, the first draft process becomes a joy. No more switching back and forth between ChatGPT and Google Docs,” so that will be interesting to see.

More than simply an auto-complete, these tools do have the capability to help students explore genre and tone, adjusting messages to different audiences based on needs for style and clarity. Just as we would want students to be capable writers using other tools that they have available to them — both technical tools like spelling and grammar checks, as well as intellectual tools like mentor texts and sentence templates — we need to help them make wise, informed decisions about when, why, and how AI can help them as writers (and when to rely on their own instincts, word choice, and voice).

As Kristen Turner and I work on the book this year, I will be curious to see how some of these tools perform to help support different, specific writing skills (e.g., developing a claim or adding evidence). My sense so far is that AI can still help produce generic words, phrases, sentences, and paragraphs, and that it will take a skilled writer (and teacher) to help students understand what they need to revise and refine in the process of writing.

Closing Notes

In my “welcome back” email to faculty this week, I shared the following as it relates to academic integrity issues.


Having had conversations about this with a few of you last fall – and knowing that a few of you dealt with cases of potential AI dishonesty – as we begin this semester, it is worth revisiting any policies that you have in your syllabus related to academic honesty and AI. It is no surprise that I am still, generally, an advocate for AI (with some guardrails), as our own students will need to know how to use it in their professional communication, lesson planning, and in teaching their own students to use AI tools. 

In addition to the many resources on the CIS AI website, one that they have listed is from Dr. Christopher Heard of Pepperdine/Seaver College, who used Twine to create an interactive where you can create a draft of syllabus language that is then free to use and remix because it is in the public domain. This tool could be a useful start, and I would also encourage you to read recent research on the ways that AI plagiarism detection tools are, or are not, doing so well at the task, and that many are biased toward our multilingual learners, the use of AI detection is perhaps dwindling, as some universities are simply abandoning the tools altogether. If we do plan to use plagiarism detection tools at all in our classes, then we need to follow best practices in scaffolding the use of such tools and making students aware of our intentions.  

Finally, consider this student’s perspective in an op-ed for CNN, who encouraged teachers in this manner:  

“We can be taught how to make effective prompts to elicit helpful feedback, ideas and writing. Imagine the educational benefits students can gain by incorporating AI in the classroom, thoughtfully and strategically.”  

Sidhi Dhanda, September 16, 2023

As we focus more intently this semester on core teaching practices, I will be curious to see where the conversations about the use of AI intersect with our goal to prepare the next generation of teachers.  


Throughout it all — as I keep thinking about AI in the role of Thinking Partner, Research Assistant, and Co-Writer — 2024 promises to be another year dominated by the conversations around AI. In the next few weeks, I have at least three professional development/conference sessions on the topic, and I am sure that we will revisit it during our upcoming MediaEd Institute and summer workshops with the Chippewa River Writing Project, as well as the faculty learning community I am participating in at CMU.

In what ways are you rethinking the teaching of writing in 2024 with the use of generative AI writing tools?


Photo by Aman Upadhyay on Unsplash.

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Survey Invitation: Perceptions of AI Writing Tools in the College Composition Classroom

As AI tools becomes more common and stakeholders in the higher education community are both interested in — and concerned about — their use, we invite instructors to share your insights on the role of AI in writing instruction in this survey.

We are seeking input from college composition instructors, writing program administrators, writing center consultants, and others who are interested in the teaching of writing in higher education.

As artificial intelligence (AI) programs are becoming more common and stakeholders in the higher education community become more interested in — as well as concerned about — their use by students, we are inviting you to participate in this survey to share your insights and opinions on the role of AI in writing instruction.

Also, if you are interested, we would welcome you to share your contact information for a potential focus group interview in May or June of 2023.

To read the consent form and begin the survey, please click here or copy and paste the URL into a separate window.

https://cmich.co1.qualtrics.com/jfe/form/SV_2tJMDOyzeiFZXZs

The survey will be open until March 31, 2023, at midnight (11:59 PM) Eastern time.

Please feel free to share this invitation with others in your professional network. 

Questions? Please reach out:

Dr. Daniel Ernst, Texas Women’s University, dernst@twu.edu

Dr. Troy Hicks, Central Michigan University, hicks1tw@cmich.edu

Podcast Episode: Conceptually Speaking

With thanks to Trevor Aleo for the opportunity to think through some new ideas related to new literacies and teaching digital literacies, please enjoy this recent episode of “Conceptually Speaking.”

With thanks to Trevor Aleo for the opportunity to think through some new ideas related to new literacies and teaching digital literacies, please enjoy this recent episode of “Conceptually Speaking.” Here is the podcast description, from Trevor:

As melodramatic as it may seem, I’ll never forget the first time I encountered The New London Group’s A Pedagogy of Multiliteracies: Designing Social Futures. After an evening of mindless scrolling in the summer of 2016, I clicked on a fortuitous Facebook post from a fellow English teacher. As I read I became increasingly enraptured. It felt inspiring. It felt fresh. It felt innovative. I assumed it was cutting-edge research. Then I saw the publication date. 1996. Reading that publication date made it abundantly clear educational practice had fallen well behind educational scholarship. It’s a disconnect I notice more and more as I move through my own dissertation. It’s also a lament shared by my esteemed guests. This week I was joined by Dr. Troy Hicks professor of English and Education at Central Michigan University and the Director of the Chippewa River Writing Project and his co-author, Dr. Kristen Hawley Turner: Professor of education at Drew University and director of the Drew Writing Project. Our discussion is coming hot on the heels of their recent publication Digital Literacy (Still) Can’t Wait: Four Questions to Reframe the Conversation around Technology in the English Classrooma follow-up to their 2013 publication No Longer a Luxury: Digital Literacy Can’t WaitThough I’m sure they wish such clarion calls weren’t still necessary, I’m thankful for scholars like them who continue to fight the good fight to bring powerful ideas to practitioners and pose poignant questions about how we use technology in our classrooms. Whether you’re a techno-skeptic or ed-tech enthusiast, Kristen and Troy’s four questions are an invitation for us to use technology in more transformative ways. Enjoy!
Resources:
An Interconnected Framework for Assessment of Digital Multimodal Composition
Dr. Troy Hicks’ Twitter
Dr. Kristen Turner’s Twitter

Trevor Aleo, Conceptually Speaking

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Podcast Interview: Every Day is Earth Day

As we close Earth Day activities, I am grateful to have had the chance to talk with CMLife reporter Teresa Homsi about the intersection of climate change misinformation and media literacy in this April 20 2022 podcast.

As we close Earth Day activities, I am grateful to have had the chance to talk with CMLife reporter Teresa Homsi about the intersection of climate change misinformation and media literacy in this April 20 2022 podcast.

In order to develop solutions to environmental issues, we need to be on the same page and supported by credible, fact-based information. But how do we know what a fact is, what is real and how do we navigate the mess of misinformation? Join guest host Teresa Homsi and professor Troy Hicks as they discuss media literacy – what it is and why it’s important. Hicks is a professor of English and Education at CMU who works with K-12 teachers on implementing media literacy curriculum into their classrooms.


Photo by Elena Mozhvilo on Unsplash

CCIRA Podcast (July 22, 2021)

Troy Hicks, professor of English and Education at Central Michigan University, former middle school language arts teacher, and Director of the Chippewa River Writing Project shares about New Literacies in the classroom.

Have you listened to CCIRA Literacy Conversations yet?

Thanks to Molly Rauh and Jessica Rickert for the opportunity to talk about teaching, writing, and technology with the @ColoradoReading podcast!

(Link to episode and show notes.)

Examining Instructional Models for Online Instruction

Depending on the course that I was teaching, I was flexing the kinds of time I was spending (and asking students to spend) in Zoom rooms, with online discussion forums, and in various forms of partner and group projects. How many hours of video class sessions are you hosting, each week, for a typical three-credit course and what, in addition, are you asking your students to do as part of their on-going participation?

Image by Simon Abrams on Unsplash

As has been said, many times and many ways, this was a semester like no other.

With many campuses facing what Bryan Alexander called “toggle terms,” and many more being fully online, it has been a unique moment in the history of higher education. As we close 2020, I am finally at a point with all other projects where I can pause and reflect on some of the comments that my students provided me from the spring, summer, and fall semesters.

Given that all of my classes in spring and summer were scheduled to be online to begin with — and with the one class I was scheduled to teach face-to-face in the fall I was granted permission to move online — the experience of online teaching is not new for me. And, as Larry Cuban reminded us all earlier this fall, “pandemic-driven remote instruction” is something different from what has been variously called “online” or “virtual” instruction. In fact, that is part of what I wanted to capture in writing this post. Depending on the course that I was teaching, I was flexing the kinds of time I was spending (and asking students to spend) in Zoom rooms, with online discussion forums, and in various forms of partner and group projects.

So, let me begin by offering a few models of what my courses look like, in either 8- or 16-week terms, and then share some of the student comments that are guiding me as I look to the semester ahead. To keep it simple, I am following a simple “5Ws and H” format, though I may want to do some more thinking about how to accurately represent these ideas in a graphic of some kind or another.

Model 1: Full Semester, Undergraduate First-Year Seminar

  • Who: 19 first-year honors undergraduate students
  • What: 3-credit course, “Our Digital Selves: Living and Learning in a Multimodal World”
  • When: In lieu of a weekly 2 hour 45 minute course meeting in-person, we moved to a 1 hour 45 minute session and ~1 hour of participation in discussion forums and peer reviews.
  • Where: Synchronous meetings in Zoom each week; discussions in Packback; peer review in Writable.
  • Why: Because the goal of the first-year seminar is for students to develop the habits of mind toward scholarly inquiry and build community with one another, I felt that the weekly class meetings were an essential component of the overall experience. Also, I had at least two 30-minute meetings with each student during the semester to help guide them on two separate projects.
  • How: Class sessions generally moved in three to four chunks of 20 to 30 minutes each, including mini-lectures, collaborative tasks in breakout rooms, and time for writing-to-learn activities; guest speakers presented during three separate weeks of class sessions.
  • Comments from students: While I haven’t received formal end-of-class reports yet, anecdotal comments from students suggest that they appreciated the interactive nature of our video-class sessions (even though most kept their cameras off in the main room). Because the writing-to-learn activities led to more in-depth assignments, some students noted that they appreciated the time and space to talk with classmates during our class sessions, too.

Model 2.1: Abbreviated Semester, Masters Ed Tech Class

  • Who: 15-25 masters students, most of whom are K-12 educators
  • What: 3-credit courses in our ed tech program, each condensed into 8 weeks
  • When: No expectation of synchronous meetings, though I would offer at least one “welcome webinar” and would have open office hours as well as optional appointments.
  • Where: Across various platforms, mostly Blackboard (for announcements and grades) and Google Docs/Sites (to share content and invite collaboration). Also, we used Voxer for an on-going, informal backchannel conversation.
  • Why: Because these educators are preparing to infuse ed tech into their own classrooms, I wanted to provide them with a very UDL-like experience that integrated the ISTE standards in thoughtful ways.
  • How: Each week, students would explore a series of “pathway tasks” that they could then select from. In any given week, students would choose three shorter activities, or one short activity and one longer one, resulting in products that they could use in their own classrooms.
  • Comments from students: “I liked being able to explore and play with new learning materials each week. As a learner, I felt like actually practicing working with materials I could use in the classroom was a lot more beneficial than just reading and doing a reflection every week.”
  • “I appreciated how you structured the course shell. It was organized by weeks. Teachers in the past made the course shell more like a scavenger hunt, which is super irritating when you have to spend so much time and energy just trying to locate an assignment. Also, I really like using Voxer. It was nice being able to ask questions and receive immediate feedback.”
  • “I really enjoyed that I could chose each week which pathway I wanted to complete. I liked that the work could be tailored to what I needed.”

Model 2.2: Abbreviated Semester, Masters Ed Tech Class, Cohort-Based

  • Who: 15-25 masters students affiliated with community colleges as instructors or support staff
  • What: 3-credit course as an introduction to ed tech within a general education masters program
  • When: 1.5 hour meeting in Zoom, once per week for eight weeks; additional material to be explored in an asynchronous manner.
  • Where: F2F class shifted to online, across various platforms, mostly Blackboard (for announcements and grades) and Google Docs/Sites (to share content and invite collaboration); Slack for backchannel.
  • Why: With an audience of both community college instructors (from various disciplines) as well as staff (in admissions, financial aid, and other departments), the course needed to be flexible enough to focus on classroom integration of ed tech as well as how to use ed tech for delivering online training to other faculty and students.
  • How: Each week, students would listen to a podcast or webinar (not mine, from outside source) about the topic at hand, as well as read materials from the course text book. During the class sessions, we would engage in “quick fire” style challenges to explore the topics under discussion for the week by using different ed tech tools (Google Sites, Canva, H5P, etc).
  • Comments from students: “Troy provided time for engaging learning activities during class time. The learning activities were well connected to the learning objectives and assigned reading. It helped make the connections from theory to practice. Troy used the breakout method to help us connect in smaller groups and learn together. This was great for building community and encouraging collaboration… Troy’s weekly emails with reminders on readings and what to expect in the upcoming class was also really great for preparing for class.”
  • “The opportunity to learn, apply knowledge and have a hands-on experience was evident in this course. Troy introduced various concepts and tools, explicitly applied them throughout the semester and regularly encouraged students to use various techniques and relevant online tools, including screencast, etc.”

Model 3: Full Semester, Doctoral Ed Tech Class

  • Who: 12-15 doctoral students in an ed tech program, most of whom are educational professionals though some are from other industries
  • What: 3-credit course as an overview of ed tech tools and critical theories of ed tech
  • When: 1 hour Zoom meetings, every other week (8 meetings over 16 week semester); individual appointments to support student projects; meeting with collaborative groups for their projects, too.
  • Where: Across various platforms, mostly Blackboard (for announcements and grades) and Google Docs/Sites (to share content and invite collaboration); use of WhatsApp for on-going, informal “backchannel” dialogue with entire class.
  • Why: To help these doctoral students become more critical consumers of ed tech and to also help them prepare to lead professional learning for others, the course was designed to help them question their (mostly positive) assumptions about ed tech and how it could and should be used in school and training settings.
  • How: In addition to readings and on-going discussions, students went through three cycles of creating a brief review, a full review, and an instructional screencast; they also worked with partners to write a research paper and present a one-hour webinar on an ed tech tool.
  • Comments from students: “I feel that I became stronger at presenting a critical review over various tech tools due to the “workshop” style review process that Dr. Hicks brought us through.”
  • “We had group sessions every two weeks; group assignments via collaboration tools such as Kami, OneNote, NowComment, and others; ongoing discussions held via Whatsapp; additional reading materials for further discussions; and Dr. Hicks was at our disposal via email, individual appointments, and phone.”

Looking Toward 2021

Figuring out how many “hours” should go into a three-credit hour course seems to be a constant challenge for me (and all of higher education, according to the US DOE and this piece from IHE).

So, what I continue to ask what I should do as I look at the “What was the total number of hours you spent on activities related to this course?” stats that my students have filled out in their end-of-course surveys. Most of my students in the past year seem to hit the “sweet spot” (45-64 hours), with some leaning slightly more (65-84 hours). There are a few outliers, of course, on both the high and low end, yet I feel like the idea that most are “in the zone” seems appropriate, given the overall feedback that I get on course design, assignment complexity, and expectations for interaction.

Still, as I consider what I might do for the courses I will be teaching here in a few weeks (two doctoral, two masters), I am again rethinking what it is that I want to do with expectations for video class sessions (as compared to other “seat time” tasks such as discussion forums, partner or group projects, individual meetings with me as the instructor, or similar tasks). I need to puzzle through this a bit more, considering how often I feel students would be interested in/willing to participate in class sessions, as well as the types of activities I would plan for us to participate in during our limited times.

And, perhaps it should go without saying, but I will anyway. I do not record video lectures. I will, on occasion, create a video announcement in the form of a screencast, especially as a tour of the Blackboard shell at the beginning of the semester. Beyond that, any “content” that I deliver comes in the form of other content that has been found online, or in feedback to students (written, recorded, or through conferences). For the classes that do meet on Zoom, I record them and ask that students who were absent watch the main segments and write a brief reflection (this expectation is built into the syllabus).

As I keep telling my colleagues, when we say that “I don’t have time to do X” in my classes, what that really means is that “I don’t choose to use time to do X.” In fact, as educators, it is not a lack of time that should drive our motivations. Instead, I argue that time is, indeed, all that we have. How we choose to use that time is of the utmost importance.

So, as I begin revising my syllabi for the spring semester, I will be considering some new patterns for my courses and would be curious to hear from others: how many hours of video class sessions are you hosting, each week, for a typical three-credit course and what, in addition, are you asking your students to do as part of their on-going participation?

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Summer 2019 Publications: RRQ and English Journal

While they both require individual or institutional subscriptions to read, I am pleased to share my two most recent co-authored publications:

Turner, K. H., Hicks, T., & Zucker, L. (Advance online publication). Connected Reading: A Framework for Understanding How Adolescents Encounter, Evaluate, and Engage With Texts in the Digital Age. Reading Research Quarterly, 0(0). https://doi.org/10.1002/rrq.271

From the Abstract

Since the emergence of the World Wide Web and e?reading devices in the late 1990s and early 2000s, reading research has focused on issues of website credibility, search and navigation strategies, and the ability to comprehend text on?screen as compared with in print. What has been missing, however, are data about the specific texts that adolescents are reading in these digital spaces, what devices they prefer, and the strategies that they employ… The authors propose a new framework of connected reading, a model of print and digital reading comprehension that conceptualizes readers’ interactions with digital texts through encountering (the ways in which readers seek or receive digital texts), evaluating (the ways in which readers make judgments about the usefulness of digital texts), and engaging (the ways in which readers interact with and share digital texts)…

Canady, F., & Hicks, T. (2019). Reconsidering Student Inquiry through Digital Narrative Nonfiction. English Journal, 108(6), 25–31.

As an alternative to the traditional research paper for an English 11 class, a digital narrative assignment positioned students as multimedia storytellers.

Thanks to my colleagues with whom I have collaborated on these pieces, and for everyone who has shared continued words of encourage and support upon seeing these new publications.


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Getting Started with Selwyn’s “Distrusting Educational Technology”

Book Cover for Distrusting Educational Technology by Neil Selwyn (Routledge)
Book Cover for Distrusting Educational Technology by Neil Selwyn (Routledge)

This semester, I have shifted the focus for EDU 807 to begin immediately with more critical perspectives on educational technology. Over the past year, I have encountered the work of Neil Selwyn, and I am particularly interested in his 2014 book, Distrusting Educational Technology: Critical Questions for Changing Times. As a way to share some of my initial thinking on the book for my EDU 807 students, I plan to blog about it while we read together this semester.

As I initially read the ebook, I immediately appreciated his perspective. He argues in the fifth paragraph of the introduction that “[t]o put it in crude terms, educational technology could be observed to involve a hierarchy of actors and interests ranging from those who generally ‘do’ educational technology through to those who generally have educational technology ‘done’ to them”
(Selwyn, Distrusting Educational Technology. Routledge, 20131126, VitalBook file). From that opening attack, he reminded me of other authors willing to take on the education(al technology) establishment, including Joel Spring, Audrey Watters, and Stephen Downes. So, I was interested from the start.

I knew that I needed something different for my EDU 807 course (focusing on the broad goal of examining educational tools and technologies), and Selwyn’s book hit the mark, both in terms of topic and also because it lends itself well to jigsawing, as the middle chapters of the book take on four major issues: virtual, open, game, and social technologies. My students will choose one of those topics to dig into, creating a set of resources related to that issue. So, in preparation for that process, I will be blogging my way through my own re-reading of the book, and here are some initial thoughts on Selwyn’s approach.

From the Introduction: “Why Distrust Educational Technology?”

From the opening paragraph of the preface, Selwyn notes that he is “deliberately distrustful of the ongoing digitization of education provision and practice” and, in the next, notes the “gulf that persists between the rhetoric of how digital technologies could be used in education and the realities of how digital technologies are actually used in education” (emphasis in original, Selwyn, 20131126,  VitalBook file). Thus, from the get-go, Selwyn establishes his critical stance and deep concern about the ways in which our field typically describes and celebrates educational technology, inviting us to consider whether our expectations align with our reality. These are the kinds of questions that I appreciate most as a reader and scholar, so he had me hooked in these opening lines.

Before the end of the preface, he also describes the use of educational technologies as “a profoundly political affair — a site of constant conflict and struggle between different interests groups.” As someone deeply involved with and concerned about teacher education and professional development, these politics are ones that I find don’t get discussed enough. Though I am a strong advocate for resources that are inexpensive or, using the scare quotes intentionally, “free,” even before I got to Selwyn’s chapter on open source materials I began to think again about how I describe and use technologies in workshops and courses. Yes, I know that I have referred to some of them as “free,” and — if we’ve learned anything from the Facebook situation in the past two years — we know that nothing is ever without cost. Making these political aspects of ed tech use even more a part of my on-going dialogue with teachers and the doctoral students with whom I work is a distinct goal for reading Selwyn’s work.

As a final note from the Preface, I was compelled by Selwyn’s idea that “educational technology is not value-free but value-laden, and therefore something that can be trusted and distrusted, agreed and disagreed with. Second is the belief that the nature and form of educational technology are not predetermined and inevitable but negotiable” (emphasis in original, Selwyn, 20131126,  VitalBook file). The sad fact is that many educational technologies that exist are set out to solve specific problems (learning facts) with a pedagogical frame (usually a behaviorist or cognitivist one). While this is good to take the perspective that ed tech is mutable, I’m not so sure that this is the case with all ed tech. Yes, we could have teachers and students repurpose skill-and-drill software in creative ways, but that is different than starting with a tool designed specifically for creation rather than consumption.

All the same, Selwyn’s preface had already given me enough to chew on when I first encountered it that I knew this would be the new text for EDU 807. With class starting tomorrow, and our attention on Selwyn’s work coming in a few weeks, I will be writing more about the remaining chapters in the book over the next few days.

And, as one side note, I am finding it difficult to cite, specifically, where I found the information in the book. While I know that Kindle gives locations, the VitalBook file that I am reading does not. So, my apologies for not providing more direct citation info.


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Rethinking My Relationship with Ed Tech

So, with 2019 officially underway, I am hoping that today is the first day of a year that I spend (at least some) focused time blogging. I’ve been at this since 2006, and I’ve had good years and bad ones, productive blogging periods and deep fallows. While I am making nothing even close to a resolution that I will blog 365 consecutive days in 2019, I am hoping that I can increase the overall volume of blog posts by about 50%.

As of today, I stand at 492 published posts over the years, and in recent months I have been getting pretty skimpy in terms of what “counts” as a post, many of which consist of conference session slides and hyperlinks. That’s OK. Sometimes. So, too, are short missives on a news items. Sometimes. And, it’s not like everything that I write needs to be a long, rambling, philosophical treatise. Nor does it need to be a highly polished, essay-like post. But, it needs to be something. And, it needs to be something frequent.

In some ways, this is a silly goal. In 2019, I am working on three different book projects, at least two journal articles (right now), and any number of other items including a the development of a new course on digital and media literacy and a major report that I am working on for a professional organization. In short, there is plenty of writing to do. Blogging has always been the “enjoyable” writing that I would do once all the “required” writing is done.

But, much like I have reversed course in the past few months and repositioned exercise in my daily routine, I need to fit blogging squarely in each 24-48 hour cycle. Some days, the posts may be more substantive than others, but I can at least share a link to an article with some commentary. Sometimes, it may be ideas I am working through for my books, articles, or courses. Or, whatever. The point is that I need to write and get ideas moving.

A major theme, as indicated by the title, is that I will be making a conscious effort to reevaluate, rethink, revise… re-everything… my relationship with ed tech. To begin, I am introducing a new textbook into my EDU 807 course: Selwyn, N. (2013). Distrusting Educational Technology: Critical Questions for Changing Times. New York?; London: Routledge. Because we will be digging into that text fairly soon in the semester, I will make an effort to share some quotes and elaborate on Selwyn’s ideas.

Again, in order to add 50% to my blog in 2019, I would need post 246 times. Whew. I’ll cut myself some slack and aim for 200, looking at a post about once every other day. So, hooray… #1 (for 2019) is done, and I look forward to getting back into blogging over the next few days, weeks, and months. Happy 2019, everyone!


Photo by Kaitlyn Baker on Unsplash

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Wrapping Up a Semester of Digital Badging

Digital Badges... Still Under ConstructionThis past fall semester provided me with an opportunity to teach an undergraduate honors seminar, focused broadly on the role of technology in our personal and professional lives.

Entitled “Our Digital Selves,” I was able to work with 22 students over the 16 week semester as we engaged in some shared inquiry, some small group inquiry pathways, and a number of writing-to-learn activities that helped them engage with and understand a variety of digital tools ranging from browser extensions to the Zotero bibliographic management system.

Moreover (and more to the point for purposes of this post), we utilized digital badging as a tool for documenting performance, eschewing grades and, instead, relying on lots of formative assessment, peer review, and self-evaluation. Since the National Writing Project first became connected with the MacArthur Foundation’s Digital Learning Initiative, I have been interested in badges, and will likely be pursuing the use of badges in teacher professional development this spring.

For HON 206, the purpose of the badging system was, as I documented earlier, meant to be an opportunity for students to reconsider the role of traditional grade-driven assessment practices in their learning, providing them with more flexibility and opportunities for them to work creatively with one another. As with all teaching experiences, this one had some ups and some downs.

On the positive side:

  • Badges held a novelty factor that — combined with the overall topic of digital ethnography that permeated the course — did remain relevant in our discussions and activities.
  • In pursuing the goal of digital authorship across multiple platforms and with various activities, students began to see how multimodal texts (including badges) could expand their thinking well beyond the traditional academic essay.
  • Coupled with the inquiry-based, experiential nature of the pathways, students did begin to identify themselves with the badging pathways. They called themselves “Makers,” “Adventurers,” “Hackers,” and “Writers.”
  • In the end, having some freedom and flexibility was a powerful motivation for learning. While it really wouldn’t have mattered if we had badges or not, talking about the idea of “earning a badge” is more concrete than times in the past where I have used contract grading, which feels much more amorphous.

And, on the negative side:

  • No matter how much you try to dress it up, even with lipstick, a pig is still a pig. Though the ultimate goal was not to gain a set number of points in order to earn an “A,” this still was a class, with homework and expectations for participation. Try as I might, badges didn’t change that fundamental equation. Some students completed their work on time and with a high degree of quality. Some did not. And, for all those who are worried about grade inflation, well, I am part of the problem, since they all ended up with the same grade at the end.
  • Interoperability. Even though I was using the open badge standard with the Badgr platform (read more about how Badgr evolved from the Mozilla Open Backpack, and where it is going next), I thought that it would be easy for students to share their badges on LinkedIn (not at all easy, and only as a “certification”) or WordPress (no embedding of iFrames on the free accounts). They could download the image, make a link, and share it that way, but the ease of a “point and click” transfer of the badge from being issued in Badgr to making it into a more viable, professional space simply didn’t happen.
  • Though there were some other minor concerns, the final major problem is that, even after a semester of talking about badges, showing them how their “evidence” of earning the badge is “baked in,” and that they could easily demonstrate to another instructor or employer, I don’t think that any of them (save for one) really felt like these digital credentials would help them later on.

As with all teaching innovations, I sometimes fear that the more things change, the more they stay the same. I should have opportunity to teach HON 206 again in the future, and I am already thinking about some ways in which I might adapt; I think that there might be some specific ways that I can make things more compelling while also not losing my mind from issuing badges.

  • First, the badges need to be earned for (some) smaller tasks, not just the final projects. In order to earn a badge for say, “Level I” work in a pathway, you need to have the item turned in on time and to a high degree of quality. If not, no badge. You can still turn in the work and get credit for the assignment, but I need to issue smaller badges, faster.
  • Second, in a similar vein, I did about eight in-class, intensive “writing-to-learn” activities that were highly scaffolded as Hyperdoc-like activities. I think that I would have at least five of those (of the students’ choosing) become longer assignments that would include the in-class work as well as an out-of-class extension, probably a brief essay (500 words or so). Those, too, would accumulate into a bigger badge, but would be issued more frequently.
  • Finally, I need a system for them to share the badges. Perhaps, as part of the course, I have them subscribe to WordPress for four months, dropping the text book and paying for that instead. Then, I could build blogging (and reading one another’s blogs) more diligently into the course process, and I could expect them to share their badges more publicly.

So, my first go at badging was compelling and not a complete failure. My hope is that I have opportunity to try this again with undergraduates and — if I get really motivated — with my ed tech doctoral students, too.

For now, I wish that I could give all of my students a digital backpack (ala Mozilla’s original vision) for a Christmas present, so it was easier for them to share their badges and, more importantly, be able to reflect on their learning for the semester. But, that’s on my wish list for next year and, for now, I am satisfied with the gift of a wonderful teaching experience this fall.

I have more to learn about badging, and will continue to reflect on my HON 206 experience, too.


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