Category: Interviews

Reflections on Digital Writing (Future of Education Interview)

Yesterday, I had the good fortune to talk with Steve Hargadon on his Future of Education webinar series. Details of the show, including access to the MP3 version and Elluminate sesssion archive are available with those links, and also are on his blog. It was a wonderful and far-ranging conversation about the importance and effects of digital writing and social media on our culture, as well as the state of writing instruction and teacher professional development in our schools. Many NWP colleagues joined in the backchannel conversation, including Christina Cantrill who kept a steady stream of resources from the Digital Is site flowing into the conversation.

There is so much to think about and reflect on from the conversation. As many others have noted, Steve is a well-prepared, thoughtful, and entertaining interviewer. He kept asking me great questions and was very attentive to trends and ideas raised in the backchannel. This kept the conversation moving along, and I found myself trying to limit my responses to two minutes or so (although I am not entirely sure how well I did that!). Of the many questions that I tried to field during the show and answer while talking, there were a number of other ideas that popped up, and I wanted to look at some of them here.

The first key idea was one of our main principles from NWP, just with a slight addendum. Steve Taffee stated that “It’s difficult for teachers to advocate for digital writing if they are not practitioners themselves.” Indeed. The trick, then, is how to invite our colleagues into discussions and opportunities to do digital writing which led to a humorous comment from Lisa Cooley who asked, “I wonder if Troy knows what Douglas Adams had to say about technology and age.  I’ve been thinking about it a lot lately.” Sadly, I haven’t read any of the Hitchhiker’s series, or any of his other work. This gives me new inspiration to check them out.

The second major idea that surfaced was first mentioned by Adam:

In Because Digital Writing Matters, there’s a phrase that keeps resonating for me. It’s one Tim Wright said about digital writing being collaborative, yes, but also “real time, improvisatory writing…” This resonates because it breaks down a traditional notion that writing has to be “final draft talk” and writing can be “exploratory talk.” In the way this Elluminate Level is allowing us to do now…I’d like to hear more about this notion of digital writing as improv.

He elaborates a bit more:

Having to jump in and learn to use a wiki or Google Docs, if someone has never done that before, in a way forces them to improvise…For me, great digital writing occurs when I am in over my head and I have to figure out creative ways to make new things happen…

Digital writing as improv.

I like that.

That’s a unique take on the old idea of “writing as discovery” or “writing to discover.” It brings new meaning to the aphorism, “How do I know what I think until I see what I am going to say ?” (or something to that effect). Also, I like it because it reminds us that the tools for digital writing — computers, mobile phones, cameras, recorders — are all open to interpretation and revision. There are opportunities to capture, recapture, and rearrange words, images, sounds. Digital writing is like improv, and we only get good at improv when we play.

In that same vein, a second key idea about what counts as digital writing came up. Richard Close asked “Is creating your own YouTube digital writing? Or sending a pic with a text digital writing?” Yes, indeed, it is, although I want to clarify that a bit. We can teach students how improv with both creativity, and responsibility. Simply recording something on your cell phone and posting it to YouTube without thinking about how, why, when, or by whom your video could be viewed or repurposed is not, in my eyes, a responsible way to think of yourself as a digital writer. Just because you can post something doesn’t mean that you should (think of all the scandal that has happened just this week about indiscretions via Twitter). We want to teach students to be intentional, to frame their thinking and the composition process in light of purpose, audience, and situation. So, if they are going to use an image or video clip and share it through a text or social network then, yes, they are writing, and they need to take responsibility for themselves and their products, for better or for worse.

Third, a bit later, Peggy George notes “does digital writing change the notion that writing isn’t “finished” until it’s the final, published version? seems like it’s much more about writing as communicating and growth–not necessarily final products.” Again, a good point. I think that is one of hallmarks of all writing, at least all authentic writing, is that it is never done, just due. The digital nature of texts and wiki-fication of the writing process now allows us to think about writing going through many stages, many revisions, and many audiences. Also, I think it is important to understand the idea that when we make a multimedia piece, all the elements fit together in just such a manner, and any change to part of the composition will change the the other elements. And, once something is publicly available online, it becomes open to public comment, criticism, and repurposing. So, digital writing is very much work in progress, even when we think it is done.

Finally, I end with two quick questions that came up:

First, Jeff Mason asked  “Are there models of Writing Workshop in content classes? ..as opposed to LA classes.” I am sure that there are, and one is in the Annenberg Series, “Developing Writers: A Workshop for High School Teachers.” Check out episode 3, “Different Audiences,” at about 44 minutes into the show; there you will see an example of a writer’s workshop happening in a science classroom. And, as Christina pointed out, “There are some beautiful visions of a digital writing workshop here created by Joel Malley and his students in western NY, http://digitalis.nwp.org/resource/1133”

Second, Steve Taffee asked “Troy – What thoughts do might you have about alternative input devices for writing, for example speech to text?” I am all for them. As Ira Socol points out, text-to-speech software is useful both for special education students in their writing, as well as for anyone else who wants to learn how to use it so that they can hear their own writing in a different voice. Moreover, I personally have started using speech-to-text software to compose some of my own writing. Writing and speaking are, at least from my non-linguistically trained perspective, very different processes, so using speech-to-text to write things like emails generally works well, although not so well for composing longer pieces like this blog post or academic papers.

So, those are some thoughts and reflections from the show. Going back to review the transcript has been useful for me as I prepare to teach for MSU’s Ed Tech program this summer in France. The interview with Steve provided me a chance to collect my thoughts as I work on a few articles and a book proposal, too. I will go back and give myself a listen at some point soon, but first I need to catch up on Renee Hobbs’ talk with NWP on BlogTalk Radio and brush up on my French, so I will have to save my own recording for the plane. Au revoir!


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Brainstorming for Choice Literacy Podcast

This morning, I was invited by Franki Sibberson to record a podcast for Choice Literacy, thinking broadly about the changes in technology and writing instruction over the past few years as well as the teaching approach that I outline in The Digital Writing Workshop. Here are the questions that she sent me ahead of time, with some brief answers that guided our conversation.

Can you define Digital Writing and Digital Writing Workshop for us?

  • To borrow a definition from our co-authored NWP book, Because Digital Writing Matters, we define digital writing as “compositions created with, and oftentimes for, reading and/or viewing via a computer or other device that is connected to the Internet.” For me, I then think about three broad categories of digital writing:
    • Writing and responding to posts on blogs, microblogs, and social networks
    • Creating individual or multi-authored documents using wikis and collaborative word processors
    • Composing multimodal pieces such as podcasts and digital stories
  • The digital writing workshop, then, is (to use the contemporary term) a “mash up” of digital writing and the writing workshop. For most teachers, then concept of the writing workshop — where students have choice in topic and genre, teachers use mini-lessons and conferring to guide writing, and students share, respond to, and publish work — is familiar from noted teacher researchers and scholars such as Lucy Calkins, Nancie Atwell, Penny Kittle and many others who come from that school of thought. Thus, blending the digital writing with the workshop approach leads us to a digital writing workshop.

Why do you think it is an important thing for teachers to think about?

  • Since it is impossible to separate the act of writing from the use of technology (even pencil and paper are technology, right?) we need to think more and more about what digital tools such as computers, smart phones, video cameras, and other devices allow us to do (or, in some ways, not do) with our writing processes and products. Writing and technology are intertwined, and as we continue to think about how the shape of writing is changing in digital spaces, teachers should always be thinking ahead for how this will affect students’ literacy practices.

How have you seen the needs of student writers change in the last few years?

  • In some ways, it’s the same as it ever was: students still need time, materials, and space to write. They need to have consistent, thoughtful feedback from teachers and peers, and, sadly, they need to pass those tests. Yet, as students adapt their writing to other digital spaces, for instance on social networks and text messages, they don’t always see what they are doing as “writing.” As teachers of writing, this is something that we need to help them understand. Purpose, audience, situation. These will always be the constants in writing, even if the modes and media continue to change.

What’s different/What’s the same when it comes to writing workshop?

  • One key difference, obviously, is the technology. Ideally, we would all be working in a 1:1 environment where we are able to teach tech tips alongside elements of craft in digital writing spaces. Yet, we know this is not the case; some teachers and students have limited, if any, access. So, I think that we need to keep thinking about principles, no matter if you are working in a 1:1 situation, or if you are only in the computer lab once a month. What are you able to do, reasonably, given the time that you have access at school? What can you expect students to do outside of school with mobile devices or on other computers with access? We have always had some writers who excel and some who struggle, so those students will continue to be present in a digital writing workshop, yet we need to be especially sensitive to the technologies that they have available.

What role does technology play in digital writing?

  • As I mentioned above, technology plays a role in all writing. Even three years ago, it might be that someone wanting to create a digital story would need to have a digital camera, a personal computer, and a voice recorder. Now, for those who have access, they can do all of that with a smart phone. So, as technologies converge on our devices, I think that it will become easier and easier to create thoughtful, well-crafted digital writing. Still, having access to a full suite of tools including digital cameras, modern computers with lots of RAM and storage, and fast internet is still important.

How do you balance the tools with the teaching of writing?

  • To me, this is like the “teaching grammar in context” type of question. When we teach sentence combining, we can integrate a discussion of the semicolon vs. the colon, and that makes more sense than handing a student a worksheet. For digital writing, it is much the same. At the moment in the digital story when something needs to show a transition, then it is time to pull up the screen with the choice of transitions and talk about them. Why might you want to fade to black rather than have a page flip? Teaching the technology in the context of the writing process is what makes the digital writing workshop approach more than just “integrating technology”; instead, it is talk about the craft of digital writing.

Do you think that the craft of writing changes because of all of the new tools and new formats available to writers?

  • Indeed, as I mentioned above, I think that the craft changes. What makes an effective “hook” for a traditional essay may, or may not, work in a podcast or in a digital story. Having a slide with a title may be appropriate in some shows, in others it may not, although essays almost always have titles at the top. So, as with any genre study, we need to think about what makes good digital writing in a variety of contexts.

What is a good way for teachers to start incorporating more digital writing into their classrooms?

  • Pick on digital writing technology and go for it. For me, that tool would be a wiki. Look at a few examples, watch a tutorial on YouTube, and dive right in. The students will help you figure things out.

Other than your books, what are some resources, websites, etc. that you would recommend to teachers about Digital Writing Workshop? Who are the other experts we can learn from?

Also, anything by Clay Shirky, Donald Tapscott, danah boyd, Jason Ohler, Will Richardson, Sherry Turkle, Chris Anderson, Tim Wu, or Henry Jenkins would be useful to understand the broader context of digital media and learning. Critics of digital media, who we need to read, understand, and argue against, include Nicholas Carr and Mark Bauerlein, and I am sure that there are more. Teachers/researchers that I read and respect include: Sara Kajder, Carl Young, Bud Hunt, Robert Rozema, Allen Webb, Danielle DeVoss, Punya Mishra, Matt Koehler, Charlie Moran, Anne Herrington, Rick Beach, Kathi Yancey, Doug Hartman, Jeff Grabill, Ellen Cushman, Gail Hawisher, Cynthia Selfe, Dickie Selfe, and many more and more that I am sure I have forgotten in this list.

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Cross Posts from NWP Walkabout Blog on Posterous

Earlier this month, I blogged about some sessions from the Wisconsin State Reading Association on the NWP Walkabout Posterous site and I am (finally) cross-posting them here with links to the original posts… sorry for the delay!

2/7/10 – Cinch from Coiro and Kajder

I really enjoy it when new technologies challenge me.

Honest…

Figuring out how to embed a Cinch into a Posterous, as strange as that all sounds, has been a challenge. I thought that Posterous only allowed posting from email, as that is how the technology had been introduced to me. That was my mindset, and I was struggling because I asked Paul how to post a Cinch and he said it couldn’t be done via email. I scratched my head as I worked from my iPhone, moving between Cinch, looking at Posterous on Safari, and reading Paul’s tweets… why not?

So, Gmail wouldn’t let me do it and, until I finally logged into Posterous, I couldn’t figure out how my NWP colleagues had done it. I didn’t see a “Publish to Posterous” button on Cinch, nor did I realize I could compose a “traditional” blog post through Posterous until I did some searching around today after Paul told me it could be done. Couldn’t figure out how at first, but I finally figured it out. It all goes to show that even the techies amongst us have our conceptions of how new literacies work challenged from time to time.

At any rate…

On to the real reason I am writing this post today — the Cinch recordings of Julie Coiro and Sara Kajder speaking directly to an NWP audience about their latest thinking related to reading and writing in digital environments, straight from interviews that I snagged with each right after their presentations at the Wisconsin State Reading Association Conference last week. Thanks to both of them for sharing their time and expertise.

Enjoy!

(Additional note: even though the Cinchs are appearing as Flash embeds in my web browser, they don’t seem to be showing up when I actually post this. So, here are stable URLS for each, too. Coiro: http://www.cinchcast.com/hickstro/wsra-2010/21082 and Kajder: http://www.cinchcast.com/hickstro/wsra-2010/21096

2/5/10 – Notes from Sara Kajder’s Session on Bringing the Outside In

1. Instructional challenge – find readers. Engage reluctant readers to create a book trailer via digital movie making in three class periods.

– examining movie trailers and dissecting them
– discussing how to craft a trailer for the book
– creating the book trailer in movie making program (or via the sims and using Jing to create a video)
– “Dr. Kajder, I don’t like to read and write, but I like to make movies… You tricked me!”

2. Instructional challenge – summarizing. Creating podcasts. What do you have to say about this book? It is a synthesis -you need to teach something to the other kids in the room. Then, the entire school votes to decide which podcasts go up on the school website.

– example of fifth graders podcasting about the six traits of writing

– in inviting other people into classroom literature circles via skype

– podcast with an expert (submarines in the American Revolution with Harvard Professor); listened to interviews on NPR as examples

– want to make kids “googleable” for the good, smart work that kids do (ala Bud Hunt), depends on where we save things and how they are archived

– creating visual “mentor text” via iMovie. Choose just a small portion of the text. Recite from the text (checking for understanding) and also thinking aloud with text-go-world connections. It is an assessment, but this is the least “assessy” assessment they have ever done.

– using delicious and diigo with kids to create their reader’s identity. This gives digital readers a way to hold on to texts and show what is important to them.

Many resources and ideas. We need to appreciate the ways in which kids work and play. How do we figure out a way to build curious readers?

Kajder’s “Promise into Practice” Wiki

Sent from my iPhone

2/5/10 – Notes from Julie Coiro’s Session in Internet Reading

Listening to Julie Coiro talk about “How Does Reading and Learning Change on the Internet? Responding to New Literacies” at WSRA 2010

Examing students’ reality of multiple and overlapping literacies – how can we capture some of that same excitement in schools?

She just cited Tom Freidman’s “The World Is Flat” as the source for the phrase “racing to the top.” I didn’t realize that, but sitting here next to Sara Kajder and we both agree that this makes the clear economic focus of RTTT

Online readers and offline readers are successful in different ways. What’s the difference?

1. Identifying important questions – yes, we have a curriculum to follow, but students can ask questions that they are curious about that will likely meet the objectives, too. For instance, why do cats cough up hairballs? As this moves into MS and HS, the questions become deeper and more substantial.

2. Locating information – for instance, finding a website bit then searching within it (can’t rely on a site’s navigation bar alone any more, espe ially with graphical interface). Teach kids to be flexible to take what they know about layout and design to seek out new info. Using kid’s search sites vs regular search engine. What about limited engines or visual searches like Kartoo? Tag clouds?

3. Evaluating Search Results – how many sites found? Who sponsors the sites? What sites may not be available in a few months? How can you tell, in the results, what search terms are used? What disadvantages would visiting the sites have?

— play a game with kids to make the number of search results go down (refining the search) of making it go up. Looking at the number to make it go up or down is a process of adding and subtracting words to refine.
— Teaching about context clues to help students to read URLs — why is it important to know who sponsors the site before you even view it? Do you make predictions when you read inthe Internet? We do so all the time with stories, sometimes in content area texts, and rarely online? Put a label on it — call it predicting, and help them know what they are doing? This can “take all the fun out of searching,” but if helps students pause to think. Need prior knowledge about URLs and how sites are housed. — prior knowledge if the topic used to be critical to comprehending texts, but know google can give you prior knowledge in a snap and bring you to that level.

4. Where do I read first? — am I on the homepage? Like a book walk, help students take the “brain steps” to preview a website. Who is the author?

Great ideas, had planned for two hours, but had to end!

Sent from my iPhone


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Third Episode of Teachers Teaching Teachers: Conferring and Response to Digital Writing

Teachers Teaching Teachers: Conferring and Response in the Digital Writing Workshop
October 14, 2009

In this final episode of our three part series, please join Troy Hicks, author of The Digital Writing Workshop, and Director of the Chippewa River Writing Project at Central Michigan University, as we continue exploring the principles and practices described in the book.

For this third episode, we welcome three teachers to the conversation as they discuss how they teach students to craft their writing through conferring and response:

  • Melissa Pomerantz of Parkway North High School in St. Louis, Missouri, will describe how she uses audio feedback to respond to students through virtual conferences.
  • Heather Lewis of Waverly Middle School in Lansing, Michigan, will discuss how she guides students through the revision process with Google Docs.
  • Joe Belino, a teacher of English to Speakers of Other Languages at Montgomery County Public Schools in Gaithersburg, Maryland, will discuss the ways in which his students offer response to one another through the use of Google Docs. 

As this series concludes, we invite all listeners to continue the conversation by joining the Digital Writing Workshop Ning and follow us on Twitter.

We would invite you to join us on Wednesday at http://EdTechTalk.com/live at 9:00pm Eastern / 6:00pm Pacific USA Wednesdays / 01:00 UTC Thursdays World Times


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Teachers Teaching Teachers — Episode 2: Exploring Author’s Craft

Teachers Teaching Teachers: Exploring Author’s Craft in the Digital Writing Workshop
October 7, 2009

In this second episode of our three part series, please join Troy Hicks, author of The Digital Writing Workshop, and Director of the Chippewa River Writing Project at Central Michigan University, as we continue exploring the principles and practices described in the book.

For this second episode, we welcome four Michigan teachers to the conversation as they discuss how they teach the craft of digital writing:

  • Dawn Reed of Okemos High School will discuss how students craft audio essays in the form of podcasts
  • Aram Kabodian of MacDonald Middle School will share his insights on the process of composing digital stories and public service announcements
  • Sharon Murchie of Bath High School will describe how she guides her students through the research process for creating multimedia senior projects
  • Shannon Powell of Central Montcalm Middle School in Michigan will discuss her experiences as a new teacher as she has begun to use digital writing in her classroom, including her recent integration of “SSR with RSS” for a class of reluctant readers

Finally, on October 14th, we will discuss the process of conferring and response to student writers as they create digital texts.

We would invite you to join us on Wednesday at http://EdTechTalk.com/live at 9:00pm Eastern / 6:00pm Pacific USA Wednesdays / 01:00 UTC Thursdays World Times


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Reflecting on the Purposes of Digital Writing and Professional Development

Over the past few weeks, I have had a few opportunities to reexamine my thinking about the purposes of digital writing and professional development. As Sara begins her doctoral program at MSU and has started to share her own thinking through her “Connecting, Collaborating, Continuing to Learn” blog, it has given me pause to think about why and how we enact professional development in the ways that we do, especially if we are hoping to have teachers pursue (improve? discover?) the ways in which Technological Pedagogical Content Knowledge (TPACK) can affect their teaching. Sara’s interests align with my own:

Connecting, Collaborating, Continuing to Learn » Thinking Out Loud

Teacher networks and professional learning communities have been shown to be very effective models for encouraging teacher professional development. These networks are successful due to the relationships teachers build, exposure to inquiry based research and the continuity of the professional development projects. Now there is a new phenomenon: the use of technology to enhance the notion of developing a personal learning network. Technology, in particular social networks, empower teachers to connect with other professionals who have the same interests and issues in a continual learning environment. The digital environment allows for customization of professional development in an efficient and fiscally responsible manner.

So, more recently, I’ve been thinking about how we can do this. What do we do to create networked learning opportunities for digital writing, especially when the process of digital writing is both part of the activity itself and an outcome that we hope to achieve? What can we reasonably expect teachers to know and be able to do as a result of particular professional learning opportunities, both online and face to face? I have been thinking about this as a result of at least four different PD invitations I have been pursuing in the past month, and here are some of my ideas.

One invitation I received was from NCTE, and I was able to present a webinar, Creating Your Digital Writing Workshop, about two weeks ago. Like the one I did last year, I tried to make this webinar informative and interactive, providing some “hands on” digital learning with some discussion of theory and some sharing of student examples, courtesy of Aram Kabodian. So, we tried to use the chat room, the white board, audio responses, and the ability to stream video during that session. Overall, I found the webinar to be a successful experience, but there were a few questions raised about the value of digital writing and its relation to the rest of the curriculum (including standardized testing) that we need to cover. One particular criticism was that digital storytelling could be considered a bit “plug and play.”

My response at the time may not have been as articulate, but I basically feel that we (and our students) get from the process of digital writing what we put in to it. Simplistic, I know. But, the idea is that if we have students just grab some photos, throw them in a timeline, and simply narrate over top, then yes, it is plug and play. But, if we really engage them in a recursive process, ask them to examine the choices that they are making about which words, images, and transitions they are choosing, then we can really focus on teaching them how to digitally write. Sadly, I don’t think that I was able to get that across in the webinar, and that may have been an issue of format and time constraints, so I wonder how I could do that better in future PD events such as this — how do you invite teachers into both the pedagogy and the process of digital writing through an online experience such as a webinar?

My second recent experience was a presentation to pre-service teachers about the digital writing workshop. In this session, I was able to do in a face-to-face setting what I had hoped to accomplish online with the webinar. The face-to-face setting, as one would expect, was richer in the sense that I was able to converse with the pre-service teachers directly and gauge their reactions to what we were discussing. I also had two hours, allowing them time to talk in small groups so they could have more time to process their own thinking. As I reflect on the experience of doing the webinar — and the value that it has in distributing a professional development experience widely — and the local experience of being in one classroom, I am torn. I wish that there were enough ways (and bandwidth) to have people engage in some of the smaller group discussions through a webinar. And, I wish that it were practical enough in the classrooms in which I was teaching to use some of the technologies we had in the webinar (such as a chat backchannel and interactive whiteboard). Not sure where I am going with this particular series of thoughts right now except to say that I do feel that teaching digital writing seems to be best when there are some elements of both online synchronous and face-to-face elements involved. 

A third experience that is coming soon will be my hosting of three episodes of Teachers Teaching Teachers, all featuring my colleagues who shared lessons and ideas in the book. My goals for this PD, in conjunction with the Ning that I have set up, is to provide the teachers who are doing this work in their classrooms the opportunity to share what is working and engage in a conversation with other colleagues about questions and concerns that they have related to teaching digital writing. To me, this on-going conversation — both the actual conversation that happens during the webcast and the follow up that can happen on the Ning — seems to be a hybrid model where people may not meet face to face, but they do get to share their ideas, then go back to listen again, and continue the conversation. As we think about ways to develop TPACK, it is this recursive process that I find most inviting for novices and experts alike.

A final set of experiences will come through a variety of upcoming professional development sessions that I will do as a part of CRWP and other conference presentations, including UPRA next week. In these face to face sessions (some with computer access and some without), I think that emphasizing the ways in which digital writing changes our rhetorical contexts as writers will be very important, and it is that focus that I think helps keep the focus on the writer, then the writing, and finally on the technology. My hope is that engaging in these sessions, where I will be able to give some background and show some examples, then inviting teachers into conversations about how and why they could teach digital writing, will then inspire them to get online, join the community in the Ning, listen to the webcasts, and find resources from other interested colleagues.

All of this is just to say that I think professional development for teachers — like all other industries — is undergoing some changes. We can’t just say that it should all happen online (synchronously or asynchronously), or only count face to face sessions (through PD or grad classes) as a means to an end. Like their students, teachers need choices about how, when, and why to engage in learning. My thoughts are still evolving on this and, like Sara, I look forward to hearing other ideas about how you are helping your colleagues engage in digital writing and professional learning.


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Upcoming Series on Teachers Teaching Teachers

Each Wednesday for the next three weeks, I will be hosting a series of episodes that invite teachers highlighted in the book on for conversations about teaching in the digital writing workshop. Here is the announcement for this week’s webcast:

Teachers Teaching Teachers: Choice and Inquiry in the Digital Writing Workshop
September 30, 2009
This week, please join Troy Hicks, author of the new Heinemann title, The Digital Writing Workshop, and Director of the Chippewa River Writing Project at Central Michigan University, as we begin a three-part series exploring the principles and practices described in the book. For this first episode, we welcome four teachers to the conversation as they discuss how they foster student choice and inquiry in their writing classrooms:

  • Penny Kittle, Kennett High School in New Hampshire will offer perspectives on writing workshop principles and why we need to begin to focus on digital writing
  • Sara Beauchamp-Hicks, formerly of Negaunee High School in Michigan will discuss her use of wikis and Google Docs to spur student inquiry
  • Chris Sloan of Judge Memorial High School in Salt Lake City will share insights on how students can make choices with RSS readers and blogging
  • Shannon Powell of Central Montcalm Middle School in Michigan will discuss her experiences as a new teacher as she has begun to use digital writing in her classroom, including her recent integration of “SSR with RSS” for a class of reluctant readers

Then, on October 7th we will explore the idea of “author’s craft” as it relates to creating digital texts and, on October 14th, discuss the process of conferring and response to student writers as they create digital texts.

We would invite you to join us on Wednesday at http://EdTechTalk.com/live at 9:00pm Eastern / 6:00pm Pacific USA Wednesdays / 01:00 UTC Thursdays World Times

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CMU Podcast Interview on Technology Literacy

Earlier this month, one of my students, Lynette Seitz, and I were interviewed by Heather Smith, CMU’s Assistant Director of Media Relations about technology literacy and our work in ENG 315 this semester.

I appreciate her invitation to record this podcast and it was wonderful to have Lynette’s voice in there, too, as a pre-service teacher who is thinking about incorporating digital writing into her classroom.

You can get the podcast through CMU’s channel in iTunes.