As a participant, I am reminded of the many, many moving parts that the facilitators for such an institute need to plan, and I have been fully engaged in the workshop for the past few days. Couple that with needing to continue working on all my regular tasks as a program director, faculty member, and consultant, and the time here at DMAC slips by entirely too quickly.
I need to pause. To scale back a bit. I woke up early this morning, and knew that I needed to reflect. To refocus.
So, here I am.
Without a doubt, I am enjoying the process. Since my infographic prototype post earlier this week, we’ve also tinkered with Audacity and the audio assignment, as well as iMovie and the video assignment. Fortunately, I’ve had experience with both these tools — as well as these concepts — so I’ve tried to focus more of my attention on the deeper, more theoretical implications of what DMAC has been pushing me to consider.
For instance, yesterday, we were asked to consider the politics of race and social media, deconstructing images and considering how to layer meaning with memes. I’ve certainly thought — and written about — memes before, but the new lenses of accessibility and social justice are all helpful reminders for me as I prepare to create my projects this weekend. Speaking of projects, my work is moving forward, but at a seemingly glacial pace. Again, being a participant reminds me that — when I am in the facilitator role — I need to be quite mindful of my audience’s needs, both technical and social.
Still, I am impressed by what we can do when we put our minds to it. For instance, Elvira and Rich created concise, compassionate short film yesterday:
Giving students — and, when in workshops, teachers — the time and space to play, take risks, and be creative makes a world of difference. I’ve heard these types of opportunities called many things. Quickfire challenges. Rapid prototyping. Sandboxing. Whatever we want to call them, we simply need to do more of them. I will remember this in preparation for the fall.
Of course, the conversations with colleagues from around the country have all been productive and refreshing. Today, we head to the Ohio Union for the Innovate: Forward conference. This, too, will be a refreshing change, as I hear about the many initiatives related to digital learning that are happening here at OSU. While keynotes are always interesting, I look forward to seeing what faculty are doing in their face-to-face and online courses, and I’ve mapped out some sessions that deal with digital distraction, new environments and structures for learning, and building better online discussions. These may ebb and flow throughout the day, of course, but that is the thrill of going to a conference!
As we prepare to “turn the corner,” moving into the deeper, more substantive work of producing our audio, image, and video projects. Again, my work this week is largely in preparation for teaching the honors seminar this fall, “Our Digital Selves.” My aim this weekend is to have my infographic, podcast, and video in a near state of completion for Monday’s preview. What’s interesting in that part of the assignment is that we are supposed to create “no more than :60 (sixty seconds) of video and/or audio that illustrates your work in progress that you plan to share at the upcoming showcase.” Making a recording about our work in progress, rather than simply standing nearby to describe it, is another interesting pedagogical move that I am learning from the DMAC structure, and I look forward to that challenge.
A recent conversation with a colleague about this topic reminded me of the many reasons why I, personally, dislike Bb:
The interface is almost entirely teacher-centric, and even the features that allow students to contribute (discussion forums, and “innovations” to the LMS like blogs and wikis) are still very didactic in nature requiring that the teacher set them up in a manner to “allow” students to contribute. For instance, look at the many options available in just the “discussion board” settings in the screenshot below from Bb and consider the levels of autonomy that the teacher can decide upon for students, leaving them with fewer and fewer decisions to make for themselves. This is not really a discussion, but an assignment.
Similarly, the interface is designed on a “delivery” model of content. Yes, a creative instructor could build some self-guided learning, inquiry, and even “gamification” into the system (which Bb has conveniently added as “achievements,” but it is centered again on content consumption, assignments submission, and the gradebook. Again, the premise with the LMS is that students are logging in to view content that the teacher has created (or curated), and that this content (and this content alone) is what is important. Even if students create content (and could, theoretically, do so by embedding images, videos, or other types of digital artifacts). Still, for the most part, when directed to engage with the content (and I haven’t even mentioned online quizzes/exams), students are encouraged to do so most often to earn points.
Even in the best possible case, where a teacher is open to multiple revisions of an assignment that allows students to engage in an iterative process of learning, the interface for responding to assignments is, again, didactic, with the student submitting a paper, the teacher using commenting tools and rubrics to reply and, perhaps, opening up another “attempt” for submission. In contrast to a more open and flexible system of collaboration (as enabled by, say Google Docs or even the most current version of Word with synchronous and cloud-based editing), this workflow in Bb still relies on discrete assignments, deadlines, and grades.
Screenshot of Bb Discussion Forum Options for Instructors
There are more critiques that I could levy, but these are the main concerns that I have with Bb. So, from my earliest experiences teaching at the university, then, I have been trying to upend the expectation that I must use an LMS to organize my courses… as well as my thinking and my teaching. It is a struggle, and I have succumbed to the convenience (and mundane normality) of Bb in my past few semesters when teaching masters and doctoral courses all online. (I’ll have to describe my (compromised) rationale for all that in another post, but suffice it to say that I have, at least in recent times).
For the moment, I want to reflect on my journey with wikis as an alternative to the traditional LMS, in particular, with Wikispaces. Eagerly heralded as one of the revolutionary Web 2.0 tools that would democratize knowledge, especially for digital teaching and learning, wikis have been a staple of my teaching and professional development work for over a decade. So, like many others in the ed tech community who were both saddened and shocked when Wikispaces announced its imminent demise (some more shocked and outraged than others), I knew that this was more than just a moment to rethink where I store my data and how I organize my teaching.
First, a quick note of thanks to Wikispaces. Yes, I know that I have lots of data to recover, and that will be a pain. But, I can’t complain. I’ve used, enjoyed, and promoted Wikispaces for over a decade, and I appreciate what they have done with and for educators. Alas, like anything that has been offered for free, I am well aware that it too could go by the wayside (and soon will be). Wikispaces, alas, is no different. People are figuring out ways to save and repurpose their Wikispaces data, and I will, too (before the end of July!).
So, instead, I look at this as an opportunity to rethink my presence on the web as a teacher, teacher educator, and scholar. I will do that in the weeks and months to come. What I want to reflect on for a moment, however, is different. I want to think about why I really used Wikispaces, and whether I was being as open-minded, collaborative, and innovative as I thought I was.
That is, even as a progressive-minded educator, opting to use Wikispaces as a substitute for the LMS, as a tool for students to collaborate and contribute to our classroom community (as well as during workshops in which I lead professional development for teachers), I don’t know that I have fully enacted or lived up to my egalitarian ideas. If I were to do an honest accounting of all the Wikispaces that I manage, and see what I have contributed versus others, I would guess that I am, at best, close to a 50/50 balance. More likely, I am the one doing most of the adding and revising, especially in my course and workshop wikis.
In other words, at a deeper, more substantive level, have any of the wikis that I have created — and the pedagogy that I have enacted surrounding those wikis — really been about the participants, or has it been about me?
For all the class websites that I have created with Wikispaces, including ones for undergraduate, masters, and doctoral students, and for all the pages that I have created for workshops and longer PD institutes, I have to wonder… was I creating things on Wikispaces because it was convenient for me?
Was this a technical choice, perhaps, because giving a wiki address was an easy to find a domain (back before shortened URLs and QR codes made it easier to get to a Google Doc?)?
Was it because I wanted the public facing interface and immediate editing as a way to fit my own style of teaching, and not so much as a tool for really encouraging substantive contributions and communication amongst students?
I’ve been wondering all of this because – as I prepare to download the data from dozens of wikis and figure out where and how to archive it – I’ve noticed that I am the main contributor to most of the wikis I’ve begun. There are exceptions, of course, including our writing project’s wiki which has existed for nearly 10 years and contains the contributions of dozens of teachers. There is also a smattering of wikis that I’ve created in a one time workshop, inviting teachers to create their own page, for a day, that then linger in cyberspace. And, of course, there are the class wikis, where I have had varying degrees of success with students creating and curating their own profile pages and contributing to other sections of the class wiki site.
Still, the challenge is taking a deep, thoughtful look at all of these wikis again and thinking about who it is that has done most of the contribution. There is the old adage that “school is the place where young people go to watch old people work.” Bb, certainly, seems to be virtual manifestation of that physical truth about schools.
My question, at least at this moment, is whether or not I have been simply recreating that truth under the guise of collaboration, creativity, and inquiry by using wikis…
… or, have I really done anything different in the space of hybrid/online learning over the past 10 to 12 years? And, to circle back to the dilemma of the LMS, this has given me pause to seriously reconsider my use of Bb, too.
I’ve started to become complacent, and that is a dangerous place to be when it comes to digital writing and digital teaching. Like most teaching dilemmas, this is a wicked problem, and one that I will need to wrestle with more and more as the July 31 deadline for Wikispaces’ imminent demise comes closer and closer. In a way, I am thankful for the the opportunity to rethink why and how I create and curate materials for the web, for students, and for other teachers. I don’t know that I will ever have the answer, but I hope to soon have some thoughts on how to approach it from a new perspective.
Enjoy this archived recording of “Exploring the Craft of Digital Writing, Grades 2–8” with Dr. Troy Hicks and the Center for the Collaborative Classroom.
More and more, our students encounter a daily dose of digital texts, ranging from websites to social-media messages, from class assignments to YouTube videos. As they encounter these texts, what are the strategies that they need to be close, critical readers and viewers? Moreover, as students craft their own digital writing, what do they need to be able to do as writers, producers, and designers?
Tomorrow night — Tuesday, January 23rd from 8:00 to 9:00 CST — I will be facilitating the #WisEduChat with a focus on “Teaching Digital Writing.” Here are the questions we will explore over the hour:
Q1: Thinking about writing instruction in your classroom, what’s going well? What’s puzzling you? What do you want to try?
Q2: Now, let’s talk about digital writing. How would you define it? How does it compare to typical “schoolish” kinds of writing?
Q3: How does digital writing change our work with students?
What changes with our curriculum, instruction, and assessment?
Q4: When assessing digital writing, what are we looking at? Process? Product? Quality of writing? Quality of digital workmanship?
Q5: What are some of the digital writing tools that you are using…
or that you want to try?
Q6: What specific assignment ideas do you have in mind? What genres, audiences, and purposes (as well as tools) might you explore?
Also, I’m pleased to note that I will be in Wisconsin at least twice in the year ahead. This conversation via Twitter will be a good one to get things started!
Wisconsin Literacy Research Symposium in Appleton, WI, June 21-22, 2018
Do a personal 24- to 48-hour news audit in which you record all the news you get now, where it comes from, and how well it meets your needs and interests.
This short course reminded me of the power of experiential, inquiry-based learning. As I am redesigning a media literacy course for teacher candidates, I am thinking that one of these types of brief activities each week could be incredibly useful, so I will return to them again in the future.
Exploring the Craft of Digital Writing, Grades 2–8
A Complimentary Webinar with Dr. Troy Hicks and the Center for the Collaborative Classroom.
Join us for an hour of inspiration and learning with Dr. Troy Hicks as he leads us in an exploration of the craft of digital writing. More and more, our students encounter a daily dose of digital texts, ranging from websites to social-media messages, from class assignments to YouTube videos. As they encounter these texts, what are the strategies that they need to be close, critical readers and viewers? Moreover, as students craft their own digital writing, what do they need to be able to do as writers, producers, and designers? Join Dr. Troy Hicks as he shares insights about the craft of digital writing and its implications for our students, grades 2–8.
Please note: This webinar will be recorded. If you are unable to attend the live session, register to receive a link to the recorded webinar. The recording will be made available 5–7 business days after the live session.
In the session slides, Andy and Rachel share the ways that he taught the Connecting Evidence to Claims mini-unit. In particular, they described the ways in which students engaged in dialogue, a point that I tried to summarize… and captured quite well by Jen Ward:
“Argumentative writing is not about winning. It’s about creating a dialogue.” via @hickstro at #MCTE17
New books about ed tech hit the market everyday, and it is sometimes difficult to find ones that truly meet the needs of teachers while being approachable and accessible. So, a few weeks ago, when I was tagged in a Twitter post about a new book, it definitely caught my attention:
Flattery aside, as an author and educator, I always appreciate shoutouts like these, and I was a bit dismayed that I had not yet heard about the book.
And, after a quick hop to the Amazon website where I previewed the book and read a review, I could tell that my own ideas about teaching reading and writing were, indeed, in line with those of Katie Stover and Lindsay Yearta.
With that knowledge in mind, I asked Stover if I could take a look at the book and, thanks to Solution Tree Press, my own copy arrived just a few days ago.
And, in much the way that Stover described the teacher’s endorsement in her tweet, I would certainly agree: From Pencils to Podcasts is a book that adopts the same stance toward reading, writing, and digital literacy that I, too, hope to imbue in my own work.
From the opening pages, the authors articulate their belief that “[t]echnology, when used intentionally, enhances teaching and learning as students have more opportunities to create, collaborate, communicate, and share” (6). I couldn’t agree more. Throughout the early pages of the introduction and into the fourteen chapters that follow, Stover and Yearta offer a variety of digital reading and writing tools that will be useful to elementary-level educators.
Cover Image from Solution Tree Press
The book is segmented into four major parts. In part one, Stover and Yearta focus on tools to facilitate comprehension and analysis. Here, the authors provide many examples of teachers and students at work, as well as descriptions of the technologies that they employed. I was most intrigued by an example where a fifth grader and a college student discuss the shared reading using Edmodo. At one point in the dialogue, the college student records herself on video providing an additional response and clarification for her fifth-grade reading buddy (25). These types of small, yet powerful, examples are sprinkled throughout the book and demonstrate how readers and writers can flourish when supported through effective teaching and creative applications of technology. Also, Stover and Yearta provide links and QR codes throughout their book that lead directly to the apps/websites being mentioned, and they also have created a companion webpage with those links conveniently listed along with reproducible handouts.
In the second part, Stover and Yearta move on to discuss tools that can facilitate evaluation and revision. Again, the authors provide a number of different lesson ideas and technologies as examples, and one of the most unique twists is the application of digital video to the classic strategy of “reader’s theater.” They describe the ways in which students develop fluency as they engage in multiple readings of their selected book and, ultimately, produce and publish their own interpretation of the book using digital video (70).
The third section of the book offers even more opportunities for teachers to think about performance and publication as Stover and Yearta explore infographics, digital story retelling, publishing with a digital book creator, and incorporating speech-to-text dictation. Similarly, the fourth section pushes teachers to think creatively about new applications of existing technologies such as using timeline tools to create reading histories, conducting digital conferences using tools like VoiceThread, and composing digital portfolios with Seesaw or Weebly.
Additionally, throughout the book, Stover and Yearta share many case studies of teachers using tech in critical and creative ways. For instance, in the final chapter on formative assessment, they invite us into the classroom of Katharine Hale, exploring the ways in which she uses Lino and Padlet as spaces for students to capture their reading ideas, questions, and connections in-process.
On the whole, Stover and Yearta have designed and delivered a very useful book. My only concern is this: while the authors do present many examples from students and teachers, especially text-based examples such as digital discussion boards, as well as screenshots of the interfaces for various websites and apps, my one hope would have been to see more examples of student work, both in the book as well as through hyperlinks on the companion website.
For instance, Stiver and Yearta share overviews of many tools including infographics, digital movies, and a book creator app, yet the reader is left to her own imagination in order to visualize what these final products, created by students themselves, would actually look like. In other words, it would be helpful – especially for teachers new to digital reading and writing – to see even more examples of how students were able to utilize these tools in different ways, and to have them available online as mentor texts that teachers could click on and share in their own classrooms.
If a teacher is new to using 1:1 technology, the book offers numerous ideas that will be adaptable across grade levels. And, even if a teacher is familiar with many of the apps and websites, Stover and Yearta provide new insights into the ways in which these tools can be used. For any book that is written for teachers, it is a challenge to create a resource that is overflowing without being overwhelming, and with From Pencils to Podcasts, the authors have certainly accomplished their goal.
I am, indeed, flattered that a teacher has compared my work to theirs, and I appreciate their insights into the connection between emergent/early literacies and technology. For any K-6 educator who is new to using technology in her classroom – or wants to look at integrating technology with a fresh set of eyes –From Pencils to Podcastsshould be on your summer reading list.
Disclaimer: At my request, I was provided with a free copy of the book by Solution Tree Press.
