Category: English Education

Jim Burke’s “Teaching: The First Ten Minutes”

Jim Burke’s “Teaching: The First Ten Minutes”
Presentation at MRA 2007

Jim Burke began by inviting participants to think about the actions that students must engage in to be successful in their core academic work. He then talked about how students need to continue a number of academic skills in classes that have traditionally not been heavily focused on those skills. for instance in health.

He showed us a matrix of “academic essentials” that he invites students to use as they analyze texts. He discussed how this matrix can be used as a kind of mental weightlifting in which students push beyond what they initially are able to do into harder tasks. They move beyond what they are typically able to do in order to build up mental muscle.

Then, he shared a “time use evaluation” model, asking us to think about how we divide up our class periods and how many “teaching moves” we make in a period. The goal for the first ten minutes, then, is to consider what you do, how you do it, and why so that the initial class time is purposeful and focused. We don’t want to do “drive by literacy instruction,” where we are so focused on checking off the standards that we forget what good teaching consists of. It is not a model of responsive instruction. Burke suggests that kids work well with about three instructional moves per class.

Some examples that he shared came from the Academic Workout series that he has created for First Choice Publishers. One example is a “types of questions” overhead. The four types of questions that readers can ask of texts are:

  • Right there — factual questions that use the same wording from the passage
  • Think and search – interpretive questions that require searching and skimming
  • Author and you – answers to these questions are not directly in the texts and require inferential thinking
  • On your own – answers here are based on your own experience

As a lesson, he would have the overhead up for students at the beginning of class and give them three minutes to take notes on the types of questions. Then, he shows a model and works with the class to generate a question about that text at each level. Finally, he moves from the first ten minutes into the rest of the lesson where students would do their own independent reading and develop their own questions. Through this process, students develop academic language.

For another example, Burke showed an image from Cameron Clapp’s website and asks students to create a list of nouns, verbs, and adjectives describing what is going on, and then develops that into a full paragraph. He gives another example of a painting of a soldier with a number of elements that inspire thought and discussion. Questions could include:

  • Who is this? Where is he?
  • Why is he carrying a gun different from the bullets he has over his shoulder?
  • Why is he wearing three dog tags?

He begins his teaching with the idea in mind, “What do I need to do to help kids be successful?” He gives another example of a structured conversation that happens in the first ten minutes that can then help students structure the next task. For instance, having students talk about a text before they begin writing an essay. He then moved in to possible examples based on his current teaching with Crime and Punishment.

Possible Beginnings for Your Class

  • Open with a question: “What is a crime?”
  • Post a quotation: “THe past is not dead; it’s not even the past” William Faulkner
  • Visual: painting, photo, ad, video, infographic
  • Text: Nietzsche, poem, article, excerpt
    • Bring one powerful paragraph back over and over again through the course of a unit so students can track their thoughts and opinions about it over time
  • Opinionaire: “When is an action a crime?”
  • 4Rs: Read, retell, respond, relate
  • Mini-Lesson: summarizing, questioning, compare/contrast writing
  • Discussion: share and compare
  • Generate: types and examples of punsihment
  • Priming the mind: questions to consider and background
  • Write: compare similarities and differences
  • Quiz: explain a line from the chapter
    • Reflective reading quiz: generate five words about tone, character, etc and choose the best word to describe tone/character/etc and why it’s the best
    • This embeds the language of testing (“choose the one that best describes”) in the context of an authentic lesson

He also mentioned the Linda Darling-Hammond article about making homework purposeful, such that students want to do homework so they can come to class engaged and ready to work. Other research:

  • Nystrand in RTE (2005): Nothing has more significant benefits in comprehension and engagement than structured use of classroom conversation
    • The average teacher only allows for one minute of conversation in class per week, although even that one minute makes a difference
  • Wilhelm (2006): talks about organizing your class around an inquiry. Rather than just reading Romeo and Juliet, ask “What makes a good relationship?”
  • Reading Next (2004): teaching for meaning, not just to get through things

Spelling correction made on March 27, 2022

Telling the Technology Story in K-12 Schools

The past week or so has been crazy. Yes, busy crazy for me personally, for sure.

But, I am talking about another kind of craziness.

I am talking about the number of teachers that I have talked to who have been fighting filters, trying to get equipment to work, and generally trying to make meaningful use of technology in their classrooms.

After last week’s Teachers Teaching Teachers about infrastructure, and being invited to talk with the group again this week, there are two stories that I feel I need to tell. The first comes from a research project about blogging and podcasting in which I am collaborating with an RCWP colleague, Dawn Reed. The second, from another RCWP colleague, Stacy Schuh who was trying to figure out who to get colleagues in her school to use blogs.

First, Dawn and I have been working for the past few months to create an opportunity for students in her speech class to blog, podcast, and offer peer response to one another. In so doing, she has run into multiple layers of complications in regards to allowing audio content over her school network, having the appropriate equipment in her classroom for students to listen to podcasts, getting technical support, and having parents sign off on a consent form for students to post their work online (or, perhaps, getting students to take the consent form home for parents to sign…). In short, she feels that:

Basically, I need help to get around what our technology is set up not to do.

Now, this is not a matter of Dawn throwing up her arms in frustration at the first sign of a problem. Instead, I feel that this comment speaks to the deep and sometimes unseen forces that school infrastructure — both social and physical — can have on a teacher’s ability (and willingness) to engage in technology-based work with her students. These roadblocks that she has encountered are indcative of how we refuse to change what Tyack and Cuban would call the “grammar of schooling”: the ways in which the traditional school day, quarters, semesters, and years are structured as well as the generally restrictive and skill-and-drill ways in which we view using technology in school. These visisons continue to propel our decision making processes about why and how to use technology, even though the changes are happening faster than we can keep up with if we are willing to innovate, let alone if we are not.

Second, Stacy a teacher at RCWP — who works at a public charter school — has essentially become the webmaster for her school because she was able to get the free Lunar Pages account for K-12 educators. The school didn’t have a website, nor did teachers have email, until she set up the site a year ago. She has had her students blogging this year on a Word Press blog that she installed on the site.

Recently, she wanted to create a blog for her colleagues but everything in her school is filtered (Blogger, Edublogs, etc) except for the domain that she created through Lunar Pages because it is, essentially, the school website. So, as she and I were trying to think through all the options, I just suggested that she install another Word Press blog. She did. And they are blogging now.

As I think about these two teachers and the infrastructure problems that they are encountering, I think that someone needs to help out. Perhaps NWP — or at least local sites — could team with a hosting company like Lunar Pages to make things easily available to teachers that can help them do their work better and empower them to make their own decisions related to technology. Then, teachers would have control over their domains, both classroom and web-based ones.

Link to "Multiliteracies Meet Methods” Article

The article that Jeff and I wrote for English Education got a mention in a recent NCTE INBOX:

Teacher educators can find useful strategies in the English Education article “Multiliteracies Meet Methods: The Case for Digital Writing in English Education” (TE). The article provides a rationale for teaching digital writing and explores the rhetorical, interactive, and pedagogical implications of such teaching.

Quick, grab the PDF while you have free access to it! 🙂

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Link to “Multiliteracies Meet Methods” Article

The article that Jeff and I wrote for English Education got a mention in a recent NCTE INBOX:

Teacher educators can find useful strategies in the English Education article “Multiliteracies Meet Methods: The Case for Digital Writing in English Education” (TE). The article provides a rationale for teaching digital writing and explores the rhetorical, interactive, and pedagogical implications of such teaching.

Quick, grab the PDF while you have free access to it! 🙂

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Visions of Online Learning

Are we, as educators, approaching this in the right way?

To deal with the growth, the University of California is launching an extensive effort to make sure applicants’ online high school courses are on par with traditional classroom instruction.

More students across US logging on to online classrooms – The Boston Globe

To be honest, I am not sure that I want online courses to be “on par” with traditional classroom instruction. While I do not want to get in a finger-pointing, name-calling game, the fact of the matter is that “traditional classroom instruction” is becoming more and more a relic of education’s past, not a model to emulate.

Moreover, what is it about the “online experience” that makes it an online experience? If it is simply listening to video versions of lecture and completing the same homework assignments that have been given year after year with Word or Excel instead of a pencil, paper, and calculator, then we are going about it all wrong.

Shouldn’t, instead, the purposes of online learning be to engage students in reading and writing tasks that require multimedia authoring, collaboration with others with whom we typically would not or could not work, and engagement with materials that are fresh, relevant, and contextually useful to one’s own inquiry?

This is not to say that there is not a place for some traditional “content” in online learning. However, my experience as an online instructor was one where I simply monitored students as they were supposed to work independently through a prescribed set of curriculum. One of our coordinators called it the “nag and brag” version of online teaching, only to touch base with students when they did something wrong, fell behind, or did a great job on something.

This, to me, is the failure of our current paradigm about online learning. We do not need to replicate traditional classroom experiences. Instead, we need to think about what it means to engage with content and collaborate with others in ways that will both catch the attention of and expand the abilities of our students.

I hope that Michigan, as the first state to adopt an online learning component, is able to move beyond the traditional visions and be, instead, visionary. Perhaps we are moving in the right direction.

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Of Photography and Five Paragraph Essays

For the past two Mondays, I have been attending a photography class. This was a Christmas present from my wife, and a much-needed break from the regular weekly routine in this cold, cold mid-winter stretch. The award-winning photographer teaching the class, Ron St. Germain, shares a number of tips and tricks while also teaching us the basics about how to operate these fancy (or what we thought were fancy until we realize all the things they can’t do) digital cameras that we’ve owned and never really known how to use.

In the first two sessions, he has basically told us to stop doing everything that we are doing with our cameras. Or, should I say, what they are doing for us. Point and shoot with auto focus? Turn it off and use your shutter and aperture settings. Automatic flash? Turn it off, too, and use a detachable, multi-directional flash. Saving in JPEG? Stop it, and switch over to TIFF or RAW formats because the JPEG may be space-saving, but is also taking out details in your pictures that you may want later. In short, take control of your camera so you can take better pictures. Otherwise, you will continue to get the same type of pictures that you have taken for years on auto pilot and that have never turned out.
As I was processing all these tips on the drive home tonight, I began to recall a conversation that I had with a group of high school teachers during a professional development session a few weeks ago. The topic of the session was “writing with purpose,” and we discussed a variety of reasons and genres for writing. Towards the end of the session we began a discussion about the five-paragraph essay (5PE). While I thought that showing them a video from the Annenberg Foundation and discussing reading a Jim Burke book would open up a conversation about essay writing that would critique the 5PE, what I found was exactly the opposite. Teachers in the session offered all the usual thoughts on why and how the 5PE works for them:

  • The kids don’t understand what an essay is at all and this gives them a model
  • You have to know the rules of essay writing before you can break them
  • When kids are in a testing situation, they need a model that they can rely upon

While I would like to believe that all of these are palpable reasons for teaching the 5PE, I simply can not buy it. As an amateur photographer, my instructor is basically telling me to throw out all the automatic settings on my camera and learn how to shoot manually. As a teacher of writing, I think that I should invite my students to throw out the automatic settings, too.

Instead of talking about a particular form, the 5PE, — just like relying on the settings that come installed on my camera — we need to talk clearly and carefully about audience, purpose, and situation of a writing task. Just as I no longer point my camera at a subject and let it do all the work, I don’t think that a writer should put a mold into place and then try to fill it.

This will only become more important as students compose multimedia texts. Beyond the many connections to composing that I could make with this digital camera example, I want to keep thinking here about the ways in which I should control the camera (or the form of the essay), and not how it should automatically do things for me.

Perhaps I am extending the comparison between my camera and the form of the 5PE essay a little far. Yet, I do believe that writing teachers need to consider the ways in which they frame the writing tasks in their classrooms. I want to make sure, especially with digital writing — which is by its very nature non-linear and multimodal — that we do not offer templates or pre-set notions of what a digital story, blog, wiki, or other composition should be (having X many links or images, for instance). Like the automatic settings on my camera limit me as a photographer, these preconceived notions of what a composition can be limit what a writer can attempt in his or her essay.

Engaging Writers with Interactive Genre Samples and Peer Review

The folks at UofT are at it again, and this project looks to be quite useful for writing teachers who are beginning to think about how technology can be useful for more than just web searching:

iWRITE is web-enabled courseware developed at the University of Toronto by Margaret Procter and colleagues to support the use of written assignments in courses across the disciplines. Each iWRITE site is course-specific so that it reflects the expectations in your discipline and your emphasis in teaching and grading. Thus its advice is relevant and credible.

By showing samples of past student papers along with detailed instructor annotations, iWRITE sites demonstrate the qualities of structure, coherence and style expected in written work for specific courses. The course grading criteria are included for viewing at any time. An interactive module (the Prompter) can be created to take students through the process of planning and drafting their next papers. A Peer Review function is also available for online exchange of papers.

iWRITE Web-Enabled Software

This kind of reminds me of the Model Bank examples, although the depth and breadth of classes and genres represented here seems much richer (mainly because this is college writing, not middle school). Moreover, I find the explicit focus on looking at other writing as models a great focus for this site, especially since so much concern about writing on the Internet is about copying and plagiarism. For the iWrite site, the focus seems to be on examining author’s craft in order to make one’s own writing better.

In other words, the teachers here want students to be looking at other writing, analyzing it, and learning to write better because of it. The interface allows them to do this in an interactive way, thus taking advantage of the technology to move beyond simply sharing a piece of writing but actually being able to engage with it.

I already emailed them for my temporary login and password.

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(Re)Imagining the Writing Workshop

Today, I invite you to think about what the writing workshop model offers for teachers and students and how it relates to Michigan’s ELA High School Content Standards.

Differentiating Writing Process from Writing Workshop

  • Quick write: What is Ray’s argument that she is trying to make for teaching writing? Do you agree or disagree with it?
  • Pair and share: Discuss your response in relation to your own experience as a K-12 student. What is your experience as a writer in school?

Examining the Writing Workshop in Action

As you view the video, please take note on how you see Ray’s “essential characteristics” of the writing workshop and what the teacher and students are doing:

  • Time for writing
  • Teaching
  • Talking
  • Periods of focused study
  • Publication rituals
  • High expectations and safety
  • Structured management

As you see the writing workshop enacted, and realizing that this is just one lesson, to what extent do you see these essential characteristics coming in to play? What did the teacher do? The students?

Examining Michigan’s High School ELA Content Expecations

Get a paper strip with a single content expectation. On the back of this strip, please write a one-sentence description of what you think this would look like in a classroom. What would the teacher be doing? What would students be doing?

Understanding the expectations: As you walk around the room and network with your colleagues, discuss your expectations in light of Ray’s “essential characteristics.”

To what extent do Ray’s characteristics and the content expectations:

  • Overlap and support each other?
  • Oppose or contradict each other?
  • Seem completely unrelated? Why?

Combining Theory and Practice

Get a full version of HS ELA Writing Expectations.

  • Where do you see evidence of a “writing process” approach in the content expecations?
  • Where do you see evidence of a “writing workshop” approach?
  • What specific skills do the content expectations demand that may or may not align with Ray’s vision of teaching in the writing workshop?
  • How do the different genres and media (especially media related to technology) map on to Ray’s understanding of the composing process?

Exit Slip

Begin to draft a response to Ray that takes the new HS expectations into account. You may respond by answering any of the questions that we have explored today or one that you now have in your mind. Please post the final draft of this response to your blog.

Visions of Technology In English

Tomorrow, I will be working with a colleague’s class of pre-service English teachers. He asked me to “offer this group is a vision or several visions of what is possible regarding technology and writing” and I can think of a few, but there are two rolling around in my mind right now.

First, I return to a post that Will had about a month ago introducing us to Mogopop. I downloaded the software and tried to get it to work, but with the holiday rush, I gave up on it. Well, this weekend I finally got back around to it as I began to think about the talk tomorrow. I am glad that I did. This seems like a simple, yet highly effective and web-based tool for producing multimedia content. Some of the examples on the site are very simple — just pictures in a slideshow, basically — but some of them are really elaborate. Moreover, Mogopop basically allows you to use the “note” feature in a video iPod to create an interactive, hypertextual and multimodal text. In short, it seems to be the most user-friendly multimedia creation tool that I have seen in a long time. Now, I haven’t made my own yet, but the possibilities seem quite engaging, with some examples on their site incorporating public domain and open source content (like all of Poe’s poems) into a Mogopop project. To me, this seems like a natural extension and publication tool for student work created in blogs, wikis, podcasts, and digital stories.

The second thing on my mind is one of Paul‘s most recent podcasts: Self-Assessing Blogging. He asks a series of timely questions to his middle school students, all of whom have been blogging all year:

Here are the questions I asked my middle school students to address today.

  1. What makes for a really good blog post — one that others want to read and respond to? * Is it something you care about? Is it about something important? * Is there enough writing? Is there too much? What keeps the reader reading? …

He asks many more questions and, in his podcasts, reads a number of students’ answers. One of the main themes? Audience. All of the students addressed the fact that they felt a real sense of audience in their blogging. I know that Paul has been using a blogging matrix to invite his students to write, and from his podcast it sounds as if this intentional scaffolding of student bloggers is paying off.

So, those are the two places that I will probably start talking tomorrow after a little bit of prefacing. I have other sites to show, but these are the things on my mind this weekend and both seem to be pertinent to our discussion tomorrow about visions.

It’s always nice when the vision can be grounded in reality.

“It’s Not About the Technology…” (Usually)

So, a few things have happened in the last week that have me thinking about my belief that “it’s not about the technology, it’s about the literacy practices the technology enables.” As much as I do believe that, there is a certain point at which the technology has to be functional in order for the literacy practice to take its place front and center. Three cases from the past week…

First, Lansing Schools are (as they should) celebrating a new school opening this week. The interesting move that I think all of the school officials and board members are making is framing this as a move to “compete” for schools of choice students that have left the district. The articles and news reports have been celebrating many things about the school, especially the fact that it has four computer labs (as compared to the previous school’s one) and LCD projectors in each room. Again, something to celebrate.

However, what I am concerned about are the other schools in Lansing — many of which my RCWP colleagues teach in — that do not have the technology that the new Pattengill has. Here is a case where we now have disparity not only between districts, but within a district, too. As we think about digital literacy, and the quality and quantity of access that students get at school, I think that we can’t underestimate how important this part of the discussion is as an equity issue. What happens when middle school students from different locations converge in the district’s high school, some working in highly networked environments and others not? This is certainly something that we need to consider, let alone the disparities between school districts.

The second case was from when Aram and I delivered a workshop on digital storytelling, the first one that either he or I participated in as a facilitator. While I want to say that digital storytelling is about the story, not the technology, I do have to say that we had a heck of a time trying to get Photostory and Windows Movie Maker to do what we know iMovie can do on its own (adding narration to a full time line in Photostory, for instance). Then, there was Jumpcut (and, I am sure a number of other online video editors that I haven’t even found yet), and we considered jumping to it mid-day, but decided to ride the storm out.

Again, this is another issue that we need to consider as we try to integrate digital literacies into schools. We had some resilient teachers and two facilitators working to make this all happen, and we did have twelve success stories by the end of the day. However, I can see–and would likely agree with–a teacher who felt that there were too many hoops to jump through in order to bring a digital story to fruition using these two programs, programs that I am sure most schools are dealing with since they are Windows-based (and, Photostory still needs to be installed separately, assuming you even have XP). Once the technical issues outweigh the benefits of the literacy learning, then it seems as though the project could turn into a “how to” lesson and not a writing one.

Finally, and this is my last gripe for tonight, I joined in the ACE Second Life meet-up the other day. Again, nothing really new there, as people like Rob, Sarah, and others have been writing about Second Life and the implications for English instruction for months and I am just getting on board with it. However, what I found interesting was the fact that of all the things to do in SL, the one thing that you can’t really do is compose and share text beyond simply chatting.

Now, you would expect the digital literacy guy to think that it was cool that you could take screen shots and videos and create multimodal compositions. And, I do. That’s cool that people are composing in a multimodal manner.
Yet, I still wanted to see something in SL where people could actually share their writing with one another in a quick and easy way. Sarah talked about this on EdTechLive a month ago: the idea that people could look at an internet browser live in SL. Perhaps they could look at a Google Doc or wiki page and work on it together, in SL. Who knows? Perhaps now that SL has gone open source, something like that might happen. (Also, I won’t even go into the equipment and bandwidth requirements that SL needs in relation to digital writing…)
Well, enough said for tonight. I guess that I needed to just think through my “it’s not the technology” argument a little bit more. Thanks for listening…