Pledge to Support #EducatorEquity

So much has been said in the past few weeks since the death of George Floyd that any additional words would be wasted. So, let me get to the point.

As we see protests in America and around the world, I feel the need to act.

To that end, I am personally committing to three items.

I am, as suggested by Cait Hutsell, going to begin doing this work in public. And, I am taking a stance similar to those offered by many professional organizations to which I belong including the National Council of Teachers of English, the Michigan Council of Teachers of English, the National Writing Project, the International Society for Technology in Education, and the International Literacy Association. I also just joined (for free) and made a donation to Teaching Tolerance through the Southern Poverty Law Center.

First, as a white educator who has enjoyed privileges brought from institutional racism, I will join this call to action from my colleagues Shawna Coppola and Kate Roberts to support #EducatorEquity. This echos a similar call from Shelbie Witte, and is imperative as we consider the voices of educators of color.

In all future PD contracts for events that include multiple speakers, such as literacy conferences or webinar series, I will ask the organizers to ensure that they have contracted with at least one other educator of color, and will recommend colleagues from this list, “#POCPD: People of Color in Education PD Directory,” curated by my Educator Collaborative colleague, Julia Torres.

Second, in addition to taking up this pledge, I will begin sessions — even virtual ones — with an indigenous land acknowledgement like this one from my employer, Central Michigan University, and read the introduction from this NCTE blog post, “Being an Anti-Racist Educator Is a Verb.” These two actions will take only moments, yet will continually reaffirm my commitment to social justice education and a stance of anti-racism.

Third, I have signed on to our CMU Faculty Association’s call to commit to anti-racism, led by my English Department colleagues Carlin Borsheim-Black and April Burke. Both of these educators were schedule to deliver talks at a Chippewa River Writing Project (CRWP) event this spring, which was cancelled due to COVID closures, and I will work to get them reconnected with our site’s work as soon as possible.

That’s all.

For now.

We all have work to do, and I need to get started. This morning is our first CRWP event now that I have taken this pledge, and I need to prepare my opening words before we begin writing into the day.


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Teaching and Learning (Digital) Literacy in Higher Education

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This morning, I am honored to present for the College Reading Educators during one of their session at the New York State Reading Association’s annual conference. My talk will focus on the idea that, without question, learning continues to change in the twenty-first century. Higher education faculty have always valued the teaching of reading, writing, and thinking — and see that our very notion of what it means to be literate is evolving. How, then, do we enhance and extend traditional literacy practices in this digital age? This brief talk will provide some background on Dr. Hicks’ work as a teacher of digital writing, connected reading, and critical thinking for both undergraduate and graduate students, many of them pre- and in-service teachers, at Central Michigan University. Links from the presentation are embedded in the Google Slides and include the following:

Scholarship

Tools for Connected Reading, Digital Writing, and Disciplinary Thinking


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Digital Diligence (SIDL 2019 Keynote)

For the fourth consecutive summer, I am honored to present the Thursday morning keynote at the Summer Institute in Digital Literacy. Over the past year, I have become increasingly concerned about dire headlines that move beyond the “kids these days” kinds of arguments we have heard in the past to a deeper, more disconcerting tone that suggests our brains, as well as our culture, are disintegrating. Thus, for my next book project, I am working on a new idea, one that I hope will catch hold amongst educators and parents: digital diligence.

From my work over the years on digital writing and connected reading, and from two decades of teaching, I feel that we need to change the tone of the conversation about educational technology. As we look at 1:1 and BYOD programs, as we consider the hundreds of possible tech tools we could use to scaffold learning and support creativity, why is it that we seem to keep moving back to the most reductive, mundane uses of tech? In our conversations about digital access, usage, and, even “addiction,” are we (educators, parents, medical and mental health professionals, and the media) asking the right questions? Moreover, are we modeling and mentoring tech use for our children and students, or simply managing it?

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Thus, today, we will engage in two activities that, I hope, move us toward digital diligence. By this, I define digital diligence as an intentional and alert stance that individuals employ when using technology (apps, websites, software, and devices) for connected reading and digital writing, characterized by empathy, purpose, and persistence. In particular, we will take a digitally diligent stance to better understand how knowledge is created within the Wikipedia community and explore opportunities for civil dialogue using social media.


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NWP Midwest Keynote

Can I Cite That?

Examining What Counts as Evidence in a Digital World

“Students have a greater role and responsibility in creating new knowledge, in understanding the contours and the changing dynamics of the world of information, and in using information, data, and scholarship ethically.” ~ ACRL

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Now I See It – ISTE 2018

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Still need other options? Search on AlternativeTo.


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Ramping Up Revision – ISTE 2018

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RESOURCES TO TRY


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Preparing to “Turn the Corner” at DMAC18

Photo by Federica Galli on Unsplash
Photo by Federica Galli on Unsplash

The days do go fast at DMAC.

As a participant, I am reminded of the many, many moving parts that the facilitators for such an institute need to plan, and I have been fully engaged in the workshop for the past few days. Couple that with needing to continue working on all my regular tasks as a program director, faculty member, and consultant, and the time here at DMAC slips by entirely too quickly.

I need to pause. To scale back a bit. I woke up early this morning, and knew that I needed to reflect. To refocus.

So, here I am.

Without a doubt, I am enjoying the process. Since my infographic prototype post earlier this week, we’ve also tinkered with Audacity and the audio assignment, as well as iMovie and the video assignment. Fortunately, I’ve had experience with both these tools — as well as these concepts — so I’ve tried to focus more of my attention on the deeper, more theoretical implications of what DMAC has been pushing me to consider.

For instance, yesterday, we were asked to consider the politics of race and social media, deconstructing images and considering how to layer meaning with memes. I’ve certainly thought — and written about — memes before, but the new lenses of accessibility and social justice are all helpful reminders for me as I prepare to create my projects this weekend. Speaking of projects, my work is moving forward, but at a seemingly glacial pace. Again, being a participant reminds me that — when I am in the facilitator role — I need to be quite mindful of my audience’s needs, both technical and social.

Still, I am impressed by what we can do when we put our minds to it. For instance, Elvira and Rich created concise, compassionate short film yesterday:

https://platform.twitter.com/widgets.js

Giving students — and, when in workshops, teachers — the time and space to play, take risks, and be creative makes a world of difference. I’ve heard these types of opportunities called many things. Quickfire challenges. Rapid prototyping. Sandboxing. Whatever we want to call them, we simply need to do more of them. I will remember this in preparation for the fall.

Of course, the conversations with colleagues from around the country have all been productive and refreshing. Today, we head to the Ohio Union for the Innovate: Forward conference. This, too, will be a refreshing change, as I hear about the many initiatives related to digital learning that are happening here at OSU. While keynotes are always interesting, I look forward to seeing what faculty are doing in their face-to-face and online courses, and I’ve mapped out some sessions that deal with digital distraction, new environments and structures for learning, and building better online discussions. These may ebb and flow throughout the day, of course, but that is the thrill of going to a conference!

As we prepare to “turn the corner,” moving into the deeper, more substantive work of producing our audio, image, and video projects. Again, my work this week is largely in preparation for teaching the honors seminar this fall, “Our Digital Selves.” My aim this weekend is to have my infographic, podcast, and video in a near state of completion for Monday’s preview. What’s interesting in that part of the assignment is that we are supposed to create “no more than :60 (sixty seconds) of video and/or audio that illustrates your work in progress that you plan to share at the upcoming showcase.” Making a recording about our work in progress, rather than simply standing nearby to describe it, is another interesting pedagogical move that I am learning from the DMAC structure, and I look forward to that challenge.


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DMAC18: The Image Assignment

Image of my Infographic prototype for DMAC18
Image of my Infographic prototype for DMAC18

Yesterday, Scott DeWitt introduced to our first task for DMAC, the Image Assignment. The main goal of the assignment is “to work with a collection of information that you can use to
compose a persuasive piece of displayable and/or distributable multimodal media.”

In short, we are making an infographic.

Our task yesterday afternoon was to create a prototype using good ol’ fashioned paper, scissors, glue sticks and other craft items. I know that this one isn’t much to look at yet, but that is part of the process… a process I will try to explain a bit more here.

First, I should say that I’ve had some experience with infographics before, though I am not a graphic design expert. Kristen Turner and I wrote about infographics as one chapter in our Argument in the Real World book, and I also had students in an honors class that I taught a few years ago create infographics, too. I’ve introduced infographics to teachers in workshops, too, yet this is the first time I have been asked/required to create an infographic (at least one that I will iterate and refine).

Second, our second goal emerging from yesterday’s work was around accessibility, and I have many, many ideas spinning in my head, as noted in a number of tweets I shared like this one.

So, our challenge before this morning was to think about an initial design for an infographic, create the prototype, and to think about how, eventually, we will create an audio or textual description of the infographic. We were able to review a number of infographics as samples, and I developed the one above. Here is my first, very quick attempt at describing it:

  • The title of the graphic is “Disrupting Digital Distraction,” and below the title are three main portions of the overall graphic.
  • The graphic is approximately three times as long as it is wide, with a white background and accent boxes in green, red, orange, and yellow.
  • In the first third of the graphic, there are six boxes arranged in two columns and three rows.
    • In the left-hand column (with green, then orange, and again a green accent box) are statistics about the prevalence of device use among adults and teens.
    • In the right-hand column (with yellow, then red, and again a yellow accent box) are suggestions for how to manage distractions.
  • The middle section of the graphic is approximately one-third the size of the first segment, and is comprised of text only. There are three sentences, with the first discussing “digital distraction” (highlighted in blue font), the second discussing “digital addiction” (highlighted in red font), and the third is a question.
  • The final section of the infographic includes four more accent text boxes, two columns by two rows. These boxes describe actionable steps for users to consider in taking back control of their digital lives.
    • In the left-hand column, there are again green and orange accent boxes.
    • In the right-hand column, there is a yellow accent box.
    • The final box, when reading left-to-right, top-to-bottom, is in the lower right-hand corner, and has two accent colors: red and green.

And, that’s about it for now… I know that I have lots more work to do, but this is a prototype and a rough draft, so I will take a deep breath and let it go. Being at DMAC reminds me of the ways in which I often position students and teachers, inviting them to create something quickly, and to embrace the messiness of the process. It is good for me to feel some of the same pressures in my own composing process, here, and I look forward to continuing the work on the image assignment.


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Prepping for DMAC 2018

Photo by Christopher Gower on UnsplashToday, I made my way to Columbus in preparation for the Digital Media and Composition Institute, also known as DMAC. In more than one way, this has been a career aspiration of mine for well over a decade, and I’m very much looking forward to the immersive, sustained experience of working with colleagues over the next 10 days.

I first learned about DMAC, then CIWIC, when Cindy Selfe and Gail Hawisher were still at Michigan Tech, from my mentor and dissertation director, (and, eventually, co-author on Because Digital Writing Matters), Danielle Nicole DeVoss, as she had pursued her own graduate studies there. To make a long story short, I feel like part of my academic heritage is deeply rooted with CIWIC/DMAC, and in many ways I feel like I am returning “home” though I have never actually attended the workshop.

At another level, this spring is also quite important for me as a moment to pause, reflect, and refocus. Since 2003, I have had the incredibly good fortune of leading countless conference sessions, day-long workshops, and multi-day or even multi-week institutes. This has come about from my long and productive relationship with the National Writing Project. I’ve been humbled and honored to have started the Chippewa River Writing Project at CMU, and to have been invited to dozens of writing project sites – as well as other school districts and professional organization events – over the past decade.

However, one of the things that I miss is simply being a participant in a workshop, to be fully immersed so I can soak up ideas and wisdom from other participants and facilitators. This is not to say that I don’t enjoy opportunities for leadership, because I certainly do, and I’m looking forward to at least half a dozen different opportunities this summer, not least of which is facilitating our own weeklong CRWP leadership institute, returning to Rhode Island to help facilitate the Summer Institute in Digital Literacy, and also coordinating our Beaver Island Institute for science and literacy. I look forward to all of these, and to my time at ISTE and NWP Midwest, among other conference events. All this will be wonderful, too.

Still, there’s something to be said for just having one’s mind in a state of “being.” DMAC will allow me that time and space. And, I will get to meet other like-minded scholars, reconnect to my writing roots, and think critically and creatively about digital composition. In short, it will be intellectually engaging and fun.

And, I’m at a point in my career where, not needing to “pivot” or “redefine” entirely, what I really need to do over the next ten days is get refocused. I have a number of specific projects that I want to work on over the next 10 days, many of which are connected to my teaching, scholarship, and service.

With teaching, in particular, I’m trying to imagine the possibilities for a class I am teaching this fall, a seminar class for honors freshman, that I have entitled “Our Digital Selves.” There’s quite a bit of work that I need to do this summer in order to figure out exactly how I want to teach the course. First, I’m looking to a colleague and leader in the field of digital badging for composition, Stephanie West-Puckett, and the work that she has begun at URI with Writing 104. Titled MakerComp, she helps her students move toward self guided inquiry and significant projects, bundled in a system of badging.

Additionally, I’ve been “away” from writing for a significant amount of time. I have certainly been busy with some smaller projects this year, I have not gotten refocused on a book-length project since the publication of Argument in the Real World, From Texting to Teaching, and Coaching Teacher-Writers in 2017. I have a number of writing opportunities ahead of me, as well as potential collaborators with whom I would like to work, and so these next few days will give me lots of time to consider possibilities and develop project proposals.

Finally, of course, I am interested in learning how other people design professional development experiences for their peers and colleagues. I’ve been struggling to try to figure out how, exactly, to help re-invigorate our own writing project site’s work, connect to our masters in educational technology program, and consider new possibilities for CMU’s education program at large. I hope that watching the DMAC team in action as facilitators will be good for me, too.

In short, I need DMAC.

I am deeply fortunate to have a patient and flexible wife who is managing the chaos at home, as well as an employer in CMU who has given me significant financial support to attend this DMAC Institute. I am thankful for these blessings in my life.

And, I’m looking forward to the work ahead.


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My New Metaphor: Being the (Hyper)Link

Image from Oregon Writing Project Facebook PageYesterday, I was fortunate enough to lead a workshop for teacher consultants at the Oregon Writing Project at SOU. Fall in Oregon is beautiful, and I am thankful to have had the opportunity to be here.

Like all the workshops I do, it was a unique experience in the sense that I begin with some idea of a plan and, as I interact with the teachers, I make moves from one topic and activity to the next based on their needs and interests. I’ve used this model for nearly all of the workshops that I have done in the past ten years. Call it flexibility, call it intuition. I am not sure. I just can’t plan out, minute-by-minute, a workshop that will be “delivered” to an unwitting audience. I want to be a professor who teaches, not just one who professes.

At any rate, their site director, Margaret Perrow, and I had time to talk on Thursday night, and I had shared my strategy for leading workshops. We talked about flexibility, especially as it relates to using digital tools. She then told me how each teacher in their summer institute will often choose a guiding metaphor to describe themselves, and how they will carry their metaphor throughout the SI and into their writing.

Her metaphor, for me, became “the hyperlink.”

In all the best ways, that gave me pause to think. And I kept thinking about it all day yesterday and into this morning.

Unlike many workshops that I do, this one (on the west coast) didn’t require me to rush off yesterday afternoon to catch a plane (because the flights home didn’t go that late!), so I was able to stay another day. I’ve had some time to think, and I have continued to ponder this guiding metaphor over the past 24 hours.

Immediately, I thought of Bud Hunt’s “Teaching Blogging Not Blogs,” which has been a seminal piece in my thinking about what it means to teach and learn digital writing, and I am spending my few minutes at the airport to reread his work and think about it even more.

Despite Bud’s concern that he is aging (hey, aren’t we all), I think that his post has, indeed, aged well. Written in 2010 as a summary of ideas about blogging (and hyperlinking) from 2005 forward, here are some of the relevant quotes for me as I reflect on what occurred in yesterday’s workshop and, metaphorically, think of myself as the hyperlink.

Blogging is that set of skills that he [Will Richardson] talks about. It’s the reason why I want the students that I work with to use blogs — in the end. But I don’t think that many of them will start with that skill.

Bud’s point here — that students need to experience how we, as writers, use blogs — resonates with the broader philosophy of the National Writing Project: teachers must be writers themselves. In this case, he is talking about how teachers can be digital writers and think about using links in strategic ways. In turn, when I lead a workshop, I want teachers to see me model the kinds of teaching that I want them to do. Without being trite, I want to be the change in the world (of teaching with digital writing tools). When teachers can see a model for digital writing and learning in my workshops, my hope is that they, like students, will begin to build their own skills. Linking requires us to stretch in these new directions.

Digital texts have the potential to make a big, juicy mess of a linear experience. Or to turn a so-so piece of writing into a masterful collection of references, linktributions, and pointers to other good stuff. My hunch, a rough one, but one I’ve held for a while, is that reading and writing that way makes you (ultimately) a better reader and writer. I just don’t really think I know how to teach that way yet, or at least, I don’t know how to teach other people to think about teaching that way.

This is a quote that I’ve cited before, and I agree with Bud’s hunch. Reading and writing (in a digital space) has the potential to make you a better reader and writer overall. As the news media and some sensationalist scholars would have us believe, it has the potential to make things (much) worse, too. I suppose that the jury is still out on that.

Anyway, during my workshops, I am usually faced with a question. Many versions of the question abound, but one teacher I worked with yesterday asked it pretty bluntly: why should we be asking our students to do this (digital reading and writing) work?

I am not entirely sure how I answered: modeling and mentoring are important, it’s the world in which we live, it’s part of the standards and digital literacies. Something along those lines.

But, at the core, I want teachers and students to be smarter, more productive readers and writers. Being the hyperlink — connecting them to new visions for teaching practice — is, indeed, what I hope I am doing.

Blogging as experimenting. Want us to try out a tool or a lesson or an activity? Post it here along with some instructions and, perhaps, a question or two to guide our exploration/experimentation.

Experimenting is risky, and doing so in front of an audience is even more so. I want the teachers with whom I work to experience risk by trying out new tools and practices, so I need to risk, too. Without a doubt, there will be a link that doesn’t work, a question I can’t answer, or a tool that won’t load on someone’s machine. That is risky, and it causes many teachers to feel (at least) a small degree of panic. I want to model for them how I handle that stress, how I problem solve, how I adapt and move on. Hyperlinks take us from one place to the next. Sometimes they work, sometimes they don’t.

But, you have to keep clicking, keep linking.

Again, being the metaphorical hyperlink is something that I can aspire to. Thank you to Margaret for the metaphor, to Bud for your reflections, and to the entire NWP network for continued opportunities that amaze and enlighten me.


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