While attending the California Association of Teachers of English (CATE) conference in February, I was invited to speak with CNUSDEdChat. My thanks to the entire CNUSDEdChat team — Ivy Ewell-Eldridge, Annemarie Cortez, Kim Kemmer, Jenny Cordura, and Kate Jackson — for welcoming me to this conversation. Follow more of their work via their homepage, Soundcloud and Twitter. Enjoy the podcast!
Dr. Ivy Ewell Eldridge chats with Central Michigan University professor and author, Troy Hicks, a super advocate of ways to teach and enhance the process of writing through the use of digital tools. He encourages educators to nurture our students’ curiosity, openness, flexibility, persistence, engagement, and responsibility as they engage in the writing process.
Here is an archived recording of our Wednesday, March 25, 2020 webinar on EdWeb, “Literacy in a Time of Rapid Change: Strategies and Resources for Virtual Learning,” as well as the GDoc handout from the session.
We are now in the midst of a “new normal,” and questions about what virtual instruction will look like — in our own classrooms and across the globe — abound. Join literacy experts, authors, and experienced virtual educators, Dr. Troy Hicks and Shaelynn Farnsworth, as they discuss resources and strategies to best support remote teaching and learning.
In this edWebinar, explore ways to virtually teach and engage students in literacy learning by sharing curricular content, edtech tools, resources, communities, and tips to get you thinking critically and creatively in this time of crisis. As we are working to meet the needs of all students virtually, we’ll also be mindful of issues related to equity, accessibility, and student populations with special needs.
We can do this together. Please watch the conversation.
This recorded edWebinar will be of interest to kindergarten through higher education teachers, librarians, school and district leaders, curriculum and instruction, TOSAs and coaches, assistant superintendents, and tech directors.
About the Presenters
Dr. Troy Hicks is Professor of English and Education at Central Michigan University (CMU). He directs both the Chippewa River Writing Project and the Master of Arts in Learning, Design & Technology program. A former middle school teacher, he collaborates with K–12 colleagues and explores how they implement newer literacies in their classrooms. In 2011, he was honored with CMU’s Provost’s Award for junior faculty who demonstrate outstanding achievement in research and creative activity, in 2014 he received the Conference on English Education’s Richard A. Meade Award for scholarship in English Education, and, in 2018, he received the Michigan Reading Association’s Teacher Educator Award. An ISTE Certified Educator, Dr. Hicks has authored numerous books, articles, chapters, blog posts, and other resources broadly related to the teaching of literacy in our digital age. Follow him on Twitter: @hickstro
Shaelynn Farnsworth is a coach, consultant, and educator for Web20Classroom. She is a leader in the convergence between literacy and technology. As a high school teacher, she redefined her English classroom as not only a place to learn about literature but also explore how technology is shaping the future of communications. She continues this exploration in her role as a consultant focusing on technology, literacy, differentiation, and systemic change. Shaelynn is a staff developer, literacy coach, and supports districts in the implementation of initiatives. She is a MIEExpert, Google Certified Innovator, Apple Teacher, and has training in Project-Based Learning from the Buck Institute, Visible Learning with Hattie, Instructional Coaching, and K-12 Literacy Best Practices.
1. You have titled one of your scholarly works “Because Digital Writing Matters”. What do you mean with digital writing? Is it different from ordinary or academic writing?
As we argue in the book, digital writing can be defined as “compositions created with, and oftentimes for reading or viewing on, a computer of other device connected to the Internet.” While that definition was written just as the iPhone and touchscreen devices were being introduced to the consumer market, it still holds up today. Digital writing, in this sense, is writing that can be composed, stylistically/rhetorically as well as technically, for the screen. Hyperlinks, embedded media, and interactivity are hallmarks of digital writing.
And, yes, while traditional academic writing is typically seen as thesis-driven essays with outside citations from reputable, peer-reviewed sources, we are coming to new understandings — as scholars and educators — about what “counts” as a thoughtful, rigorous argument. Intellectuals can present their work in critical and creative ways, employing the tools of digital writing like alphabetic text, of course, as well as photos, graphs, maps, timelines, videos, and other “born digital” artifacts. These artifacts are created for others to engage with them, and can be effective uses of digital writing tools/skills to support academic goals.
At the International Literacy Association Conference last fall, I shared some more ideas about how digital writing and best practices in writing instruction intersect, and here is the handout for that session.
2. How can we improve interaction over online methods of teaching language?
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13. In respect with real classroom environments, how can we make effective use of technology in providing learners with feedback?
There are ways that we interact with individual writers, as well as our entire classrooms.
First, with individual writers, there are strategies we can use. In a recent blog post, I argue that, even in times of remote learning, “we can teach writers. And, we can teach them online. To paraphrase Lucy Calkins’ oft-cited advice, we teach the writer first, then we teach the writing.” I offer, in that post, three main practices that we want to continue doing: connecting, conferring, and responding. In another recent webinar, for CCCC/TYCA, I went into more detail and offered a list of tools that could be helpful in that process.
With entire classes, we need to make sure that we are using synchronous video sessions with our students to their full effect. To do that, we need to think about what happens before, during, and after a video class session. When I consider that I might only have an hour of focused time with all my students — and what I want them to do with one another during that time — I think through the types of collaborative activities they might do to talk about their own writing, give one another feedback, and grow their knowledge about language. I may model a writing process for them, using sentence templates and engaging in effective web search and evaluation strategies, then invite them to do the same.
Finally, as we interact from session-to-session, we can think about tools to build continuity and collegiality amongst our students, outside of the normal learning management systems. This is not just a “discussion forum” in the classic sense, but a space for students to engage around course content in an informal manner. For my adult learners, Voxer has been effective for this, however there are many other options that exist.
3. How can we encourage learners to take online medium as serious as real classroom environment?
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4. How can teachers keep their authority over online classroom environment?
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6. Many ESL teachers find speaking the most challenging skill to teach online as learners tend to be passive listeners in online classes. What can we do to cope with this issue?
When we remain consistent in our approach — regular announcements, effectively run class sessions, brief and engaging instructional screencasts as needed, timely and goal-oriented feedback — students will know that we are taking our teaching seriously, and this will raise their level of expectations. We model the kinds of behavior that we would expect of them by staying organized and efficient, since we can’t rely on regular, face-to-face class sessions for informal conversation and last-minute reminders.
For our actual online sessions, we need to learn how to be strategic in our use of time, as well as become familiar with controls in our video conferencing software. While designed for business people in training sessions, this guide for facilitating remote workshops has some helpful ideas for helping move online meetings along in productive ways. Also, we can use tools like Flippity to share an on-screen tool that will randomly pick student names, so we can let them know that they will be called on soon to take the microphone and turn on the camera. In a worst case, we can mute them, turn off their camera, or kick them out of the remote room.
We can also invite students to use tools like Voxer, mentioned above, or Vocaroo to record their voice and share with one another or the teacher. Also, they could use Flipgrid to have one-to-one, or small group, conversations. This can be done at their own pace, and if they make a mistake, they can rerecord themselves, avoiding embarrassment that would happen in class.
5. How do you suggest learners/teachers to use social networks effectively as means of language acquisition?
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7. A big problem is that during online classes, some learners confuse the learning process with chatting language. For example, they use the language developed for chatting (e.g. Thx for thanks or L8 for late). Do you think we should worry about the way they are using the language or regard it as a way of enriching the language?
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8. Some learners are unwilling to take part in online classes, as they believe this deprives them of socialization opportunities provided in real classroom environment. Is this claim true? Is there any way through which online world improves their social skills?
We can ask students to think about the tone and style that they might use in social networks and how they need to code switch as they move across different online/social media spaces, as well as communicate in more academic settings. Helping them see that they use a different register of language in these different spaces — and to reflect on why they do so — is one step to making these spaces useful.
Also, we can have them think about how they might use these tools and what they offer (like “streaks” in Snapchat) to stay in touch with another person trying to learn the language. They can communicate with one another each day, and try to maintain their “streaks” in the process.
We could also ask them to think about how they would “translate” a message from one social media form to another. For instance, what would a tweet (without an accompanying image, and using hashtags) look like in Facebook (with use of fonts and colors) or on Instagram (an image with a caption). How would you have to change the style (and amount) of words? What about fonts and colors? These conversations can be helpful for them as they think about the audience, purpose, and media being used.
9. How can we reduce distraction while learning English online?
Teaching our students — and ourselves — to self-regulate is a challenge, no doubt. And, different people have different tolerances for working at their own pace (or in a way other than traditional face-to-face schedules), so we all need to figure out ways to manage our time and attention. I think that it can be done, yes, though there is no single answer that works for everyone.
To that end, I would encourage students to adjust some of their web browser settings and install extensions, turning on ad blockers and using tools to block distracting sites. On their mobile devices, they can turn on “do not disturb” settings (or simply put their devices in another room) while studying. Also, they can set up times to study with classmates, holding one another accountable for getting work done and sharing their progress, as well as more intensive studying. They can also use apps like Duolingo, which “gamifies” the process of learning, if that is motivating for them.
Ultimately, our students need to self-regulate. While we would like to think that they are 100% focused and on-task when they are in our classrooms, we know that is not true. The same is true when they are at home, on their devices. They will not be 100% focused for an entire learning session, whether looking at asynchronous material or in a synchronous video class. We need to acknowledge that, plan for interactive and useful lessons (as noted above), and encourage them to self-regulate and stay motivated in the ways that work best for them.
11. Is it effective to devise a mixed/combinatory method with some skills being taught online and some others in real classroom? (If so, what skills do you suggest to work online?
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10. Generally do you think it is possible to learn English via online tools without the help of a tutor?
As I have noted throughout, I think that there are times and places, ebbs and flows, in the learning process. Sometimes, we can accomplish a lot by having our entire class work together, sometimes we meet with them individually or in small groups. Sometimes, we provide a video lesson for them to watch ahead of time, and then we work on something together during class time. Sometimes we set up individual conferences with writers. Whether we are partially or fully online, we need to consider the many ways in which we move back and forth between realtime communication with students and other tasks that can happen over time.
To put this in more concrete terms, and from a student perspective, my writing/language class might look like this over the course of a week:
Day 1: My instructor sends me a 10 minute video lesson and the assignment for the week; I start my writing and speaking tasks and communicate with my study parter via Skype for 30 minutes.
Day 2: My instructor hosts a one-hour video chat, and has us working in small groups to share our writing. I give feedback to three classmates as we work together for about 15 minutes in a breakout room, then we come back together and my instructor points out good examples of writing from a few classmates. We ask questions in the last few minutes to clarify our assignment for the week.
Day 3: Today is an independent work day. My instructor asks us to send a screenshot of what we have accomplished on Duolingo, and I share a voice message on Voxer. I work on my paper, and add comments to my partner’s paper.
Day 4: We have our second, one-hour video chat of the week, and our instructor demonstrates how to revise our thesis statements. We watch as he shares his word processing screen, and talks about how he is making revision decisions. We then go into breakout rooms to rework our thesis statements with our small groups, and give one another feedback.
Day 5: My instructor has asked us to sign up for 20 minute video conferences, and I shared my draft with him the day before. On the video chat, I tell him about what I am doing with my thesis, and he recommends a few changes. I leave with a good idea of how to revise, and spend the rest of my study time making changes.
As you can see, the student is moving back and forth between synchronous and asynchronous learning, with the whole class and a partner, as well as independently. Having the consistency — yet flexibility — is powerful, and keeps students connected, motivated, and on track to complete their work with support and feedback.
12. Except for saving time and energy, does online teaching/learning have any privileges over real classroom environment?
Well, honestly, I don’t know that teaching online saves time!
As you can see from the example above, my week as an instructor would be spent planning the two, one-hour synchronous class sessions so they are highly engaging and useful. I am also creating a weekly video lesson, and pointing my students to other resources. I am providing written and audio (and, perhaps, video) feedback, and meeting with students in brief video chats. So, I am spending quite a bit of time being intentional about making connections and supporting students.
We can rely on the thousands of things that are already out there to help our students understand grammar and engage in basic writing skills, including websites, videos, online games, flashcards, AI built into word processors, and other resources. They can use those resources, if we guide them in smart ways.
What they need from us is our time and encouragement. That is what we provide when we teach in a manner like the one that I described above. Students have consistent schedules and expectations, and are accountable to us, as teachers, as well as their classmates. They feel connected and valued, and are likely to stay engaged.
This is about more than just pointing them to pre-recorded lessons, online quizzes, and correcting their papers. This is about building relationships, and making their voices heard as writers. It is difficult work, but it is possible if we rethink what it means to be an online teacher of English and to invite our students into meaningful language learning.
Earlier this afternoon, I was pleased to be on a webinar, “Online Environments and Your Students: Strategies to Inform Writing Instruction” (Archived Video) with Jessie Borgman (Arizona State University), and Casey McArdle (Michigan State University). Hosted by Brett Griffiths, Director of Reading and Writing Studios at Macomb Community College, we covered a good deal of ground.
For my segment, we discussed tools for conferring and responding to student writers. Building from my experience in writing centers, NWP, K-12 teaching, college composition, and mentoring graduate students, I consider conferring to be the single most important activity in writing instruction. In the context of online learning (and our current “remote learning” scenarios), I am referring to “conferring” as scheduled meetings with students, via phone or video conferencing. This involves planning the conference, interacting during the conference, and follow-up after the conference.
Again, building from my experiences, I contend that timely, specific, and goal-oriented response helps writer move forward. When conferring is not an option, responding in an efficient and effective manner is second best. I work from the writing center-influenced ideas of responding first to higher order concerns, yet I am also willing to break protocol and offer directed feedback on lower order concerns. Responding can take the form of text, image, audio, or video and can happen at any stage of the writing process. Here are links to the tools that I shared:
“Draftback is a Chrome extension that lets you play back any Google Doc’s revision history (for docs you can edit). It’s like going back in time to look over your own shoulder as you write.”
This morning, I am honored to present for the College Reading Educators during one of their session at the New York State Reading Association’s annual conference. My talk will focus on the idea that, without question, learning continues to change in the twenty-first century. Higher education faculty have always valued the teaching of reading, writing, and thinking — and see that our very notion of what it means to be literate is evolving. How, then, do we enhance and extend traditional literacy practices in this digital age? This brief talk will provide some background on Dr. Hicks’ work as a teacher of digital writing, connected reading, and critical thinking for both undergraduate and graduate students, many of them pre- and in-service teachers, at Central Michigan University. Links from the presentation are embedded in the Google Slides and include the following:
Since the emergence of the World Wide Web and e?reading devices in the late 1990s and early 2000s, reading research has focused on issues of website credibility, search and navigation strategies, and the ability to comprehend text on?screen as compared with in print. What has been missing, however, are data about the specific texts that adolescents are reading in these digital spaces, what devices they prefer, and the strategies that they employ… The authors propose a new framework of connected reading, a model of print and digital reading comprehension that conceptualizes readers’ interactions with digital texts through encountering (the ways in which readers seek or receive digital texts), evaluating (the ways in which readers make judgments about the usefulness of digital texts), and engaging (the ways in which readers interact with and share digital texts)…
As an alternative to the traditional research paper for an English 11 class, a digital narrative assignment positioned students as multimedia storytellers.
Thanks to my colleagues with whom I have collaborated on these pieces, and for everyone who has shared continued words of encourage and support upon seeing these new publications.
Earlier this month, I was invited to be a co-host of ILA’s chat, focused this month on the “dos and don’ts” in writing instruction. As a prelude to a Research Address at this fall’s annual ILA convention, the entire conversation was robust, and I am particularly appreciative of Dr. David Kirkland‘s erudite responses and questions.
As just one example, his response to the first question pointed out a stark truth:
The most difficult part of teaching writing is the fact that we rarely teach writing at all, but only aspects of it or, worse, figments of it because we don’t fully understand what writing is. #ILAchathttps://t.co/EoHfTFi6OT
This resonates for so many reasons: personally, professionally, historically, institutionally. I appreciate his keen insights and the ways in which he continues to push my thinking about literacy and social justice. I very much look forward to hearing his message as part of the Research Address and, for the full archive of the chat, visit ILA’s post on Wakelet.
This afternoon, partially as a way to procrastinate from my own writing and partially because I was genuinely interested in the invitation, I participated in an “open review” of Remi Kalir and Antero Garcia‘s forthcoming manuscript, Annotation. Their open review process will continue through August 23, 2019, so jump in! They request that commentary adhere to the following, all good advice for any scholarly dialogue:
Civil. We can disagree. And when we do so, let’s also respect one another.
Constructive. Share what you know. And build upon ideas that are relevant and informative.
Curious. Ask honest questions and listen openly to responses.
Creative. Model generative dialogue. Have fun. Contribute to and learn from the process.
Having read hundreds of academic articles in the past 20 years, as well as offering blind peer review for dozens more, as well as blind reviews of probably two dozen academic books, I thought that this would be interesting. (And, again, I was procrastinating on my own writing, so an engaging intellectual task that can carry me away and still feel like I am getting work done is always welcome). Here are a few things I learned while reviewing their book which, again, you, too, can contribute to through August 23rd.
My Stance as a Reviewer
When I offer peer review to academic articles and books, I am typically using the “track changes” and commentary features in Word or, in some instances, by offering comments and edits on a PDF (my favorite tool for doing that is the iOS app Good Reader). I typically frame these comments as direct suggestions to the author(s) of the article/manuscript I am reading, and I engage in a professional, yet conversational tone.
With my review of Annotation today, I think that I maintained some of that approach, yet I knew that my comments would be captured, in perpetuity, in Kalir and Garcia’s public version of the document. While I didn’t hold back with questions and concerns, I did realize that I changed my tone. Whereas I would try to be explicitly clear in comments and questions (perhaps even providing examples of what I was aiming for with unclear writing) in blind review, I didn’t want that to be part of the public record.
For instance, in the example below, I offered a comment that could spark further dialogue amongst others reading the text, pushing toward some broader implications for teaching and learning. At other points, I was replying to the comments already made by others, and I would specifically say something like “I agree” or “Along these lines.” Also, at points, I directly wrote to Kalir and Garcia in ways that I could do so with colleagues I know, and would be comfortable saying in front of a group of others.
My Commenting Style in an Open Setting
Yet, still, it felt strange. In the first few chapters, there were some other annotations/ors, yet they fell away. Even those that remained were offering suggestions for links, not the generative kinds of peer review that (I hope) I have always aimed to offer in the peer reviews that I complete. For instance, I would describe problems and ask questions like:
I may simply not be reading this right, but making the comparison of submitting an expense report in relation to the openly annotated future just didn’t ring for me here. Sorry, but perhaps you could find a different example?
This is an interesting example, but I don’t know that it fully draws out all the ideas that you mentioned above related to “shifting social norms, changing financial and organizational incentives, and evolving scholarly practices.” Perhaps you could reorganize around — and particularly elaborate upon — these three ideas in relation to SciBot?
This is an important, if technical, point, and deserves some elaboration. Why is it important that some are built into the browser, whereas others stand alone. And, for that matter, why have you not mentioned OneNote, Evernote, Google Keep, or SimpleNote anywhere in the text, and especially here before you launch into the important questions you pose below?
By the end of the process — which took me just as long as any other book review — I began to wonder/wander, leading me to other directions.
Reflecting While Reviewing
Of course, during a normal review, the kinds of internal dialogue that I have with myself may make it into the first draft of my comments, but I usually do some editing before a final draft heads off to the editor. Here, I figured that Kalir and Garcia’s invitation to be civil, constructive, curious, and creative would welcome some of these thoughts.
As I went through the process, and saw fewer and fewer reviewers in subsequent chapters, I got discouraged. While this is no fault of the authors, and I know that they have extensively shared their open manuscript, welcoming reviews, it does make me worry a bit about the hive mind, and whether the power of collaboration and collective intelligence is, perhaps, not as powerful as we might hope. A few of my musings, especially as they relate to why scholars may choose not to participate in an open review:
This [vision of social annotation and scholarship] is aspirational, and I appreciate it. Yet, I think that you can elaborate more on what actual changes would need to happen to make it a reality. Be specific, and talk about faculty workloads, department/college T&P requirements, and the ways in which “open” is still perceived as subpar.
And, yet, there still seems to be reluctance, or at least lack of widespread acceptance [of open review]. For instance, in your attempts to make this manuscript open and accessible (which I applaud), I am still wondering how many total scholars will participate. Even for those of us who saw the invitation to begin with, a gentle nudge was in order for us to participate. And, in the end, I don’t know that my review of this manuscript will “count” on par with doing a review for an established journal or publisher when (and if) I include it in my promotion materials. Of course, for me at least, this doesn’t matter as much as it would to a junior faculty member who needs to decide whether to spend a few hours trying to write her own work, or to participate in a “normal” editorial review board/process as a blind reviewer for an established press/journal. Both of those actions are rewarded in the academy. As much as I respect Remi and Antero (and that’s why I am doing this annotated review), the simple fact of the matter is that I am doing this because I care, not because it will “count.” These are part of the material reality of academe, and I don’t know how we will change that, even with open annotation and peer review. At the end, there is only so much time in the day…
So, I have held off until now, but I have to ask… and only partially in a cynical manner… Like the tree falling in the forest, does an annotation really make a sound (ripple, impact, effect, etc)? That is, I appreciate your utopian vision, yet I wonder if you might want to reign it in a bit here. Sorry… not trying to pop the bubble, especially after nearly two hours of reviewing and annotating your manuscript, but I am just being realistic. The first few chapters had a few annotators. Now, here at the end, it is just me. And you two, as the authors. Are we really connected to a “robust information infrastructure?” Or, are the three of us walking alone in the woods?
In the end, I appreciate the opportunity to do this review, and to pause here to reflect on the process. I struggle both with how to structure class discussions in digital spaces as well as how to be a social scholar, so reading Kalir and Garcia’s manuscript was serving many more purposes for me than merely procrastinating on my writing. I am hopeful that the ideas I have offered to them (and those who might continue to annotate over the next month) are helpful. And, of course, I will continue to think about practices of annotation in my own scholarship and teaching.
Please enjoy my most recent post, “From Wonder to Writing: Invite Students Into Inquiry Through Online Articles” on the EdCollab blog.
Our best literacy teachers, especially those of you engaging with the TheEdCollab, have known for a long time that we must provide students with mentor texts in order to help them better understand the genres in which they write, the audiences for whom they write, and the purposes that their writing can serve. We have also known—and continue to make clear for our students—the idea that various text types have specific features to help the writer stay organized and to cue the reader in the process of making meaning. As we consider the possibilities for digital reading and writing, we need to make these moves for writers and clues for readers equally as explicit as we do in print.
Book Cover for Distrusting Educational Technology by Neil Selwyn (Routledge)
This semester, I have shifted the focus for EDU 807 to begin immediately with more critical perspectives on educational technology. Over the past year, I have encountered the work of Neil Selwyn, and I am particularly interested in his 2014 book, Distrusting Educational Technology: Critical Questions for Changing Times. As a way to share some of my initial thinking on the book for my EDU 807 students, I plan to blog about it while we read together this semester.
As I initially read the ebook, I immediately appreciated his perspective. He argues in the fifth paragraph of the introduction that “[t]o put it in crude terms, educational technology could be observed to involve a hierarchy of actors and interests ranging from those who generally ‘do’ educational technology through to those who generally have educational technology ‘done’ to them”
(Selwyn, Distrusting Educational Technology. Routledge, 20131126, VitalBook file). From that opening attack, he reminded me of other authors willing to take on the education(al technology) establishment, including Joel Spring, Audrey Watters, and Stephen Downes. So, I was interested from the start.
I knew that I needed something different for my EDU 807 course (focusing on the broad goal of examining educational tools and technologies), and Selwyn’s book hit the mark, both in terms of topic and also because it lends itself well to jigsawing, as the middle chapters of the book take on four major issues: virtual, open, game, and social technologies. My students will choose one of those topics to dig into, creating a set of resources related to that issue. So, in preparation for that process, I will be blogging my way through my own re-reading of the book, and here are some initial thoughts on Selwyn’s approach.
From the Introduction: “Why Distrust Educational Technology?”
From the opening paragraph of the preface, Selwyn notes that he is “deliberately distrustful of the ongoing digitization of education provision and practice” and, in the next, notes the “gulf that persists between the rhetoric of how digital technologies could be used in education and the realities of how digital technologies are actually used in education” (emphasis in original, Selwyn, 20131126, VitalBook file). Thus, from the get-go, Selwyn establishes his critical stance and deep concern about the ways in which our field typically describes and celebrates educational technology, inviting us to consider whether our expectations align with our reality. These are the kinds of questions that I appreciate most as a reader and scholar, so he had me hooked in these opening lines.
Before the end of the preface, he also describes the use of educational technologies as “a profoundly political affair — a site of constant conflict and struggle between different interests groups.” As someone deeply involved with and concerned about teacher education and professional development, these politics are ones that I find don’t get discussed enough. Though I am a strong advocate for resources that are inexpensive or, using the scare quotes intentionally, “free,” even before I got to Selwyn’s chapter on open source materials I began to think again about how I describe and use technologies in workshops and courses. Yes, I know that I have referred to some of them as “free,” and — if we’ve learned anything from the Facebook situation in the past two years — we know that nothing is ever without cost. Making these political aspects of ed tech use even more a part of my on-going dialogue with teachers and the doctoral students with whom I work is a distinct goal for reading Selwyn’s work.
As a final note from the Preface, I was compelled by Selwyn’s idea that “educational technology is not value-free but value-laden, and therefore something that can be trusted and distrusted, agreed and disagreed with. Second is the belief that the nature and form of educational technology are not predetermined and inevitable but negotiable” (emphasis in original, Selwyn, 20131126, VitalBook file). The sad fact is that many educational technologies that exist are set out to solve specific problems (learning facts) with a pedagogical frame (usually a behaviorist or cognitivist one). While this is good to take the perspective that ed tech is mutable, I’m not so sure that this is the case with all ed tech. Yes, we could have teachers and students repurpose skill-and-drill software in creative ways, but that is different than starting with a tool designed specifically for creation rather than consumption.
All the same, Selwyn’s preface had already given me enough to chew on when I first encountered it that I knew this would be the new text for EDU 807. With class starting tomorrow, and our attention on Selwyn’s work coming in a few weeks, I will be writing more about the remaining chapters in the book over the next few days.
And, as one side note, I am finding it difficult to cite, specifically, where I found the information in the book. While I know that Kindle gives locations, the VitalBook file that I am reading does not. So, my apologies for not providing more direct citation info.
About the Presenters
Shaelynn Farnsworth is a coach, consultant, and educator for Web20Classroom. She is a leader in the convergence between literacy and technology. As a high school teacher, she redefined her English classroom as not only a place to learn about literature but also explore how technology is shaping the future of communications. She continues this exploration in her role as a consultant focusing on technology, literacy, differentiation, and systemic change. Shaelynn is a staff developer, literacy coach, and supports districts in the implementation of initiatives. She is a MIEExpert, Google Certified Innovator, Apple Teacher, and has training in Project-Based Learning from the Buck Institute, Visible Learning with Hattie, Instructional Coaching, and K-12 Literacy Best Practices.
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Please enjoy my most recent post, “From Wonder to Writing: Invite Students Into Inquiry Through Online Articles” on 