During our workgroup meeting this morning, Maria Ranieri has asked us to engage in an analysis of our own social profile(s), and to reflect on our decision to engage in social scholarship.
For me, the choice to engage in social media began over a decade ago, while still in graduate school at MSU. The first entry for my blog was in 2006, at the NWP-sponsored Tech Matters advanced institute, and my first tweet was in May 2007 (also at an NWP-related event). In a sense, the growth of social scholarship in the past decade has mirrored my own journey. I’ve always lived in the world that leaned toward open-access, collaboration, and public engagement, and I have grown my network exponentially over my past 10 years at CMU.
Today, it was interesting for me to “Google” myself. I actually started with DuckDuckGo in order to get a (relatively) objective look at what “Troy Hicks” yields. Here is what I found, with my annotations. Interestingly enough, I am not in the “top 10” of Facebook profiles for “Troy Hicks,” and I actually think that is a good thing. I did click on the LinkedIn search, too, and I showed up second, FWIW.
Then, I did hop over to Google. Here is what the automated complete function showed with just “troy hicks” and the with a “troy hicks d” (because I wanted to see what would happen with digital writing).
Interestingly, the “brookings sd” is for a man, Troy Doyle Hicks, 52, of Brookings, SD, who died last November. As soon as the “d” was added after my name, however, it is interesting to see that the connections to “digital writing” as well as my books showed up. Not sure that I need to buy another domain name right now, but that was an option, too.
She concluded by having us ask one another about affordances and opportunities as well as constraints and challenges. There were many, many points made, but I will focus on one: my profile on Rate My Professor. I haven’t been on the site in years (I had only seen the 2008 post) and was interested to read the 2015 post about my ENG 514 class. I can reflect more on my experience of teaching that class, how I established timelines/provided feedback, and what I have changed since, but that is for another post.
The other point I want to make now was captured best by Jillian Belanger in a tweet:
Onward! Looking forward to my next steps as a social scholar.
Here we are, midweek, in our series on mentor texts in the digital writing workshop, and I’m feeling just a bit left out in the sense that I’ve chosen to focus on professional mentor texts in that I am not commenting on student work like Bill, Katie, Kevin, Tony and Franki are. The thinking on these topics so far has been awesome, and it will take me quite a while to actually go back and digest everything they’ve shared from the writing to watching the videos and viewing the projects that they and their students have done. In particular, Tony’s post today about how his students use visual literacy to revise a slide — as well as showing the relevant screen captures from that revision process — are wonderful!
But, I digress, and I must return to a much more important topic: Star Wars.
Yes, Star Wars.
For many of my generation, there are very important decisions to be made about how we introduce Star Wars to our students and especially to our own children. Studying the hero’s journey, and helping them realize that the main protagonist in the Star Wars saga is not Luke Skywalker, but instead Anakin Skywalker, is not just an exercise in pop culture literacy, as the Wikipedia entry on Darth Vader demonstrates. Even though my own children have seen all six episodes of the saga, and can recite the lyrics to the Weird Al song that came out with episode one, it really has been quite interesting to watch the saga with them again. And, despite the quite humorous nature of the public service announcement from the link above, it really has been an interesting discussion with kids to help them think about how characters are portrayed as well as their motivations as we watch the Blu-Ray versions together (a hearty post-Christmas thanks to my wife for the discs, and my dad for the new player!). And, yes, for the record, we did start with episode four.
So, this fourth mentor text is a favorite of mine, and given that we are right in the middle of The Empire Strikes Back, perfect timing.
The force is strong in that example… 🙂
There are a few points from the video that, as a digital mentor text, encourage me to think about how we can ask students to connect and represent characters, dialogue, setting, plot, and other narrative elements through the use of kinetic type. Rather than try to plot out every possible question that this one segment of dialogue from Yoda — and this kinetic interpretation of it — could raise for us as readers/viewers of both Empire and the entire saga, I will just make some points here about the way the this digital text has been constructed. For each, you could simply ask “why did the digital writer make this choice,” and how that could lead to further discussion:
As the video begins, notice the choice of font, color, and background. How do these choices situate this remixed text within the larger discourse of Star Wars?
At about the :04 second mark, “judge” as a verb appears in a much larger font and is then eclipsed by the even-larger “Hmmm?” followed by the disappearing question mark. What does that say about Yoda’s beliefs?
At about the :12 second mark, notice how the word “for” appears and then changes to “force.” How is that symbolic of the ways in which the Force is described?
From the :13 to :15 frames, notice how the word “ally” is used and the scope of the camera angle on the original text changes. What does this say about the role of the Force and Yoda’s larger purpose for this speech to Luke?
From :20 to :24, pat attention to the period and it’s relation to the word “us.” How might that be used as a way to discuss Yoda’s grammar?
From :27 to :29, notice how the “S” connects the words “binds,” “us,” and “luminous.” Along with the lighting effect on the word “luminous,” why else might the digital writer have used the “s” as a connection point?
How does the rotation of the text from :26 to :31, as well as the tone in Yoda’s voice, affect you as a viewer?
At :51, how does the text change to indicate a conclusion?
My hope is that you could look for similar types of moves that digital writers make in other kinetic typography, and use those as mentor texts, too. There are plenty out there, although not all are appropriate for school.
Last, yet certainly not least, I want to point you to another resource created by a teacher, Jillian Johnson, from earlier this summer when I taught in France for MSU. In her efforts to “hit the sweet spot” of TPACK, she made this instructional screencast about hacking PPT to create kinetic type, using Kevin’s resource on Digital Is, as well as his poem, as a text to build from.
Revision note (1/13/12): Reading Tony’s post that referenced this one of mine, I realized that I didn’t go back to do a really good proofreading of my writing. I had used MacSpeech Dictate to get much of the text from my head onto the screen, and totally overlooked “genetic typography.” Whoops! I changed it to the correct term, “kinetic typography.”
Over the past few weeks, I have been fortunate enough to teach in MSU’s MA in Ed Tech program here in Rouen, France. With the inspiration of Leigh Graves Wolf and Punya Mishra, one of the major foci of the program is on creativity. As I think about how to be more creative in teaching my own pre-service methods courses and leading professional development, this summer has been very helpful for me, allowing me enough flexibility to explore new ideas while also teaching about broad themes in education, as well as educational technology. To that end, we have been inviting the teachers to do “quickfire” types of activities each day, and I wanted to share some of my thinking on some of the creative works that I have developed in the past few weeks alongside my colleagues — and how they can be connected to digital writing — beginning with one that Punya led yesterday.
Yesterday, Punya led us in a conversation about “tensions” in education, and we had to represent our tension through a multiplicity photo. Using my iPhone (solo, so I had to actually record this as a video and take screen shots from the footage), Pixlr, this tutorial, and help from colleagues in class, I was able to produce and submit the photo above. Don’t ask me which tension I was trying to represent exactly, as I am not really sure myself; my composing process got too focsued on the the outcome and the tech, and I really forgot what it was I was supposed to “say.”
What I do know is that it took me a great deal of thinking to do this quickfire because A) I did it alone and we were supposed to have a partner to take the photos, B) I got a late start, and C) even though Punya said we could repurpose a tool like PPT to blend photos together, I knew that I wanted to do something with an image-editing tool (once Photoshop wouldn’t work for me, I switched to Pixlr).
More importantly, I was learning with my students. I normally talk about the fact that I am only one step ahead, and helping them figure things out. But, because I am one step ahead, I look like a tech genius. In this case, I was walking right next to my colleagues, or even a step behind. I had to raise my hand when Punya asked us who wanted a tutorial and, after figuring it out, immediately had to explain the concepts of the layering, erasing, and blending to another colleague, leading her through the process.
This put me in the role of the learner, and only a slightly more knowledgable other. It was good to feel uncomfortable with a technology and process. This reminds me that when I am talking about digital writing tools, no matter how common they are to me, they can still seem completely strange someone who has never used them. Moreover, describing what we did as a composing process is critical, because it helps me frame the task in terms of purpose and audience.
Inspired by the idea of an Ignite-style presentation, in particular this one by Chris Lehmann, Greg and I wanted students to summarize the major problems and possible solutions related to technology integration in education. We also wanted our students to be concise and collaborate. We wanted them to develop an “Authentic Use Policy” for themselves and their colleagues. Knowing that Present.me would be the final tool that we used to share our work and record the five-minute presentation, we knew we needed to have slides in a PPT compatible format. Also, people needed to collaborate. Fast.
So, we went with Google Docs. And, while it didn’t allow us all the flexibility in terms of design, it did work as a collaborative composing space. I recorded the entire 30 minutes or so of the slidedeck coming together using Camtasia, and here is a quick clip of the few minutes that I was working on my slides. Watching what I am doing (playing with fonts, finding a CC licensed image, organizing slides) and what is going on in the background with other partners’ sets of slides shows us a quick glimpse into the collaborative composing process. We had talked about slide design and looked at some resources from Robin Williams’ Non-Designers Design principles, and that helped some of us guide our work.
This collaborative, quick process is one that many of the teachers said could be adapted to their classroom. Moreover, the slides contain information that could be adapted for future PD that they might lead. While it was fast, it captured a semester’s worth of learning, and brought all our voices into the process, both in terms of design and implementation.
Punya has been exploring stop motion with his own children for a number of years, and I have also been inspired by the work of Kevin Hodgson, and I wanted to find a genuine opportunity to try it out with my own. After watching a series of videos that our MAET students created in response to a prompt about creativity, my own children were quite inspired. Lexi, Beau, and I took my iPhone, and some bowling pins that they had been playing with outside, and began to craft a story. Using a lawn chair to steady my camera, we shot dozens of pictures while, at the same time, trying to think about a good story to tell along the way.
They quickly figured out that the one yellow pin should be excluded in some way, and had to figure out how to animate that. They worked together to hold the yellow pin off screen, having her “peek” back in as the bowling ball moved forward to knock down the other pins. At first, we ended the picture taking with the yellow pin standing in the middle, triumphant. But, they were not happy with that ending, as they didn’t feel like the story was really “over.” So, we brainstormed other options. One of them remembered that grandma had just thrown away a red twist tie, and we fashioned that into a smile to put on the yellow pin. After importing those shots, choosing a song, putting in the sound effect, and testing it out on an audience of siblings, we knew that we had created a good story.
While my kids did not “write” in the traditional sense, spending time putting words on paper (or screen), we were clearly engaged in a storytelling process. Also, the fact that they had to think about the story in such small, frame-by-frame increments led them to carefully consider what each pin would be doing. Finally, even though Lexi’s feet were accidentally included in one key shot (that we didn’t want to shoot again because we couldn’t get all the pins back in the exact place), they were able to creatively solve that dilemma by putting a note in the credits.
This has been a fun summer, both in terms of teaching and trying out new digital writing approaches with my kids.